Feel the passion of Samuel Palmer in our art prints.

Our art reproductions bring moments of comfort directly into your home.


Discover Artworks Now!

Österreichische Kunstmanufaktur

Feel the passion of Samuel Palmer in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Samuel Palmer
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Samuel Palmer

Samuel Palmer

    January 27, 1805   -   May 24, 1881
Romanticism   •   Wikipedia: Samuel Palmer

Samuel Palmer's father was a bookseller and later a Baptist minister in London, so the young Palmer received a very religious education. Already at the age of ten years he liked to paint passionately and a lot. At the age of fourteen he had his first public exhibition at the Royal Academy, although he did not enjoy a regular artistic education, but was self-taught. His great role model was William Turner, whose atmospheric paintings of sunsets, lunar landscapes, storms and rural idylls inspired him greatly at a young age. When he was twenty years old, he met the poet and painter William Blake through an acquaintance and this artist, described as a "pioneering figure in the history of English poetry", influenced Palmer's work even more lastingly. He bought a poor little house near Shoreham/Kent and painted there atmospheric landscapes, often in moonlight and sepia colours. The time spent in his cottage, often derisively called "Rat Abbey", was one of the most productive and best periods of his life. Well-known paintings from this time are "Cornfield in Moonlight with Evening Star" and "Into a Shoreham Garden". But Samuel Palmer also found his happiness here in private. He fell in love with Hannah Linnel, daughter of the painter John Linell, who was only twelve years old and was to become his wife seven years later.

At the age of thirty-five Palmer returned to London and it was here that the wedding with Hannah took place. As a husband and soon as a family man, the artist had to try to achieve financial success. Therefore he was forced to adapt to the spirit of the times, because his often mystical and idyllic oil paintings did not really sell well. So he increasingly painted watercolors, which were very fashionable in England at that time. He also gave private art lessons. On a trip to Italy, which the couple was financed by their father-in-law, they painted the very famous painting "A Dream in the Apennines". At this time he was also quite successful again, both with his landscapes and with his large watercolours to Milton's poems and with his etchings. When his oldest son Thomas died suddenly in 1861 at the age of only 19, Palmer never really recovered from the shock that hit him and his wife. But he lived in seclusion in Surrey for another 20 years.

After his death, Samuel Palmer was largely forgotten and his second son Alfred destroyed many of his works from the "Shoreham period", as well as sketchbooks and notebooks from his father's estate, because he thought they were worth nothing. Only over 50 years later the artist was rediscovered, so to speak. Precisely because many of his paintings no longer exist, the surviving paintings are highly sought after and often fetch prices of over 1 million US dollars at auctions.

Samuel Palmer

    January 27, 1805   -   May 24, 1881
Romanticism   •   Wikipedia: Samuel Palmer Samuel Palmer

Samuel Palmer's father was a bookseller and later a Baptist minister in London, so the young Palmer received a very religious education. Already at the age of ten years he liked to paint passionately and a lot. At the age of fourteen he had his first public exhibition at the Royal Academy, although he did not enjoy a regular artistic education, but was self-taught. His great role model was William Turner, whose atmospheric paintings of sunsets, lunar landscapes, storms and rural idylls inspired him greatly at a young age. When he was twenty years old, he met the poet and painter William Blake through an acquaintance and this artist, described as a "pioneering figure in the history of English poetry", influenced Palmer's work even more lastingly. He bought a poor little house near Shoreham/Kent and painted there atmospheric landscapes, often in moonlight and sepia colours. The time spent in his cottage, often derisively called "Rat Abbey", was one of the most productive and best periods of his life. Well-known paintings from this time are "Cornfield in Moonlight with Evening Star" and "Into a Shoreham Garden". But Samuel Palmer also found his happiness here in private. He fell in love with Hannah Linnel, daughter of the painter John Linell, who was only twelve years old and was to become his wife seven years later.

