James McNeill Whistler

Artworks by James McNeill Whistler

1569 artworks found

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1.569 artworks found

Violet and Silver—The Deep Sea

James McNeill Whistler

1893 |

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Violet and Silver—The Deep Sea

James McNeill Whistler

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The Draped Figure, Seated

James McNeill Whistler

1893 | Transfer lithograph in grayish black on tan Japanese paper

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The Draped Figure, Seated

James McNeill Whistler

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The "Adam and Eve," Old Chelsea

James McNeill Whistler

1878 | Etching and drypoint in black ink on cream Japanese paper

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The "Adam and Eve," Old Chelsea

James McNeill Whistler

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Portrait Study: Mrs. Philip

James McNeill Whistler

1896 | Transfer lithograph in black on ivory Japanese paper

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Portrait Study: Mrs. Philip

James McNeill Whistler

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The 'Adam and Eve,' Old Chelsea

James McNeill Whistler

The "Adam and Eve," Old Chelsea

1878 | Etching and drypoint with foul biting in black ink on off-white laid paper

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The 'Adam and Eve,' Old Chelsea

James McNeill Whistler

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Portrait of a Young Woman Wearing a Hat [Miss Seaton]

James McNeill Whistler

1897 | Transfer lithograph in black ink on ivory laid paper

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Portrait of a Young Woman Wearing a Hat [Miss Seaton]

James McNeill Whistler

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Draped Figure, Standing

James McNeill Whistler

1891 | Transfer lithograph in dark gray on cream Japanese paper

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Draped Figure, Standing

James McNeill Whistler

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Cameo, No. 1 (Mother and Child)

James McNeill Whistler

1890 |

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Cameo, No. 1 (Mother and Child)

James McNeill Whistler

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The Terrace, Luxembourg

James McNeill Whistler

1894 | Transfer lithograph in black with stumping, on ivory laid paper

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The Terrace, Luxembourg

James McNeill Whistler

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Black Lion Wharf

James McNeill Whistler

1859 | Etching with foul biting in black ink on cream Japanese paper

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Black Lion Wharf

James McNeill Whistler

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Nocturne: Furnace

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on Asian laid paper

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Nocturne: Furnace

James McNeill Whistler

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The Dancer: A Study of the Nude

James McNeill Whistler

La Danseuse: A Study of the Nude

1891 | Transfer lithograph in black on cream Japanese gampi paper

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The Dancer: A Study of the Nude

James McNeill Whistler

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The Lime-Burner

James McNeill Whistler

1859 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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The Lime-Burner

James McNeill Whistler

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Double Doorway, Sandwich

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Double Doorway, Sandwich

James McNeill Whistler

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The Steps, Luxembourg

James McNeill Whistler

1893 | Transfer lithograph in black with stumping, on cream laid paper

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The Steps, Luxembourg

James McNeill Whistler

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Black Lion Wharf, from A Series of Sixteen Etchings of Scenes ...

James McNeill Whistler

Black Lion Wharf, from A Series ...

1859 | Etching with foul biting in black on off-white laid paper

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Black Lion Wharf, from A Series of Sixteen Etchings of Scenes on the Thames

James McNeill Whistler

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Annie

James McNeill Whistler

1857 | Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé)

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Annie

James McNeill Whistler

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The Laundress: "La Blanchisseuse de la Place Dauphine"

James McNeill Whistler

1894 | Transfer lithograph in black on ivory laid paper

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The Laundress: "La Blanchisseuse de la Place Dauphine"

James McNeill Whistler

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Nude Model, Reclining

James McNeill Whistler

1893 | Transfer lithograph in black, with stumping, on ivory laid paper

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Nude Model, Reclining

James McNeill Whistler

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Portrait Study: Mrs. Philip, No. 3 (recto) Portrait Study: Gen...

James McNeill Whistler

1897 | Transfer lithograph in black on ivory plate paper

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Portrait Study: Mrs. Philip, No. 3 (recto) Portrait Study: Geneviève Mallarmé (verso)

James McNeill Whistler

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Cutler Street, Houndsditch

James McNeill Whistler

Cutler Street, Hounsditch

1887 | Etching with foul biting in black ink on ivory laid paper

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Cutler Street, Houndsditch

James McNeill Whistler

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The Old Woman with Rags

James McNeill Whistler

La Vieille aux Loques (The Old W...

