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Eric Ravilious, Chalk Paths: watercolour with white chalk tracks through green South Downs hills.

Chalk Paths


Eric Ravilious

€ 117.57
Enthält 0% MwSt.
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Undated  ·  Image ID: 232032

Art of the 20th century  ·  Famous Masterpieces

Morning on the downs smells of wet grass and chalk. Anyone who has walked the South Downs knows that whiteness which flashes underfoot wherever the turf breaks open and exposes the limestone beneath. Eric Ravilious, in his watercolour Chalk Paths, does not depict this phenomenon but converts it into pattern. "Pattern" was his own word for it.

The hills are broken into decorative zones, a method rooted in his practice as a wood engraver and his years under Paul Nash at the Royal College. The greens sit side by side like the flat areas of a woodcut. The few bare trees stand among them like pins. Ravilious was a commercial artist who designed ceramics for Wedgwood, and this habit of thinking in flat planes runs through his landscapes as well.

The bird's-eye view is a deliberate device. The white paths glow through the absence of colour while green washes cover the paper all around them. The South Downs are not untouched wilderness but prehistoric cultural landscape, scored by Neolithic trackways. Only the fence posts give the eye a sense of scale.
Our recommendation:
Watercolour board with a fine grain renders the green washes and the bare paper of the chalk paths faithfully. The delicate surface holds the subtle shifts between the decorative zones that define Ravilious's woodcut-trained eye. Matte photo paper offers an alternative for rooms with controlled light, where its quiet surface shows the play between painted and unpainted areas without distracting glare. A slim, pale frame picks up the paper white of the paths without competing with the greens.

Chalk Paths by Eric Ravilious. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
chalk hill barbed wire fence path · Private Collection / Bridgeman Images
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Gemälde
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Keilrahmen
Museumslizenz

€ 117.57
(inkl. 20% MwSt)
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Morning on the downs smells of wet grass and chalk. Eric Ravilious did not paint the South Downs so much as divide them into decorative zones, trained as he was in wood engraving and the ornamental thinking of applied art. The white paths appear where he leaves the paper bare. Absence of colour becomes luminance. © Meisterdrucke

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+43 4257 29415
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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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