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Search by artist, work title or style – e.g. Monet, Starry Night, Impressionism, Hokusai wave, nude. Describe the scene – e.g. green meadow, abstract with lots of red, dark oil painting, standing nude next to a tree.

James McNeill Whistler | Page 6

James McNeill Whistler | Page 6

604 artworks found
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604 artworks found

James McNeill Whistler
 
1879 | Etching and drypoint with foul biting in black ink on ivory laid paper

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James McNeill Whistler
La Jolie New Yorkaise
Undated |

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James McNeill Whistler
 
1888 |

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James McNeill Whistler
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James McNeill Whistler
 
1878 |

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James McNeill Whistler
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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1875 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1895 | Transfer lithograph in black on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1895 | Transfer lithograph in black on ivory wove proofing paper

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James McNeill Whistler
 
1873 | Drypoint in black ink on cream Japanese paper

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James McNeill Whistler
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James McNeill Whistler
 
1895 | Transfer lithograph in black on cream wove proofing paper

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James McNeill Whistler
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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1879 | Drypoint with foul biting in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1875 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
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James McNeill Whistler
 
Undated |

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James McNeill Whistler
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James McNeill Whistler
 
1870 |

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James McNeill Whistler
 
1887 | Etching and drypoint in black on cream laid paper (discolored to tan)

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1879 |

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James McNeill Whistler
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James McNeill Whistler
 
1859 | Etching with foul biting in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1887 | Etching in black ink on off-white laid paper

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James McNeill Whistler
 
1888 | Etching with foul biting in dark brown ink on ivory laid paper

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James McNeill Whistler
 
1888 | Etching with foul biting in black ink on cream laid paper

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James McNeill Whistler
 
1860 | Etching and drypoint with foul biting in black ink, with graphite additions along shoulder and sleeve at left, on off-white wove paper

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James McNeill Whistler
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James McNeill Whistler
 
1859 | Etching, with selective wiping of plate tone, in black on off-white wove paper

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James McNeill Whistler
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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1879 |

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1879 | Etching, drypoint and open bite in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1894 | Transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper

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James McNeill Whistler
Chancellerie, Loches
1888 |

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James McNeill Whistler
 
1894 | Transfer lithograph in black with stumping, on cream laid Japanese vellum

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James McNeill Whistler
 
1895 |

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James McNeill Whistler
 
1880 | Etching and drypoint with foul biting in brown ink on off-white laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Transfer lithograph in black with scraping, on cream chine, laid down on off-white plate paper

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James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on ivory laid paper

Choose picture

James McNeill Whistler
 
1858 | Etching with foul biting in black ink on ivory Japanese paper

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James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on off-white laid paper

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James McNeill Whistler
 
1875 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1887 | Etching with foul biting in brown ink on ivory laid paper

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James McNeill Whistler
 
1888 | Etching and drypoint with foul biting in black ink on cream laid paper

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James McNeill Whistler
 
1890 | Transfer lithograph from four stones on ivory wove proofing paper

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James McNeill Whistler
 
1854 |

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James McNeill Whistler
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James McNeill Whistler
 
1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1858 | Etching with foul biting in black ink on cream Japanese paper

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1893 | Lithograph, in black ink, on ivory laid paper

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James McNeill Whistler
 
1894 | Transfer lithograph in black with stumping, on cream laid Japanese vellum

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James McNeill Whistler
 
1893 | Transfer lithograph from four stones, in black (keystone), green, yellow, and gray, with scraping, on cream wove Japanese vellum

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1887 | Etching with foul biting in dark brown ink on ivory laid paper

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James McNeill Whistler
 
1889 | Etching and drypoint with foul biting in black ink on ivory Japanese paper

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James McNeill Whistler
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James McNeill Whistler
 
Undated |

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James McNeill Whistler
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James McNeill Whistler
 
1878 | Lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Transfer lithograph in black with scraping, on cream chine laid down on off-white plate paper

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James McNeill Whistler
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James McNeill Whistler
 
1889 | Etching with foul biting in black ink on ivory laid paper

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James McNeill Whistler
 
1877 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1878 |

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James McNeill Whistler
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James McNeill Whistler
 
1859 |

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James McNeill Whistler
 
1887 | Etching with foul biting in black ink on cream laid paper

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James McNeill Whistler
 
1891 | Transfer lithograph in black on ivory laid paper

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James McNeill Whistler
Portrait Sketches including F.R....
1874 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
 
1887 | Etching and drypoint with foul biting on cream laid paper

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James McNeill Whistler
 
1894 | Transfer lithograph in black with stumping, on cream laid paper

Choose picture

James McNeill Whistler
 
1888 | Etching with foul biting in black ink on ivory Japanese paper

Choose picture

James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1887 |

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James McNeill Whistler
 
1877 | Etching with foul biting in black ink on ivory laid paper

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James McNeill Whistler
 
1860 | Etching and drypoint with foul biting in black ink on ivory wove paper

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James McNeill Whistler
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James McNeill Whistler
 
1886 |

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James McNeill Whistler
 
1891 | Transfer lithograph in black on tan laid paper

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James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on cream laid paper

Choose picture

James McNeill Whistler
 
1894 | Transfer lithograph in black, with stumping, on cream laid paper

Choose picture

James McNeill Whistler
 
1889 | Etching and drypoint in black ink on ivory Japanese paper

Choose picture

James McNeill Whistler
 
1888 | Etching and drypoint with foul biting in black ink on ivory laid paper

Choose picture

James McNeill Whistler
 
Undated |

Choose picture

James McNeill Whistler
 
1875 |

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James McNeill Whistler
 
1893 | Transfer lithograph in black with stumping, on cream laid paper

Choose picture

James McNeill Whistler
 
1879 | Etching and drypoint with foul biting in black ink on off-white laid paper

Choose picture

James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on ivory Japanese paper

Choose picture

James McNeill Whistler
 
1893 |

Choose picture

James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1879 |

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James McNeill Whistler
 
1878 | Transfer lithograph in black on ivory plate paper

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James McNeill Whistler
 
1895 | Transfer lithograph in black on ivory wove paper

Choose picture

James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1876 | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1896 |

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James McNeill Whistler
 
Undated |

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Page 6 / 7



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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

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Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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