1858 | Etching and drypoint with foul biting in black ink on light gray China paper

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The Old Woman with Rags

James McNeill Whistler

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The Russian Schube

James McNeill Whistler

1896 | Transfer lithograph in black, with scraping, on cream laid paper

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The Russian Schube

James McNeill Whistler

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Elinor Leyland

James McNeill Whistler

1874 | Drypoint in black ink on ivory laid paper

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Elinor Leyland

James McNeill Whistler

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Longshore Men

James McNeill Whistler

1859 | Etching and drypoint in black on cream Japanese paper

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Longshore Men

James McNeill Whistler

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Nursemaids: 'Les Bonnes du Luxembourg'

James McNeill Whistler

Nursemaids: "Les Bonnes du Luxem...

1894 | Transfer lithograph in black on cream laid paper

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Nursemaids: 'Les Bonnes du Luxembourg'

James McNeill Whistler

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The Traghetto, No. 2

James McNeill Whistler

1880 | Etching and drypoint with foul biting in black ink on ivory laid paper

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The Traghetto, No. 2

James McNeill Whistler

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Churchyard

James McNeill Whistler

1887 | Transfer lithograph in black on cream laid paper

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Churchyard

James McNeill Whistler

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Nocturne: Palaces

James McNeill Whistler

1879 | Etching and drypoint in black, with selective wiping of plate tone, on ivory laid paper

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Nocturne: Palaces

James McNeill Whistler

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The Old Woman with Rags

James McNeill Whistler

La Vieille aux Loques (The Old W...

1858 | Etching and drypoint with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé)

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The Old Woman with Rags

James McNeill Whistler

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The Church - Brussels (Adoration)

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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The Church - Brussels (Adoration)

James McNeill Whistler

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Firelight: Joseph Pennell, No. 2

James McNeill Whistler

1896 | Transfer lithograph in black on cream laid paper

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Firelight: Joseph Pennell, No. 2

James McNeill Whistler

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Battersea Dawn (Cadogan Pier)

James McNeill Whistler

1863 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Battersea Dawn (Cadogan Pier)

James McNeill Whistler

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Speke Hall: The Avenue

James McNeill Whistler

1870 | Etching and drypoint with foul biting in black ink on off-white laid paper

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Speke Hall: The Avenue

James McNeill Whistler

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Figure Study in Colors

James McNeill Whistler

1890 | Transfer lithograph in black on ivory wove paper

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Figure Study in Colors

James McNeill Whistler

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Study

James McNeill Whistler

1878 | Lithotint in blue, with scraping, on brown wove paper

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Study

James McNeill Whistler

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An Interior

James McNeill Whistler

1891 | Transfer lithograph in black on cream Japanese paper

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An Interior

James McNeill Whistler

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Courtyard, Rue P. L. Courier, Tours

James McNeill Whistler

1888 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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Courtyard, Rue P. L. Courier, Tours

James McNeill Whistler

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Cameo, No. 1 (Mother and Child)

James McNeill Whistler

1891 |

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Cameo, No. 1 (Mother and Child)

James McNeill Whistler

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Islands: Evening

James McNeill Whistler

1879 | Drypoint in black ink on cream laid paper laid down on cream wove paper

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Islands: Evening

James McNeill Whistler

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Clothes-Exchange, Houndsditch, No. 1

James McNeill Whistler

1887 | Etching and drypoint with foul biting in dark brown ink on buff laid paper

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Clothes-Exchange, Houndsditch, No. 1

James McNeill Whistler

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Nocturne: Palaces

James McNeill Whistler

1879 | Cancelled copper plate

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Nocturne: Palaces

James McNeill Whistler

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Yellow House, Lannion

James McNeill Whistler

1893 | Transfer lithograph, with scraping, from six stones, in black (keystone), greenish gray, brown, light blue, yellow, and gray inks on ivory laid paper

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Yellow House, Lannion

James McNeill Whistler

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Nocturne, from Venice, a Series of Twelve Etchings (the "First...