At the age of thirty-five Palmer returned to London and it was here that the wedding with Hannah took place. As a husband and soon as a family man, the artist had to try to achieve financial success. Therefore he was forced to adapt to the spirit of the times, because his often mystical and idyllic oil paintings did not really sell well. So he increasingly painted watercolors, which were very fashionable in England at that time. He also gave private art lessons. On a trip to Italy, which the couple was financed by their father-in-law, they painted the very famous painting "A Dream in the Apennines". At this time he was also quite successful again, both with his landscapes and with his large watercolours to Milton's poems and with his etchings. When his oldest son Thomas died suddenly in 1861 at the age of only 19, Palmer never really recovered from the shock that hit him and his wife. But he lived in seclusion in Surrey for another 20 years.

After his death, Samuel Palmer was largely forgotten and his second son Alfred destroyed many of his works from the "Shoreham period", as well as sketchbooks and notebooks from his father's estate, because he thought they were worth nothing. Only over 50 years later the artist was rediscovered, so to speak. Precisely because many of his paintings no longer exist, the surviving paintings are highly sought after and often fetch prices of over 1 million US dollars at auctions.

Artworks by Samuel Palmer

Artworks by Samuel Palmer

447 artworks found
Sorting

Filter settings

Display settings
447 artworks found

Samuel Palmer
Shepherds under a Full Moon, c.1...
1829 | pen and brown ink with brush in indian ink, heightened with bodycolour on white card

Choose picture

Samuel Palmer
'Coming from Evening Church', 18...
1947 |

Choose picture

Samuel Palmer
The Magic Apple Tree (indian ink...
Undated |

Choose picture

Samuel Palmer
The Flock and the Star (pen and ...
Undated | pen and brush in ink over pencil and brown ink

Choose picture

Samuel Palmer
The Bellman, 1879.
Undated | etching/etching/etching

Choose picture

Samuel Palmer
A Shepherd and his Flock under t...
Undated | pen and ink wash on paper

Choose picture

Samuel Palmer
Late Twilight, 1825
1825 | ink/pen

Choose picture

Samuel Palmer
The Valley Thick with Corn, 1825.
1825 | ink/pen

Choose picture

Samuel Palmer
The Sleeping Shepherd, Early Mor...
Undated | etching

Choose picture

Samuel Palmer
 
1827 | Watercolor on paper

Choose picture

Samuel Palmer
Study of Waves (grey und brown w...
Undated | grey and brown wash, gouache and graphite on paper

Choose picture

Samuel Palmer
Cornfield by Moonlight, with the...
1830 | watercolour and bodycolour with pen and ink

Choose picture

Samuel Palmer
The Villa d'Este at Tivoli, 1838
1838 | ink/pen/watercolour

Choose picture

Samuel Palmer
A Barn with a Mossy Roof, Shoreh...
Undated | watercolour with brown wash, ink, gouache and pencil on paper

Choose picture

Samuel Palmer
Early Morning, 1825 (pen and bru...
1825 | pen and brush in sepia mixed with gum and varnished

Choose picture

Samuel Palmer
The Early Ploughman, 186179
Undated | etching

Choose picture

Samuel Palmer
A View of Ancient Rome, 1838
1838 | watercolour and gouache over pencil on paper

Choose picture

Samuel Palmer
 
Undated | Graphite and gray wash on moderately thick, smooth, cream wove paper

Choose picture

Samuel Palmer
Late Twilight, 1825 (pen and dar...
1825 | pen and dark brown ink with brush in sepia mixed with gum arabic; varnished

Choose picture

Samuel Palmer
 
Undated | Graphite on thick, slightly textured, cream wove paper

Choose picture

Samuel Palmer
 
276 | Watercolor on paper

Choose picture

Samuel Palmer
 
Undated | Pen and dark brown ink and gray wash on medium, moderately textured, cream heavy wove paper

Choose picture

Samuel Palmer
Self-portrait, c1824
1824 | chalk

Choose picture

Samuel Palmer
'Mark yon Old Mansion...' (pen &...
Undated | pen and brown ink on paper

