Indians Using a Fallen Tree-Trunk to Cross the Rio Paraiba do Sul, Illustration from 'Voyage Pittoresque et Historique au Bresil' by Jean-Baptiste Debret, Published in Paris, 1839
Whether beech forests or olive groves: the forest has always been a subject that painters have dealt with. Every nature lover can find his or her tree painting at www.meisterdrucke.com. Thereby, the approach to this topic is very different; depending on the era in which a work of art was created.
While Jan Brueghel in 1600 designs the forest as an imagined, imaginary work of art with a light-flooded forest path next to a hilly landscape losing itself in the blue, Henry Rousseau in 1910 relies on naive painting. Here every fantasy flower grows almost tree-high into the sky, cacti and trees stand in interplay with a bright red ball of sunlight set in the middle.
In forest paintings, green is the dominant color. "In the Forest of Fontainebleau" by Renoir, however, the trunks also play a dominant role, thanks to the spot-like incidence of light. The artist knows how to capture the magic of a slowly grown trunk on canvas with different shades of brown. The tree tops are barely visible, but at first glance you can see leaves that are shadows on the trunks.
Waldlust can also mean capturing the forest in its entirety and placing it in a context with an almost paradisiacal nature. Masterfully, as Ralph Alfred Blakelock paints a view out of the forest in "The Vista". A meadow with a small group of trees serves as the vanishing point as it fades into the distance. Unique shades of blue, fading into peach, encompass the forest on either side like an oversized umbrella.
The forest is also depicted in autumnal color by John Glover and Edward Wilkins Waite. Likewise, discover man in context with nature: "Woodcutter in the Forest" by Jean Francois Millet and "A Woodcutter in the Forest" by Anton Mauve show how existential the forest is to man's life.
Forest
Whether beech forests or olive groves: the forest has always been a subject that painters have dealt with. Every nature lover can find his or her tree painting at www.meisterdrucke.com. Thereby, the approach to this topic is very different; depending on the era in which a work of art was created.
While Jan Brueghel in 1600 designs the forest as an imagined, imaginary work of art with a light-flooded forest path next to a hilly landscape losing itself in the blue, Henry Rousseau in 1910 relies on naive painting. Here every fantasy flower grows almost tree-high into the sky, cacti and trees stand in interplay with a bright red ball of sunlight set in the middle.
In forest paintings, green is the dominant color. "In the Forest of Fontainebleau" by Renoir, however, the trunks also play a dominant role, thanks to the spot-like incidence of light. The artist knows how to capture the magic of a slowly grown trunk on canvas with different shades of brown. The tree tops are barely visible, but at first glance you can see leaves that are shadows on the trunks.
Waldlust can also mean capturing the forest in its entirety and placing it in a context with an almost paradisiacal nature. Masterfully, as Ralph Alfred Blakelock paints a view out of the forest in "The Vista". A meadow with a small group of trees serves as the vanishing point as it fades into the distance. Unique shades of blue, fading into peach, encompass the forest on either side like an oversized umbrella.
The forest is also depicted in autumnal color by John Glover and Edward Wilkins Waite. Likewise, discover man in context with nature: "Woodcutter in the Forest" by Jean Francois Millet and "A Woodcutter in the Forest" by Anton Mauve show how existential the forest is to man's life.
Frequently Asked Questions about Meisterdrucke
Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.
At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.
Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.
Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.
Kärntner Strasse 46
9586 Finkenstein am Faaker See
Austria
+43 4257 29415
support@meisterdrucke.com