James McNeill Whistler

1879 | Etching and drypoint in brown on cream laid paper

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Nocturne, from Venice, a Series of Twelve Etchings (the "First Venice Set")

James McNeill Whistler

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Portrait Study: Mrs. Philip, No. 4

James McNeill Whistler

Portrait Study: Mrs. Philip, No....

1897 | Transfer lithograph in black, printed over counterproof of lithograph in black, on ivory laid paper

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Portrait Study: Mrs. Philip, No. 4

James McNeill Whistler

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The Winged Hat

James McNeill Whistler

1890 | Transfer lithograph in black with scraping, on ivory wove paper

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The Winged Hat

James McNeill Whistler

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The Little Pool

James McNeill Whistler

1861 | Etching and drypoint with foul biting in black ink on ivory laid paper

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The Little Pool

James McNeill Whistler

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The Old Woman with Rags

James McNeill Whistler

La Vieille aux Loques (The Old W...

1858 | Etching and drypoint with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé)

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The Old Woman with Rags

James McNeill Whistler

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The Fan

James McNeill Whistler

1879 | Transfer lithograph in black ink on ivory plate paper

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The Fan

James McNeill Whistler

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The Boy (Charlie Hanson)

James McNeill Whistler

1875 | Drypoint in black ink on ivory laid paper

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The Boy (Charlie Hanson)

James McNeill Whistler

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The Novel: Girl Reading

James McNeill Whistler

1889 | Transfer lithograph in black on cream laid paper

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The Novel: Girl Reading

James McNeill Whistler

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The Medici Collar

James McNeill Whistler

1897 | Transfer lithograph in various black inks, on buff laid paper

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The Medici Collar

James McNeill Whistler

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Study

James McNeill Whistler

1878 | Lithograph, with scraping, in brown on cream wove paper

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Study

James McNeill Whistler

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Late Picquet

James McNeill Whistler

1894 | Transfer lithograph in black on cream laid paper

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Late Picquet

James McNeill Whistler

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Under Old Battersea Bridge

James McNeill Whistler

1876 | Etching, drypoint and open bite, with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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Under Old Battersea Bridge

James McNeill Whistler

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The Fireplace

James McNeill Whistler

1893 | Transfer lithograph in black on ivory wove proofing paper

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The Fireplace

James McNeill Whistler

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Florence Leyland

James McNeill Whistler

1874 | Drypoint in black ink on cream Japanese paper

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Florence Leyland

James McNeill Whistler

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Entrance Gate

James McNeill Whistler

1887 | Transfer lithograph in black on ivory wove paper

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Entrance Gate

James McNeill Whistler

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Little Court

James McNeill Whistler

1880 | Etching and drypoint with foul biting in brown ink on cream laid paper

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Little Court

James McNeill Whistler

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Chelsea Bridge and Church

James McNeill Whistler

1871 | Etching and drypoint in black ink on ivory laid paper

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Chelsea Bridge and Church

James McNeill Whistler

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The Temple

James McNeill Whistler

1880 | Etching in black ink on ivory Asian laid paper

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The Temple

James McNeill Whistler

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C. L. Drouet, Sculptor

James McNeill Whistler

1859 | Etching and drypoint in black ink on cream Japanese paper

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C. L. Drouet, Sculptor

James McNeill Whistler

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The Kitchen

James McNeill Whistler

1858 | Etching with foul biting in black ink on ivory China paper, laid down on white wove paper (chine collé)

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The Kitchen

James McNeill Whistler

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The Embroidered Curtain

James McNeill Whistler

1889 | Etching in dark brown ink on ivory Japanese paper

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The Embroidered Curtain

James McNeill Whistler

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San Biagio

James McNeill Whistler

1880 | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to buff

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San Biagio

James McNeill Whistler

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Hussar (recto) Man with a Top Hat and Bandaged Head (verso)

James McNeill Whistler

1854 | Pen and black ink over graphite (recto), and graphite (verso), on cream wove paper

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Hussar (recto) Man with a Top Hat and Bandaged Head (verso)

James McNeill Whistler

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The Long Gallery, Louvre

James McNeill Whistler

1894 | Transfer lithograph in black with stumping, on cream laid Japanese vellum

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The Long Gallery, Louvre

James McNeill Whistler

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Evening, Little Waterloo Bridge