Choose picture

Samuel Palmer
A Cornfield Bordered by Trees, c...
1833 | oil painting

Choose picture

Samuel Palmer
The Early Ploughman, 1861.
Undated | etching

Choose picture

Samuel Palmer
 
1851 | Watercolor on paper

Choose picture

Samuel Palmer
 
Undated | Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, moderately textured, cream wove paper

Choose picture

Samuel Palmer
 
Undated | watercolour over pencil on paper

Choose picture

Samuel Palmer
A Cow Lodge with a Mossy Roof, c...
Undated | pen and ink with watercolour and gouache on paper

Choose picture

Samuel Palmer
 
Undated | Watercolor and gouache with pen and brown ink ; verso: graphite heightened with chalk on thick, slightly textured, blue wove paper

Choose picture

Samuel Palmer
Conway Castle (graphite, wc and ...
Undated | graphite, watercolour and gouache on paper mounted on card

Choose picture

Samuel Palmer
The Herdsmans Cottage, 1850.
Undated | etching/etching/etching

Choose picture

Samuel Palmer
View of Clovelly, Devon, ca. 184...
Undated | watercolour

Choose picture

Samuel Palmer
The Colosseum and Alban Mount, c...
1843 | watercolour

Choose picture

Samuel Palmer
Landscape, figures and cattle (w...
Undated | watercolour and bodycolour on paper

Choose picture

Samuel Palmer
The Bellman, from Il Penseroso, ...
1881 | watercolour and gum arabic on paper

Choose picture

Samuel Palmer
 
undatiert | Watercolor on paper

Choose picture

Samuel Palmer
 
Undated | etching on chine collé

Choose picture

Samuel Palmer
The Herdsmans Cottage, 1850.
Undated | etching/etching/etching

Choose picture

Samuel Palmer
Opening the Fold, 1880.
Undated | etching/etching/etching

Choose picture

Samuel Palmer
A Rustic Scene, 1823 (pen and br...
1823 | pen and brush in sepia with gum and varnished

Choose picture

Samuel Palmer
The Vine, or Plumpy Bacchus, 1880.
Undated | etching

Choose picture

Samuel Palmer
The Lonely Tower, 1879.
Undated | etching/etching/etching

Choose picture

Samuel Palmer
A House and Garden at Tintern, 1...
1835 | pen and ink, watercolour and bodycolour over graphite and black ink on pinkish buff paper

Choose picture

Samuel Palmer
 
Undated | Watercolor, gouache, and black chalk on medium, slightly textured, beige wove paper

Choose picture

Samuel Palmer
A Farmyard at Princes Risborough...
Undated |

Choose picture

Samuel Palmer
 
Undated | Gouache, watercolor, graphite and black chalk on medium, smooth, brown wove paper

Choose picture

Samuel Palmer
Self-portrait, c.1824 (black cha...
1824 | black chalk, heightened with white, on buff paper

Choose picture

Samuel Palmer
 
Undated | Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper

Choose picture

Samuel Palmer
Yellow Twilight, c.1830 (pen and...
1830 | pen and Indian ink and wash, with watercolour and bodycolour and gum arabic, on off-white paper

Choose picture

Samuel Palmer
Wilmot's Hill, Kent (watercolor,...
Undated | watercolour, bodycolour and chalk on paper

Choose picture

Samuel Palmer
The White Cloud, c1833-1834
1833 | oil painting

Choose picture

Samuel Palmer
Underriver Hills, near Sevenoaks...
1840 | Watercolor on paper

Choose picture

Samuel Palmer
 
Undated | Watercolor, gouache, and graphite on moderately thick, moderately textured, blue wove paper

Choose picture

Samuel Palmer
 
Undated |

Choose picture

Samuel Palmer
Christian Descending into the Va...
1848 | watercolour and bodycolour

Choose picture

Samuel Palmer
 
Undated | Watercolor and graphite on medium, slightly textured, cream wove paper

Choose picture

Samuel Palmer
 
Undated | Watercolor, gouache and graphite on medium, slightly textured, cream wove paper

