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Feel the passion of John Linnell in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

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John Linnell
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Museum Quality Art Prints
Individual Customization Options

John Linnell

    June 16, 1792   -   January 20, 1882
Romanticism   •   Wikipedia: John Linnell

John Linnell (1792 - 1882) was one of the most successful English portrait and landscape painters of his time. As the son of a carver and gilder, he came into contact with art at an early age. Already at the age of 10 Linnell earned his money by selling portraits with chalk and pencil. His father James Thomas Linnell capitalized on his son's talent and had him make copies of paintings by painters like George Morlan, which he sold at a profit. At the age of 13 John Linnell was finally accepted at the Royal Academy School. He was taught by Benjamin West and later by John Varley, whose students at this time included William Hunt and William Mulready. Linnell was a versatile artist who mastered watercolor and oil painting as well as engraving.

Soon Linnell had built a reputation as a portrait painter. Portraiture accounted for most of his income. He was in great demand among the clergy and the nobility. But his deep passion was always for landscape painting. From the 1840s, after almost 30 years as a portraitist, Linnell finally turned exclusively to landscape painting. Although many of his landscape scenes also depicted people and were sometimes titled, such as "Sermon of St. John", "Wheat" or "Journey to Emmanus", people seemed to be rather unimportant. Linnell concentrated much more on the representation of the sky and the surrounding landscape. The paintings often showed unagitated English landscapes. But the paintings were enchanting nevertheless, because Linnell liked to decorate his paintings with sunrises or sunsets. These light conditions ultimately made his works so special. In his spare time, Linnell studied the Bible in the Orignial, wrote commentaries on it and composed poems. He was an admirer of the European Renaissance, especially Albrecht Dürer.

John Linnell was married to Mary Palmer, the eldest daughter of a chapel treasurer. The couple had nine children. His son, Thomas Linnell, also became a successful landscape painter and learned much from his father's work. Linnell was very sympathetic to young artists. Thus he was one of the most important promoters of William Blake and energetically supported him and gave him his first commissions. He is also said to have been a supporter of the Pre-Raphaelites Holman Hunt, Rosetti and Millais when the movement was still struggling with strong resistance. He also took his future son-in-law, Samuel Palmer, under his wing when he was 17 years old. However, the initially good relationship between the two is said to have become increasingly strained later on.

John Linnell

    June 16, 1792   -   January 20, 1882
Romanticism   •   Wikipedia: John Linnell

John Linnell (1792 - 1882) was one of the most successful English portrait and landscape painters of his time. As the son of a carver and gilder, he came into contact with art at an early age. Already at the age of 10 Linnell earned his money by selling portraits with chalk and pencil. His father James Thomas Linnell capitalized on his son's talent and had him make copies of paintings by painters like George Morlan, which he sold at a profit. At the age of 13 John Linnell was finally accepted at the Royal Academy School. He was taught by Benjamin West and later by John Varley, whose students at this time included William Hunt and William Mulready. Linnell was a versatile artist who mastered watercolor and oil painting as well as engraving.

Soon Linnell had built a reputation as a portrait painter. Portraiture accounted for most of his income. He was in great demand among the clergy and the nobility. But his deep passion was always for landscape painting. From the 1840s, after almost 30 years as a portraitist, Linnell finally turned exclusively to landscape painting. Although many of his landscape scenes also depicted people and were sometimes titled, such as "Sermon of St. John", "Wheat" or "Journey to Emmanus", people seemed to be rather unimportant. Linnell concentrated much more on the representation of the sky and the surrounding landscape. The paintings often showed unagitated English landscapes. But the paintings were enchanting nevertheless, because Linnell liked to decorate his paintings with sunrises or sunsets. These light conditions ultimately made his works so special. In his spare time, Linnell studied the Bible in the Orignial, wrote commentaries on it and composed poems. He was an admirer of the European Renaissance, especially Albrecht Dürer.

John Linnell was married to Mary Palmer, the eldest daughter of a chapel treasurer. The couple had nine children. His son, Thomas Linnell, also became a successful landscape painter and learned much from his father's work. Linnell was very sympathetic to young artists. Thus he was one of the most important promoters of William Blake and energetically supported him and gave him his first commissions. He is also said to have been a supporter of the Pre-Raphaelites Holman Hunt, Rosetti and Millais when the movement was still struggling with strong resistance. He also took his future son-in-law, Samuel Palmer, under his wing when he was 17 years old. However, the initially good relationship between the two is said to have become increasingly strained later on.

Artworks by John Linnell

Artworks by John Linnell

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239 artworks found

John Linnell
Proposal for a drawing room inte...
Undated | watercolour on paper

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John Linnell
Design for a bed, c.1755-60
Undated | drawing

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John Linnell
Pointing out the Way, 1874
1874 | oil on canvas

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John Linnell
 
Undated | oil on canvas

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John Linnell
William Blake Wearing a Hat, (in...
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John Linnell
 
1835 | Oil on cardboard

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John Linnell
Portrait of Mrs Bolding, 1832 (...
1832 | oil on panel

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John Linnell
The River Kennet, near Newbury, ...
1815 | oil on canvas laid on panel

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John Linnell
Christ's Appearance to the Two D...
1835 | oil on wood

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John Linnell
Christ and the Woman of Sumeria ...
Undated | oil on panel

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John Linnell
Portrait of William Blake (1757-...
1820 | Brush on paper

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John Linnell
Portrait of a Mother and Child, ...
Undated | watercolour

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John Linnell
Portrait of Chambers Hall, 1835 ...
1835 | black and red chalk

