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Turkeys

James McNeill Whistler

1880 | Etching and drypoint with foul biting in dark brown ink on cream laid paper

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Turkeys

James McNeill Whistler

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The Blacksmith

James McNeill Whistler

1895 | Transfer lithograph in black, with stumping, on cream laid paper

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The Blacksmith

James McNeill Whistler

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The Garden

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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The Garden

James McNeill Whistler

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The Forge, Passage du Dragon

James McNeill Whistler

1894 | Transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper

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The Forge, Passage du Dragon

James McNeill Whistler

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The Pantheon, from the Terrace of the Luxembourg Gardens

James McNeill Whistler

1893 | Transfer lithograph in black with stumping, on cream laid paper

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The Pantheon, from the Terrace of the Luxembourg Gardens

James McNeill Whistler

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Mother and Daughter

James McNeill Whistler

Mother and Daughter [La Mère Mal...

1897 | Counterproof of transfer lithograph with stumping, in black, on off-white wove paper

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Mother and Daughter

James McNeill Whistler

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The Draped Figure Seated

James McNeill Whistler

1893 |

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The Draped Figure Seated

James McNeill Whistler

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Hôtel Colbert, Windows

James McNeill Whistler

1891 | Transfer lithograph in black on ivory laid paper

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Hôtel Colbert, Windows

James McNeill Whistler

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The Beggars

James McNeill Whistler

1879 | Etching and drypoint with foul biting on cream Japanese paper

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The Beggars

James McNeill Whistler

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Mother and Daughter

James McNeill Whistler

Mother and Daughter [La Mère Mal...

1897 | Transfer lithograph in black with stumping, on greenish ivory laid paper

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Mother and Daughter

James McNeill Whistler

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Swinburne

James McNeill Whistler

1873 | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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Swinburne

James McNeill Whistler

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The Music-Room

James McNeill Whistler

1859 | Etching with foul biting in black ink on off-white wove paper

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The Music-Room

James McNeill Whistler

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The Door of the Chapel, Montrésor

James McNeill Whistler

1888 | Etching with foul biting in dark brown ink on ivory laid paper

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The Door of the Chapel, Montrésor

James McNeill Whistler

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Study: Joseph Pennell

James McNeill Whistler

1896 | Transfer lithograph in black on cream wove Japanese vellum

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Study: Joseph Pennell

James McNeill Whistler

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The Little Lagoon, from the Twelve Etchings, also known as the...

James McNeill Whistler

The Little Lagoon, from the "Twe...

1880 | etching on paper

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The Little Lagoon, from the Twelve Etchings, also known as the First Venice Set

James McNeill Whistler

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Black Lion Wharf

James McNeill Whistler

1859 |

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Black Lion Wharf

James McNeill Whistler

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The Dancing Girl

James McNeill Whistler

1889 | Transfer lithograph in black on ivory laid paper

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The Dancing Girl

James McNeill Whistler

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The Little Rotherhithe

James McNeill Whistler

1861 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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The Little Rotherhithe

James McNeill Whistler

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The Barrow - Quartier des Marolles, Brussels

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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The Barrow - Quartier des Marolles, Brussels

James McNeill Whistler

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The Traghetto, No. 2

James McNeill Whistler

1880 | Etching and drypoint in brownish black on cream Japanese paper

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The Traghetto, No. 2

James McNeill Whistler

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Draped Model, Standing by a Sofa

James McNeill Whistler

1893 | Transfer lithograph in black ink on cream laid paper

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Draped Model, Standing by a Sofa

James McNeill Whistler

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The Temple

James McNeill Whistler

1880 | Cancelled copper plate

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The Temple

James McNeill Whistler

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Black Lion Wharf

James McNeill Whistler

1859 | Etching with foul biting in black ink on ivory laid paper

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Black Lion Wharf

James McNeill Whistler

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The Silk Dress

James McNeill Whistler

1875 | Etching and drypoint with foul biting, with scraped and drypoint cancellation, in black ink on ivory laid paper

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The Silk Dress

James McNeill Whistler

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Greenwich Park

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Greenwich Park

James McNeill Whistler

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Upright Venice, from the "Twenty-Six Etchings", also known as ...