James McNeill Whistler

1896 | Transfer lithograph in black ink on ivory laid paper

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Evening, Little Waterloo Bridge

James McNeill Whistler

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Binding the Hair

James McNeill Whistler

1887 | Etching with drypoint in black ink on cream laid paper

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Binding the Hair

James McNeill Whistler

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The Novel: Girl Reading

James McNeill Whistler

1889 | Transfer lithograph in black on tan laid paper

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The Novel: Girl Reading

James McNeill Whistler

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Millbank

James McNeill Whistler

1861 | Etching and drypoint with foul biting in black ink on cream laid paper

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Millbank

James McNeill Whistler

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Upright Venice

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to buff

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Upright Venice

James McNeill Whistler

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The Little Lagoon

James McNeill Whistler

1879 | Etching and drypoint in black ink on cream laid paper

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The Little Lagoon

James McNeill Whistler

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Auguste Delâtre, Printer

James McNeill Whistler

1858 | Etching, with drypoint cancellation, in black ink on ivory laid paper

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Auguste Delâtre, Printer

James McNeill Whistler

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Palaces, Brussels

James McNeill Whistler

1887 | Etching and drypoint with foul biting in brown black ink on cream laid paper

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Palaces, Brussels

James McNeill Whistler

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Portrait Study: Miss Charlotte R. Williams

James McNeill Whistler

1892 | Transfer lithograph in black on cream laid paper

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Portrait Study: Miss Charlotte R. Williams

James McNeill Whistler

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The Scotch Widow

James McNeill Whistler

1875 | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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The Scotch Widow

James McNeill Whistler

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The Market, Bruges

James McNeill Whistler

1887 | Etching with foul biting in black ink on cream laid paper

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The Market, Bruges

James McNeill Whistler

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Saint George

James McNeill Whistler

San Giorgio

1879 | Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper

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Saint George

James McNeill Whistler

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Amsterdam, from the Tolhuis

James McNeill Whistler

1863 | Etching in black ink on cream Japanese paper

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Amsterdam, from the Tolhuis

James McNeill Whistler

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Chancellerie, Loches

James McNeill Whistler

1888 | Etching with foul biting in black ink on cream laid paper

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Chancellerie, Loches

James McNeill Whistler

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The Steamboat, Venice

James McNeill Whistler

1879 | Etching with drypoint in black ink on off-white laid paper

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The Steamboat, Venice

James McNeill Whistler

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Study No. 1: Mr. Thomas Way

James McNeill Whistler

1896 | Transfer lithograph in black on ivory chine, laid down on off-white plate paper

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Study No. 1: Mr. Thomas Way

James McNeill Whistler

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Letter to William Heinemann with Corrections for Eden versus W...

James McNeill Whistler

Letter to William Heinemann with...

1898 | Pen and brownish black ink, with graphite, on cream laid paper and etching in blue (recto); pen and brownish black ink and graphite on cream laid paper (verso)

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Letter to William Heinemann with Corrections for Eden versus Whistler: The Baronet and the Butterfly. A Valentine with a Verdict

James McNeill Whistler

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Afternoon Tea

James McNeill Whistler

1897 | Transfer lithograph in black on tan laid Japanese vellum

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Afternoon Tea

James McNeill Whistler

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The Kitchen

James McNeill Whistler

1858 | Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé)

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The Kitchen

James McNeill Whistler

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Unfinished Sketch of Lady Haden

James McNeill Whistler

1895 | Lithograph, in black ink, with scraping, on grayish white chine, laid down on ivory plate paper

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Unfinished Sketch of Lady Haden

James McNeill Whistler

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Fruit Stall

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper

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Fruit Stall

James McNeill Whistler

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Rotherhithe

James McNeill Whistler

1860 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Rotherhithe

James McNeill Whistler

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Newspaper-Stall, Rue de Seine

James McNeill Whistler

1893 | Etching with foul biting in dark brown ink on buff laid paper

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Newspaper-Stall, Rue de Seine

James McNeill Whistler

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The Fur Tippet: Miss Lenoir

James McNeill Whistler

1887 | Etching and drypoint with foul biting in brownish black on ivory laid paper