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John Linnell
A Fine Evening After Rain, a Sce...
Undated | oil on panel

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John Linnell
 
Undated | oil on canvas

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William Blake
 
Undated | engraving

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John Linnell
Behemoth and Leviathan, after Wi...
Undated | pen and ink and watercolour on paper

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John Linnell
Illustrations of the Book of Job...
Undated | pen and ink and watercolour

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John Linnell
 
Undated |

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John Linnell
 
Undated | oil on board

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John Linnell
 
1858 | Oil on panel

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John Linnell
Miss Puxley [1826, Royal Academy...
Undated | oil on canvas

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John Linnell
 
Undated | graphite heightened with white chalk on wove paper

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John Linnell
 
1847 | Oil on panel

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John Linnell
 
Undated | oil on canvas

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John Linnell
Landscape in North Wales, 1813 (...
1813 | watercolour over graphite on paper

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John Linnell
 
Undated | oil on panel

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John Linnell
Bayswater, Clearing the Ground b...
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John Linnell
 
Undated | black chalk heightened with white on brown wove paper

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John Linnell
 
Undated | Watercolor over graphite on moderately thick, slightly textured, cream laid paper

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John Linnell
'The timber waggon', 1872.
1872 | oil painting

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John Linnell
William BLAKE, Portrait
Undated | watercolor

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John Linnell
Portrait of Thomas Robert Malthu...
1853 | engraving

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John Linnell
 
Undated | Watercolor and graphite on moderately thick, moderately textured, white laid paper

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John Linnell
 
Undated | Watercolor and graphite on moderately thick, slightly textured, cream wove paper

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John Linnell
The birds nest, from from magazi...
Undated | color lithograph

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John Linnell
 
Undated | graphite on brown wove paper

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John Linnell
 
Undated | oil on canvas

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John Linnell
 
1827 | Oil on panel

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John Linnell
The Prophet Balaam and the Angel...
1859 | oil on paper, laid down on canvas

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John Linnell
The Woodcutters' Repast
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John Linnell
A View on the Coast at Hastings,...
1832 | oil on canvas

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John Linnell
 
Undated | Black and white chalk on medium, slightly textured, blue-gray wove paper

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John Linnell
Sheep at Rest; Minding the Flock...
Undated | oil on canvas

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John Linnell
Boy Fishing (oil on panel)
Undated | oil on panel

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John Linnell
 
Undated | oil on panel

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John Linnell
 
1820 | Oil on panel

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John Linnell
 
Undated | Black chalk and white chalk on moderately thick, slightly textured, blue-gray wove paper

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John Linnell
 
1815 | oil on canvas

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John Linnell
Augustus Wall Callcott, R.A.
Undated | oil on panel

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John Linnell
Sand Pits, Hampstead Heath, 1849
1849 | oil on canvas

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John Linnell
Four Poster Bed, in the Chinese ...
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John Linnell
 
1858 | Oil on panel

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John Linnell
William Blake (1757-1827) in Con...
Undated | Brush on paper

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John Linnell
Steep Hill, Isle of Wight, c.181...
Undated | oil on millboard

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John Linnell
Noah: The Eve of the Deluge, 1848
1848 | oil on canvas

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John Linnell
The Creation, page 14 from 'Illu...
Undated | pen and ink and wash on paper

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John Linnell
 
Undated | watercolor on wove paper

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John Linnell
 
1860 | oil on canvas

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John Linnell
 
Undated | graphite on wove paper

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John Linnell
 
Undated | Oil on paper mounted on panel

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John Linnell
'Collin's Farm, North End, Hamps...
1831 | oil painting

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John Linnell
 
Undated |

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John Linnell
 
Undated | Brown ink and brown wash on moderately thick, slightly textured, cream laid paper

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John Linnell
 
Undated | Brown ink over graphite on moderately thick, slightly textured, beige wove paper

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John Linnell
A finished study for 'Reaping'
Undated | oil on panel

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John Linnell
 
Undated | oil on panel

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John Linnell
 
Undated | oil on panel

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John Linnell
A wood scene, 1844
1844 | oil on canvas

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John Linnell
 
Undated | oil on canvas

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John Linnell
 
1817 |

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John Linnell
Hampstead Heath, c.1855-56 (oil ...
Undated | oil on canvas

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John Linnell
Design for Chinoiserie chair, c....
Undated | watercolour on paper

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John Linnell
 
Undated | Black ink and gouache over graphite on moderately thick, slightly textured, brown wove paper

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John Linnell
The Wildflower Gatherers, 1831.
Undated |

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John Linnell
 
1863 | oil on canvas

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John Linnell
Quarries near Ironbridge (Earthw...
Undated | Watercolor over graphite on moderately thick, slightly textured, cream laid paper

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John Linnell
 
1816 | Oil on panel

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John Linnell
 
Undated |

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John Linnell
 
Undated | oil on panel

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John Linnell
 
Undated | graphite on paper

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John Linnell
 
Undated | oil on canvas

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John Linnell
Christ and the Woman of Samaria ...
Undated | oil on panel

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John Linnell
Christ's Appearance to the Two D...
1835 | oil painting

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John Linnell
 
Undated | watercolour

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John Linnell
Portrait of Mrs W.S. Fry and her...
1840 | pencil, coloured chalks and watercolour

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John Linnell
Kensington Gravel Pits (oil on c...
Undated | oil on canvas

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John Linnell
 
Undated | Graphite on moderately thick, moderately textured, cream wove paper

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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