James McNeill Whistler

1879 |

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Upright Venice, from the "Twenty-Six Etchings", also known as the "Second Venice Set"

James McNeill Whistler

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St. Giles-in-the-Fields

James McNeill Whistler

1896 | Transfer lithograph in black, with stumping, on cream laid paper

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St. Giles-in-the-Fields

James McNeill Whistler

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The Doctor

James McNeill Whistler

1894 | Transfer lithograph in black ink on cream laid paper

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The Doctor

James McNeill Whistler

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The Garden

James McNeill Whistler

1891 | Transfer lithograph in black on cream wove paper

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The Garden

James McNeill Whistler

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Battersea: Early Morning

James McNeill Whistler

1875 | Etching and drypoint with foul biting, with drypoint and scraped cancellation, in black ink on ivory wove paper

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Battersea: Early Morning

James McNeill Whistler

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Study

James McNeill Whistler

1878 | Lithograph in black ink with scraping and roulette work on ivory plate paper

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Study

James McNeill Whistler

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The Old Woman with Rags

James McNeill Whistler

La Vieille aux Loques (The Old W...

1858 | Etching and drypoint with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé)

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The Old Woman with Rags

James McNeill Whistler

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Millbank

James McNeill Whistler

1861 | Etching and drypoint in black ink on ivory laid paper

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Millbank

James McNeill Whistler

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The Garden

James McNeill Whistler

1879 | Etching and drypoint in black ink on off-white Japanese paper

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The Garden

James McNeill Whistler

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Pickle Herring Wharf

James McNeill Whistler

1876 | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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Pickle Herring Wharf

James McNeill Whistler

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Study No. 2: Mr. Thomas Way

James McNeill Whistler

1896 | Transfer lithograph in black on grayish ivory chine, laid down on cream wove Japanese vellum

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Study No. 2: Mr. Thomas Way

James McNeill Whistler

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The Old Woman with Rags

James McNeill Whistler

La Vieille aux Loques (The Old W...

1858 | Etching and drypoint in brown ink on ivory laid paper

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The Old Woman with Rags

James McNeill Whistler

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Study No. 1: Mr. Thomas Way

James McNeill Whistler

1896 | Transfer lithograph in black on grayish white chine, laid down on white plate paper

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Study No. 1: Mr. Thomas Way

James McNeill Whistler

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The Forge

James McNeill Whistler

1861 | Drypoint in black ink on ivory laid paper

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The Forge

James McNeill Whistler

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Chelsea Wharf

James McNeill Whistler

1863 | Etching and drypoint with foul biting in black on grayish ivory laid paper

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Chelsea Wharf

James McNeill Whistler

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Nursemaids: 'Les Bonnes du Luxembourg'

James McNeill Whistler

Nursemaids: "Les Bonnes du Luxem...

1894 | Transfer lithograph in black on cream laid paper

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Nursemaids: 'Les Bonnes du Luxembourg'

James McNeill Whistler

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The Scotch Widow

James McNeill Whistler

1875 | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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The Scotch Widow

James McNeill Whistler

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Portrait of a Young Woman Wearing a Hat [Miss Seaton]

James McNeill Whistler

1897 | Transfer lithograph in black ink on ivory laid paper

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Portrait of a Young Woman Wearing a Hat [Miss Seaton]

James McNeill Whistler

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The Fan

James McNeill Whistler

1879 | Transfer lithograph in black ink on ivory plate paper

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The Fan

James McNeill Whistler

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The Palaces

James McNeill Whistler

1879 | Etching, drypoint and open bite in dark brown ink on ivory laid paper

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The Palaces

James McNeill Whistler

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Firelight: Joseph Pennell, No. 2

James McNeill Whistler

1896 | Transfer lithograph in black on cream laid paper

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Firelight: Joseph Pennell, No. 2

James McNeill Whistler

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San Giorgio

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on cream laid paper

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San Giorgio

James McNeill Whistler

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The Blacksmith

James McNeill Whistler

1895 | Transfer lithograph in black with stumping, on buff wove proofing paper

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The Blacksmith

James McNeill Whistler

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Nocturne

James McNeill Whistler

1878 | Lithotint, in black ink, from a prepared half-tint ground, with scraping, on off-white plate paper

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Nocturne

James McNeill Whistler

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Limehouse

James McNeill Whistler

1878 | Lithotint, in black ink, with scraping and incising, on a prepared half-tint ground, on ivory plate paper

