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William Blake

William Blake

   Victorian art
2079 artworks found



Dante running from the three beasts, Canto I of Inferno from The Divine Comed...
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The Angel Michael Binding Satan (`He Cast him into the Bottomless Pit, and Sh...
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The circle of the lustful or The lovers" whirlwind, Francesca da Rimini and P...
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The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V, illustratio...
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The Reunion of the Soul and the Body, pl.13, illustration from 'The Grave, A,...
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'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (wc with pen u...
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Ode to Adversity, from 'The Poems of Thomas Gray', 1797-98 (wc and black ink ...
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PD.5-1978 Count Ugolino and his Sons in Prison, illustration for `Inferno`, C...
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Christ Appearing to the Apostles after the Resurrection, 1795-1805 (colour pr...
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The Little Girl Lost and The Little Girl Found, plate 34 (Bentley 35) from So...
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Europe. A Prophecy, Plate 14, And the clouds und fires . . . . (Bentley 15)
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Christ Tempted by Satan to Turn the Stones to Bread, illustration from 'Parad...
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I Have Said to the Worm Thou Art My Mother and My Sister, plate 17 from 'For ...
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William Blake

William Blake

   •   Victorian art   •   Wikipedia: William Blake
2079 artworks found

Notorious among his contemporaries as an eccentric nutcase, the genius of William Blake, born in London in 1757, was only recognized and honored after his death. Already haunted by visions of angels, demons and ghosts in his childhood, mysticism served the trained engraver throughout his life as inspiration for his artistic and poetic career. After quarrelling with the President of the Royal Academy of Arts, he founded a printing house and published his works himself, together with his wife Catherine, by inventing a special printing technique, relief etching. Typical for Blake was the novel combination of image and writing.

Also because of the visualization of his visions in his works, which were so different from contemporary art, Blake was regarded by his fellow men as a crazy, yet unusually happy person who stood up for equality of the sexes, races and classes. These views, which were dangerous in the politics of the time, were particularly influenced by a liberal interpretation of the Bible, unlike the Church, and the ideas and ideals of the French Revolution, and were far ahead of their time. In his paintings Blake often used religious motifs, such as the Fall of Man in Satan Exulting over Eve and The Temptation and Fall of Eve. William Blake died in 1827 largely unnoticed and penniless, but is today considered an important artist whose works still influence pop culture. © Meisterdrucke




William Blake
 
1757 | Watercolor on paper

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1757 | Watercolor on paper

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William Blake
 
1805 | Watercolor on paper

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William Blake
 
1861 | Watercolor on paper

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William Blake
 
1819 | Tempera on wood

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William Blake
 
1816 | drawing

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William Blake
 
1808 | pen and watercolour

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William Blake
 
1805 | drawing

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William Blake
 
1808 | watercolour

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William Blake
 
1803 | black ink and watercolor over traces of graphite and incised lines

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1803 | black ink and watercolor over traces of graphite and incised lines

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William Blake
 
1808 | Watercolor on paper

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William Blake
Dante running from the three bea...
1824 | pen, ink and watercolour over pencil on paper

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Dante running from the three bea...
1824 | pen, ink and watercolour over pencil on paper

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William Blake
 
1805 | drawing

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William Blake
 
1799 | tempera on canvas

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William Blake
 
Undated | drawing

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William Blake
 
1805 | drawing

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William Blake
 
1824 | pen and ink with watercolour over pencil on paper

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1824 | pen and ink with watercolour over pencil on paper

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William Blake
 
Undated | Oil on canvas

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William Blake
 
1825 | Watercolor on paper

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William Blake
 
2013 | Unknown

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William Blake
The Angel Michael Binding Satan ...
Undated | watercolour, black ink and graphite on off-white paper

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The Angel Michael Binding Satan ...
0 | watercolour, black ink and graphite on off-white paper

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William Blake
The circle of the lustful or The...
Undated |

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William Blake
The Circle of the Lustful: Paolo...
1827 | engraving

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William Blake
 
1824 | pen and ink with watercolour over pencil and chalk on paper

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1824 | pen and ink with watercolour over pencil and chalk on paper

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William Blake
 
1824 | pen and ink with watercolour over pencil and chalk

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1824 | pen and ink with watercolour over pencil and chalk

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William Blake
 
1795 | Watercolor on paper

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1795 | Watercolor on paper

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William Blake
The Reunion of the Soul and the ...
1808 | etching

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William Blake
'The Bard', design 52 from 'The ...
Undated | watercolour with pen and black ink on paper

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'The Bard', design 52 from 'The ...
0 | watercolour with pen and black ink on paper

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William Blake
 
Undated | pen and wash on paper

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William Blake
 
1797 | Watercolor on paper

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William Blake
 
1824 | Watercolor on paper

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William Blake
Ode to Adversity, from 'The Poem...
Undated | watercolour and black ink on paper

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Ode to Adversity, from 'The Poem...
0 | watercolour and black ink on paper

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William Blake
Jacob's Ladder
Undated | pen and watercolour on paper

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Jacob's Ladder
0 | pen and watercolour on paper

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William Blake
 
1826 | engraving

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William Blake
 
1826 | ink, tempera and gold on mahogany wood

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1826 | ink, tempera and gold on mahogany wood

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William Blake
PD.5-1978 Count Ugolino and his ...
1827 | tempera on panel

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PD.5-1978 Count Ugolino and his ...
1827 | tempera on panel

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William Blake
 
1824 | pen and ink with watercolour over pencil and chalk on paper

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1824 | pen and ink with watercolour over pencil and chalk on paper

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William Blake
 
1804 | Etching on paper

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William Blake
Christ Appearing to the Apostles...
Undated | colour print with watercolour and pen & ink on paper

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Christ Appearing to the Apostles...
0 | colour print with watercolour and pen & ink on paper

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William Blake
 
1816 | drawing

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William Blake
 
1795 | Watercolor on paper

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1795 | Watercolor on paper

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William Blake
The Little Girl Lost and The Lit...
Undated | relief etching with pen and watercolour

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The Little Girl Lost and The Lit...
0 | relief etching with pen and watercolour

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William Blake
Europe. A Prophecy, Plate 14, An...
1794 | Watercolor on paper

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Europe. A Prophecy, Plate 14, An...
1794 | Watercolor on paper

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William Blake
 
1826 | relief etching, finished in ink and watercolour

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William Blake
Christ Tempted by Satan to Turn ...
Undated | pen and ink, grey wash and watercolour on paper

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Christ Tempted by Satan to Turn ...
0 | pen and ink, grey wash and watercolour on paper

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William Blake
 
1824 | pen and ink with watercolour over pencil and chalk

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1824 | pen and ink with watercolour over pencil and chalk

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William Blake
 
1805 | Oil on canvas

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William Blake
 
1795 | Watercolor on paper

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William Blake
I Have Said to the Worm Thou Art...
1793 | engraving

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William Blake
 
1808 | watercolour

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William Blake
 
1804 | Etching on paper

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William Blake
 
1804 | relief etching finished with watercolour

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William Blake
 
1793 | Watercolor on paper

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William Blake
 
Undated | drawing

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William Blake
 
1794 | Watercolor on paper

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William Blake
 
1794 | Print on paper

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William Blake
 
1805 | drawing

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William Blake
 
1797 | Watercolor on paper

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William Blake
 
1805 | drawing

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William Blake
 
1804 | Etching on paper

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William Blake
 
1895 | engraving

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William Blake
 
1797 | Watercolor on paper

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Page 1 / 21




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