Monk by the Sea by Caspar David Friedrich

Monk by the Sea

(Mönch am Meer)

Caspar David Friedrich

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lonesome figure · solitary · exile · hermit · snow · bleak · coast · shoreline · white horses · habit · prayer · praying · romantic · solitude · ocean · beach · stormy · strom · tempest · romanticist · romanticism · cloud · sublime
Monk by the Sea by Caspar David Friedrich
1808   ·  Öl auf Leinwand  ·  59.24 Megapixel  ·  Picture ID: 56459   ·  Alte Nationalgalerie, Berlin, Germany /
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Maximilian R.
Art Print on Photo paper matte/satin, 32cm x 20cm.

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Art Print on Photo paper matte/satin, 119cm x 75cm.

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Art Print on Photo paper matte/satin, 46cm x 29cm.

Merlin K.
Art Print on Photo paper matte/satin, 39cm x 25cm.
With the painting "The Monk by the Sea" (written between 1808 and 1810 and also known under the title "Wanderer on the shore of the sea") Caspar David Friedrich breaks not only with the continuity of his own work, but with the entire landscape painting of his time ,

If we only consider the choice of motif, Frederick's recurring patterns emerge. The painting shows a dune, very bare and in the color beige to whitish, which seems in the left half of the picture into the lake or the sea seems. The surface of the water is almost black in color and above the horizon, it fumes like clouds of fog into the cloud layer, so that a transition from water to clouds is barely visible. Towards the sky, the gradient changes smoothly into a dark blue. Although we can imagine the sunlight behind the dense clouds, the time of day remains hidden from us.

The painting is dominated horizontally, only the monk standing on the small hill on the left forms a vertical line. As in Frederick's most famous painting "The Wanderer above the Sea of Fog", this is a back figure that expresses the hopeless quality of space in the transcendental hopelessness in the encounter of man and nature. The enigmatic and for his time so radical appearance receives the painting through the lack of spatial depth. Shore, water and sky are layered without any spatial transition, creating the impression of a surface and it lacks the time-classic frame show, which gave the images of the time depth and accessibility.

The interpretations of images have meanwhile assumed an unmanageable number in the history of art. Whether the image speaks of the consciousness of being at the mercy of the dark, unquestionable forces of nature and history, or whether it is only about a monk left by God, ultimately remains in the balance. © Meisterdrucke
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Other art prints by Caspar David Friedrich
View of a harbor Moonrise at the sea Monk by the Sea On the sailor Abbey in the Oakwood The dreamer Walk at Dusk (Man Contemplating a Megalith) Woman at dawn Moon rising Over the Sea The Wanderer above the Sea of Fog Ships at Anchor The Stages of Life The times of day: The evening, 1821-1822 View from the artist&39;s studio (right window) Cross on the Baltic Sea
Other motives from the category Our favourites
Impression: Sunrise, 1872 Rain Steam and Speed, The Great Western Railway Unknown picture Cubist Nude Vase of Flowers, 1695 Monk by the Sea After a Gale, 1903 The Lady of Shalott Abbey in the Oakwood Marie Kroyer seated in the deckchair in the garden by Mrs Bendsens house Scene from A Midsummer Nights Dream. Titania and Bottom Wheatfield with Cypresses Dream of spring Mending the Sail, 1896 The Death of Caesar
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Mönch am Meer (AT) Mönch am Meer (DE) Mönch am Meer (CH) Monk by the Sea (US)
Monaco vicino al mare (IT) Moine au bord de la mer (FR) Monnik aan zee (NL) Monje junto al mar (ES) Монах у моря (RU)
सागर द्वारा भिक्षु (HI) 海边和尚 (ZH) Monge pelo mar (PT) 海の僧侶 (JP) راهب على البحر (AE)

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Mönch am Meer (AT) Mönch am Meer (DE) Mönch am Meer (CH) Monk by the Sea (US) Monaco vicino al mare (IT) Moine au bord de la mer (FR) Monnik aan zee (NL) Monje junto al mar (ES) Монах у моря (RU) सागर द्वारा भिक्षु (HI) 海边和尚 (ZH) Monge pelo mar (PT) 海の僧侶 (JP) راهب على البحر (AE)

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