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The Fur Tippet: Miss Lenoir

James McNeill Whistler

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The Palaces

James McNeill Whistler

1879 | Etching, drypoint and open bite in black ink on ivory laid paper

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The Palaces

James McNeill Whistler

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Hôtel Colbert, Windows

James McNeill Whistler

1891 | Transfer lithograph in black on tan laid paper

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Hôtel Colbert, Windows

James McNeill Whistler

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Study: Maud Seated

James McNeill Whistler

1878 | Lithotint in black ink with scraping and roulette on grayish ivory wove proofing paper

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Study: Maud Seated

James McNeill Whistler

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Court of the Monastery of St Augustine, Bourges

James McNeill Whistler

1888 | Etching with foul biting in dark brown ink on ivory laid paper

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Court of the Monastery of St Augustine, Bourges

James McNeill Whistler

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The Dance House: Nocturne

James McNeill Whistler

1889 | Etching in black ink on ivory laid paper

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The Dance House: Nocturne

James McNeill Whistler

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The Dam Wood

James McNeill Whistler

1874 | Drypoint in black ink on ivory laid paper

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The Dam Wood

James McNeill Whistler

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J. Becquet, Sculptor

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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J. Becquet, Sculptor

James McNeill Whistler

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Chelsea Bridge and Church

James McNeill Whistler

1871 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Chelsea Bridge and Church

James McNeill Whistler

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Old Battersea Bridge

James McNeill Whistler

1879 | Etching and drypoint in black ink on cream laid paper

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Old Battersea Bridge

James McNeill Whistler

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Born	July 11, 1834 (Lowell)
Died	July 17, 1903 (Chelsea) at the age of 69
Nationality	United States of America
Epochs	Ästhetizismus
Genre	Porträtmalerei, Porträt, Architekturmalerei, Historienmalerei, Landschaftsmalerei, Akt, Marinekunst
Profession	Maler, Radierer, Illustrator, Schriftsteller, Lithograf, Druckgrafiker
Family	Father: George Washington Whistler Mother: Anna McNeill Whistler Spouse: Beatrice Whistler Sibling: William McNeill Whistler
Teacher	Charles Gleyre
Student	May Wilson Preston
Memberships	Burlington Fine Arts Club International Society of Sculptors, Painters and Gravers Royal Society of British Artists
Notable works	Arrangement in Grau und Schwarz: Porträt der Mutter des Künstlers (1871), Symphony in weiss, No. 1: Mädchen in weiss (1860), Nocturne in Schwarz und Gold: Die fallende Rakete (1875), Symphonie in Weiß Nr. 2, Mädchen in Weiß (1864), Die alte Battersea Brücke: Nocturne-Blau und Gold (1872)
Museums	Art Institute of Chicago, Cleveland Museum of Art, National Gallery of Art, Metropolitan Museum of Art, Los Angeles County Museum of Art (LACMA)

Born	July 11, 1834 (Lowell)
Died	July 17, 1903 (Chelsea) at the age of 69
Nationality	United States of America
Epochs	Ästhetizismus
Genre	Porträtmalerei, Porträt, Architekturmalerei, Historienmalerei, Landschaftsmalerei, Akt, Marinekunst
Profession	Maler, Radierer, Illustrator, Schriftsteller, Lithograf, Druckgrafiker
Family	Father: George Washington Whistler Mother: Anna McNeill Whistler Spouse: Beatrice Whistler Sibling: William McNeill Whistler
Teacher	Charles Gleyre
Student	May Wilson Preston
Memberships	Burlington Fine Arts Club International Society of Sculptors, Painters and Gravers Royal Society of British Artists
Notable works	Arrangement in Grau und Schwarz: Porträt der Mutter des Künstlers (1871), Symphony in weiss, No. 1: Mädchen in weiss (1860), Nocturne in Schwarz und Gold: Die fallende Rakete (1875), Symphonie in Weiß Nr. 2, Mädchen in Weiß (1864), Die alte Battersea Brücke: Nocturne-Blau und Gold (1872)
Museums	Art Institute of Chicago, Cleveland Museum of Art, National Gallery of Art, Metropolitan Museum of Art, Los Angeles County Museum of Art (LACMA)

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