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Limehouse

James McNeill Whistler

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The Balcony

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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The Balcony

James McNeill Whistler

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The Dyer

James McNeill Whistler

1879 | Etching and drypoint in brown ink on off-white laid paper

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The Dyer

James McNeill Whistler

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The Swan, Chelsea

James McNeill Whistler

1870 |

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The Swan, Chelsea

James McNeill Whistler

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House of the Swan, Brussels

James McNeill Whistler

1887 | Etching with foul biting in black ink on off-white laid paper

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House of the Swan, Brussels

James McNeill Whistler

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Old Putney Bridge

James McNeill Whistler

1879 |

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Old Putney Bridge

James McNeill Whistler

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Soup for Three Sous

James McNeill Whistler

Soupe à trois sous (Soup for thr...

1859 | Etching with foul biting in black ink on off-white Japanese paper

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Soup for Three Sous

James McNeill Whistler

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Black Lion Wharf

James McNeill Whistler

1859 | Etching with foul biting in black ink on cream Japanese paper

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Black Lion Wharf

James McNeill Whistler

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Cocks and Hens, Hôtel Colbert

James McNeill Whistler

1891 | Transfer lithograph in black on ivory wove paper

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Cocks and Hens, Hôtel Colbert

James McNeill Whistler

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The Fleet: Monitors

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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The Fleet: Monitors

James McNeill Whistler

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Archway, Brussels

James McNeill Whistler

1887 | Etching with foul biting in black ink on cream laid paper

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Archway, Brussels

James McNeill Whistler

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The Beach, Hastings

James McNeill Whistler

1875 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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The Beach, Hastings

James McNeill Whistler

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Japanese Woman Painting a Fan

James McNeill Whistler

Japanese Woman Painting a Fan (r...

1872 |

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Japanese Woman Painting a Fan

James McNeill Whistler

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Study

James McNeill Whistler

1894 | Transfer lithograph in black on ivory laid paper

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Study

James McNeill Whistler

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Little Court

James McNeill Whistler

1880 | Etching with foul biting in black ink on ivory laid paper

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Little Court

James McNeill Whistler

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The Novel: Girl Reading

James McNeill Whistler

1889 | Transfer lithograph in black on tan laid paper

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The Novel: Girl Reading

James McNeill Whistler

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Two Trial Sketches: A. Grand Rue, Dieppe; B. An Interior

James McNeill Whistler

1891 | Transfer lithograph in black on ivory wove paper

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Two Trial Sketches: A. Grand Rue, Dieppe; B. An Interior

James McNeill Whistler

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Mother and Child No. 4

James McNeill Whistler

Mother and Child, No. 4

1891 | Transfer lithograph in black on cream Japanese paper

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Mother and Child No. 4

James McNeill Whistler

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Fishing Boat

James McNeill Whistler

Fishing-Boat

1880 |

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Fishing Boat

James McNeill Whistler

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Dordrecht

James McNeill Whistler

1886 | Etching and drypoint in black ink on cream laid paper

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Dordrecht

James McNeill Whistler

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Turkeys

James McNeill Whistler

1880 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Turkeys

James McNeill Whistler

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The Rialto

James McNeill Whistler

1879 | Etching with foul biting in black ink on ivory laid paper

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The Rialto

James McNeill Whistler

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Fosco

James McNeill Whistler

1872 | Drypoint in black ink on ivory laid paper

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Fosco

James McNeill Whistler

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Thames Police

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Thames Police

James McNeill Whistler

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Millbank

James McNeill Whistler

1861 | Etching and drypoint with foul biting in black ink on cream laid paper

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Millbank

James McNeill Whistler

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Dordrecht

James McNeill Whistler

1886 | Etching with drypoint in black ink on cream laid paper

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Dordrecht

James McNeill Whistler

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Afternoon Tea, Mrs. Phillips and Mrs. Charles Whibley

James McNeill Whistler

1897 |

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Afternoon Tea, Mrs. Phillips and Mrs. Charles Whibley

James McNeill Whistler

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The Balcony

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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The Balcony

