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James McNeill Whistler | Page 3

James McNeill Whistler | Page 3

603 artworks found
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603 artworks found

James McNeill Whistler
Twelve Etchings from Nature: St...
1858 |

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James McNeill Whistler
 
1859 | Etching and drypoint in black ink on ivory laid paper

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James McNeill Whistler
 
1895 | Transfer lithograph in black, with stumping, on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1888 | Etching with foul biting in dark brown ink on ivory laid paper

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James McNeill Whistler
Lady in an armchair
1861 | Drypoint, with drypoint and scraped cancellation, in black ink on ivory laid paper

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James McNeill Whistler
 
1887 | Transfer lithograph in black on ivory laid paper

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
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James McNeill Whistler
 
1892 | Transfer lithograph from five stones, in gray (keystone), blue, green, brown, yellow, orange, red, and ochre on cream Japanese gampi paper

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Etching, drypoint and open bite in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Etching, drypoint and roulette work with foul biting in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1858 | Etching with foul biting in black ink on tan China paper, laid down on ivory wove paper (chine collé)

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James McNeill Whistler
 
1880 | Etching and drypoint with foul biting in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1895 | Transfer lithograph in black on cream Japanese paper

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James McNeill Whistler
 
1891 | Lithograph, from thin, transparent paper, from six stones, in dark gray (keystone), ochre, gray, pale green, pale orange, red, and yellow inks, on ivory plate paper

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James McNeill Whistler
 
1859 | Etching with foul biting in black ink on ivory laid paper

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
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James McNeill Whistler
 
1861 | Etching and drypoint with foul biting in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1859 |

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James McNeill Whistler
 
1898 |

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James McNeill Whistler
 
1876 |

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James McNeill Whistler
 
1858 | Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé)

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James McNeill Whistler
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James McNeill Whistler
 
1878 | Etching and drypoint with foul biting in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1891 | Transfer lithograph in black on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1889 | Etching in black ink on ivory laid paper

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James McNeill Whistler
 
1897 | Transfer lithograph in black on ivory plate paper

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James McNeill Whistler
 
1896 | Transfer lithograph in various black inks, with stumping, on grayish ivory China paper

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James McNeill Whistler
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James McNeill Whistler
Twelve Etchings from Nature: La...
1858 |

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James McNeill Whistler
 
1896 | Transfer lithograph in black with stumping, scraping, and incising, on cream laid paper

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James McNeill Whistler
 
1887 |

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James McNeill Whistler
 
1879 | Etching and drypoint with foul biting in black ink on cream Japanese paper

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James McNeill Whistler
 
1894 | Transfer lithograph in black on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1893 | Transfer lithograph in black ink with stumping, on ivory laid paper

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James McNeill Whistler
 
1887 | Drypoint with foul biting in black ink on ivory laid paper

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James McNeill Whistler
 
1896 | Transfer lithograph in black with stumping, on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Etching and drypoint with foul biting in dark brown ink on cream laid paper

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James McNeill Whistler
Twelve Etchings from Nature: Annie
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James McNeill Whistler
 
1860 | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1890 | Transfer lithograph in black on ivory wove paper

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James McNeill Whistler
 
1880 | Cancelled copper plate

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James McNeill Whistler
Grand' Place, Brussels
Undated |

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1879 | Etching and drypoint in black ink on off-white Japanese paper

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James McNeill Whistler
 
1876 | Etching, drypoint and open bite, with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
 
1879 | Cancelled copper plate

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James McNeill Whistler
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James McNeill Whistler
 
1890 | Transfer lithograph in black on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1888 | Etching and drypoint with foul biting in black ink on ivory laid paper

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James McNeill Whistler
 
1858 | Etching in black ink on cream Japanese paper

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James McNeill Whistler
 
1859 | Etching and drypoint with foul biting in black ink on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1880 | Cancelled copper plate

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James McNeill Whistler
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James McNeill Whistler
 
1895 | Transfer lithograph in black on cream laid paper

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1879 | Etching and drypoint in black, with selective wiping of plate tone, on ivory laid paper

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James McNeill Whistler
 
1878 |

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James McNeill Whistler
 
1854 | Pen and black ink over graphite on cream wove paper

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James McNeill Whistler
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James McNeill Whistler
Nocturne: Palaces
1880 |

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James McNeill Whistler
 
1897 | Transfer lithograph in various black inks, on buff laid paper

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James McNeill Whistler
 
1890 | Graphite on cream wove card

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James McNeill Whistler
 
1894 | Transfer lithograph in black on cream laid Japanese vellum

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James McNeill Whistler
San Giorgio
1879 | Etching and drypoint with foul biting in black ink on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1895 | Transfer lithograph in black on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Drypoint in black ink on off-white laid paper

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James McNeill Whistler
 
1858 | Etching and drypoint with foul biting in black on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1879 | Cancelled copper plate

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
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James McNeill Whistler
 
1859 | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory wove paper

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James McNeill Whistler
 
1861 | Etching and drypoint in black ink on ivory laid paper

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1887 | Etching with foul biting in black ink on ivory laid paper

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James McNeill Whistler
 
1879 | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on cream laid paper

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James McNeill Whistler
 
1880 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James McNeill Whistler
 
1887 | Etching and drypoint in brown ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1874 | Drypoint with foul biting, with scraped and drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1857 | Etching with foul biting in black ink on off-white laid paper

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
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James McNeill Whistler
 
1879 | Transfer lithograph in black ink on grayish ivory wove paper

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James McNeill Whistler
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James McNeill Whistler
Soupe à trois sous (Soup for thr...
1859 | Etching with foul biting in black ink on buff wove paper

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James McNeill Whistler
 
1879 | Etching and drypoint with foul biting in black ink on ivory laid paper altered to light brown

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James McNeill Whistler
 
1879 | Etching and drypoint in black ink on ivory laid paper

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James McNeill Whistler
 
1858 | Etching with foul biting in black ink on ivory China paper, laid down on white wove paper (chine collé)

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James McNeill Whistler
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James McNeill Whistler
 
Undated |

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James McNeill Whistler
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James McNeill Whistler
 
1888 | Transfer lithograph in black on cream wove proofing paper

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James McNeill Whistler
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James McNeill Whistler
 
1865 | oil on canvas

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James McNeill Whistler
 
1859 | Etching and drypoint in black ink on ivory wove paper

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James McNeill Whistler
 
1875 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1889 | Etching in brown ink on cream laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
Choose picture


James McNeill Whistler
 
1879 | Etching with drypoint in black ink on off-white laid paper

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
 
1878 | Lithotint in brown ink, with scraping, on ivory plate paper

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James McNeill Whistler
 
Undated |

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James McNeill Whistler
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James McNeill Whistler
 
1877 | Drypoint in black ink on ivory laid paper

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James McNeill Whistler
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James McNeill Whistler
 
1886 | Etching with foul biting in dark brown ink on off-white laid paper

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James McNeill Whistler
The "Adam and Eve," Old Chelsea
1878 | Etching and drypoint with foul biting in black ink on off-white laid paper

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Page 3 / 7



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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