Choose picture

Samuel Palmer
 
151 | Watercolor on paper

Choose picture

Samuel Palmer
The Valley Thick with Corn, 1825...
1825 | pen and dark brown ink with brush in sepia mixed with gum arabic; varnished

Choose picture

Samuel Palmer
 
Undated | etching

Choose picture

Samuel Palmer
The Sleeping Shepherd, 1857.
Undated | etching/etching/etching

Choose picture

Samuel Palmer
The Herdsmans Cottage, or Sunset...
Undated | etching

Choose picture

Samuel Palmer
 
Undated | Watercolor, gouache, and pen and black ink on medium, slightly textured, cream wove paper

Choose picture

Samuel Palmer
The Willow, 1850.
Undated | etching

Choose picture

Samuel Palmer
'Emily and Valancourt at the Cha...
1825 |

Choose picture

Samuel Palmer
Pear Tree in a Walled Garden, by...
1829 | Unknown

Choose picture

Samuel Palmer
 
Undated | Gouache and watercolor and scraping out with varnish on card

Choose picture

Samuel Palmer
Christmas, or Folding the Last S...
Undated | etching

Choose picture

Samuel Palmer
 
Undated | gouache on paper

Choose picture

Samuel Palmer
Opening the Fold, 1880.
Undated | etching/etching/etching

Choose picture

Samuel Palmer
 
Undated | Graphite on medium, smooth, white wove paper

Choose picture

Samuel Palmer
The Primitive Cottage, Shoreham ...
Undated | pen, ink and wash on paper

Choose picture

Samuel Palmer
A Cornfield, Shoreham, at Twilig...
Undated | pen, wash and Indian ink on card

Choose picture

Samuel Palmer
 
1829 | Graphite on paper

Choose picture

Samuel Palmer
 
Undated | pencil and watercolour heightened with white

Choose picture

Samuel Palmer
An Ancient Barn at Shoreham (pen...
Undated | pen and ink, grey and brown wash over graphite sketch on wove paper

Choose picture

Samuel Palmer
The Weary Ploughman, or The Herd...
Undated | etching

Choose picture

Samuel Palmer
The Forum, Rome, 1837
1837 | watercolour and bodycolour on paper

Choose picture

Samuel Palmer
The Cornfield, Cloudy Morning (w...
Undated | watercolour on paper

Choose picture

Samuel Palmer
The Morning of Life, 1860-1861.
Undated | etching/etching/etching

Choose picture

Samuel Palmer
The Sleeping Shepherd, Early Mor...
Undated | etching

Choose picture

Samuel Palmer
Moeris and Galatea, 1883.
Undated | etching/etching/etching

Choose picture

Samuel Palmer
 
Undated | watercolour on paper

Choose picture

Samuel Palmer
Christmas Folding the Last Sheep...
Undated | etching/etching/etching

Choose picture

Samuel Palmer
 
Undated |

Choose picture

Samuel Palmer
 
400 | Ink on paper

Choose picture

Samuel Palmer
 
Undated | etching

Choose picture

Samuel Palmer
The Skirts of a Wood, 1825 (pen ...
1825 | pen and brush in sepia mixed with gum and varnished

Choose picture

Samuel Palmer
Eventide, c.1858 (watercolor)
Undated | watercolour, pencil, bodycolour and gum arabic

Choose picture

Samuel Palmer
The Villa d'Este, 19th century (...
Undated | Watercolor on paper

Choose picture

Samuel Palmer
La Vocatella
Undated | watercolour on paper

Choose picture


Page 1 / 5



What our customers think about us



Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
Other languages

                   
Erfahrungen & Bewertungen zu Meisterdrucke
Post.at DHL Express Quehenberger Cargoboard
Kaiser Franz Joseph

Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               


Meisterdrucke 2716 Bewertungen auf ProvenExpert.com

(c) 2025 meisterdrucke.uk