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Peter Paul Rubens

Peter Paul Rubens

   •   Baroque   •   Wikipedia: Peter Paul Rubens
1383 Discovered works of art  •  ID: #4317
In the 16th century art had reached an international level. Italy was still considered the cradle of art. Artists from all over Europe toured the country and took impressions in the respective regions of their sphere of activity. Peter Paul Rubens witnessed Baroque development in Italy and was impressed by Titian's intense coloring and his skill in lighting effects. In Antwerp Rubens used the seclusion to develop their own style of painting and baroque imagery from the findings. The weapons in the eighty-year war rested in Antwerp and was sleeping beauty in the artistic development. Rubens progressive ideas met with great interest and made him a sought-after artist.

Rubens is closely connected with the portrayals of women with all physical love. Rubens language shows respect and respect for the feminine forms. The three graces symbolize chastity, beauty and love. The body full of flexibility, the nuances of the skin are defining and framed by a colorful composition. Peter Paul Rubens developed a dynamic and colorful style. He believed in the importance of brush stroke and color. His characters show joy of life and are open to the pleasures of the world. At the same time Rubens connects the real with the mystical. Delacroix and Renoir take similar representations and develop the brushwork further. Ruben's skill in raising secular themes into an allegorical context ensured the painter the well-being of the different schools of thought in the country. Rubens enthusiastic, without polarizing, and became a respected and wealthy artist.

Rubens tolerated only a few painters next to him. The artist founded a studio and took up aspiring artists to the side. The order situation was often so brilliant that Rubens limited himself to making sketches and painting to his apprentices. The skill of diplomacy Rubens used for the mediation of the still controversial situation in the country. His positive influence was rewarded with a knighthood. Wealth and power could not protect the great artist from one of the worst illnesses a painter could encounter. Rubens fell ill with gout. Many of his late works lack dynamism that may be due to the illness or the lifelong development that characterized Rubens. © Meisterdrucke


Het aards paradijs met de zondev...
1615 | Oil on panel

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Het aards paradijs met de zondev...
1615 | Oil on panel

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Tiger- und Löwenjagd
1617 | Oil on canvas

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Tiger- und Löwenjagd
1617 | Oil on canvas

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Höllensturz der Verdammten
1577 | Oil on panel

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Höllensturz der Verdammten
1577 | Oil on panel

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Undated | pierre noire, red chalk, white highlights and brown wash on paper

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0 | pierre noire, red chalk, white highlights and brown wash on paper

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Alegoría de la Fortuna y la Virtud
Undated | painting

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Alegoría de la Fortuna y la Virtud
undatiert | painting

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Adam und Eva unter dem Baum der ...
1605 | painting

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Adam und Eva unter dem Baum der ...
1605 | painting

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Undated | oil on panel

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Tiger- und Löwenjagd 
1617 | Oil on canvas

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Tiger- und Löwenjagd 
1617 | Oil on canvas

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Cadmus Sowing the Dragon's Teeth
Undated | oil on wood

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Cadmus Sowing the Dragon's Teeth
0 | oil on wood

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Die Alte mit dem Kohlebecken
1618 | painting

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Die Alte mit dem Kohlebecken
1618 | painting

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Nymphen, Satyrn und Hunde
1577 | Oil on panel

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Nymphen, Satyrn und Hunde
1577 | Oil on panel

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Apollon et Daphné
1636 | Oil on panel

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Apollon et Daphné
1636 | Oil on panel

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Das Fest des Acheloos. Um 1615
Undated | oil on wood

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Das Fest des Acheloos. Um 1615
0 | oil on wood

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Venus frigida
1577 | Oil on canvas

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Venus frigida
1577 | Oil on canvas

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