James McNeill Whistler

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Drury Lane Rags

James McNeill Whistler

1888 | Transfer lithograph in black on ivory laid paper

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Drury Lane Rags

James McNeill Whistler

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The Mill

James McNeill Whistler

1889 | Etching and drypoint with foul biting in black ink on ivory laid paper

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The Mill

James McNeill Whistler

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The Siesta

James McNeill Whistler

1896 | Transfer lithograph in black, with stumping, on cream Japanese paper

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The Siesta

James McNeill Whistler

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Walter Sickert

James McNeill Whistler

1895 | Transfer lithograph in black on ivory laid paper

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Walter Sickert

James McNeill Whistler

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Courtyard, Rue P. L. Courier, Tours

James McNeill Whistler

1888 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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Courtyard, Rue P. L. Courier, Tours

James McNeill Whistler

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Study

James McNeill Whistler

1878 | Lithograph in black ink with scraping on cream chine (Japanese paper) laid down on ivory plate paper

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Study

James McNeill Whistler

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Reading

James McNeill Whistler

1879 | Lithograph, in black ink, with scraping, on ivory Japanese paper

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Reading

James McNeill Whistler

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Greenwich Park

James McNeill Whistler

1859 | Etching with foul biting in black ink on cream laid paper

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Greenwich Park

James McNeill Whistler

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Conversation under the Statue, Luxembourg Gardens

James McNeill Whistler

1893 | Transfer lithograph in black with stumping, on cream laid paper

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Conversation under the Statue, Luxembourg Gardens

James McNeill Whistler

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Rue de la Rochefoucault

James McNeill Whistler

1888 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Rue de la Rochefoucault

James McNeill Whistler

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Maud, Standing

James McNeill Whistler

1876 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Maud, Standing

James McNeill Whistler

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Finette

James McNeill Whistler

1859 | Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper

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Finette

James McNeill Whistler

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Butterfly "Encountered" (recto); Sketch for Tailpiece (verso)

James McNeill Whistler

1898 |

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Butterfly "Encountered" (recto); Sketch for Tailpiece (verso)

James McNeill Whistler

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Unfinished Sketch of Lady Haden

James McNeill Whistler

1895 | Lithograph, in black ink, with scraping, on cream wove Japanese vellum

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Unfinished Sketch of Lady Haden

James McNeill Whistler

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The Brothers

James McNeill Whistler

1895 | Transfer lithograph in black on cream laid paper

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The Brothers

James McNeill Whistler

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The Good Shoe

James McNeill Whistler

1895 | Transfer lithograph in black on cream Japanese paper

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The Good Shoe

James McNeill Whistler

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The Shoemaker

James McNeill Whistler

1896 | Transfer lithograph in various black inks, with stumping, on buff laid paper

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The Shoemaker

James McNeill Whistler

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The Cap

James McNeill Whistler

1893 | Lithograph, in black ink, on greenish ivory laid paper

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The Cap

James McNeill Whistler

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The Punt

James McNeill Whistler

1861 | Etching and drypoint with foul biting in black ink on ivory wove paper

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The Punt

James McNeill Whistler

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The Man with a Sickle

James McNeill Whistler

1894 | Transfer lithograph in black on cream wove Japanese vellum

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The Man with a Sickle

James McNeill Whistler

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Lindsey Houses

James McNeill Whistler

1876 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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Lindsey Houses

James McNeill Whistler

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A Lady Seated

James McNeill Whistler

1893 | Lithograph, in black ink, with scraping and touches of brush and tusche, on grayish ivory China paper

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A Lady Seated

James McNeill Whistler

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Whistler with a Hat

James McNeill Whistler

1859 | Drypoint in black ink on cream laid paper discolored to buff

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Whistler with a Hat

James McNeill Whistler

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Canvas

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Watercolor Board

Natural Line

Japanese Paper

Special Media

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James McNeill Whistler | Page 2

James McNeill Whistler | Page 2

What our customers think about us

Frequently Asked Questions about Meisterdrucke

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Canvas

Photo Paper

Watercolor Board

Natural Line

Japanese Paper

Special Media

More information

Info & Service

More information

Good to know

Legal information

James McNeill Whistler | Page 2

James McNeill Whistler | Page 2

What our customers think about us

Frequently Asked Questions about Meisterdrucke

How does personalization work?

How can I tell if the picture fits in my room?

How do I choose the right medium?

I'm not sure if I have configured my picture correctly!

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