Title Page, from The Marriage of Heaven and Hell by William Blake

Title Page, from The Marriage of Heaven and Hell

(Titelseite, aus der Heirat des Himmels und der Hölle)

William Blake

Victorian art  ·  Text pages and calligraphy
prose
Title Page, from The Marriage of Heaven and Hell by William Blake
1790   ·  Wasserfarbe auf Papier  ·  Picture ID: 116018   ·  Private Collection / bridgemanimages.com
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Wiilliam Blake was a poet, nature mystic and painter. Between 1790 and 1798 he wrote and painted with the help of his wife Catherine Blake the idea writing "The Marriage of Heaven and Hell". The work consists of 27 plates. The book is about the poet visiting hell. He imitates the revelation books, but reflects his own views. The title is an ironic allusion to "De Coelo et eius mirabilibus, et de inferno" (in English: heaven and hell) a theological text by Emanuel Swedenborgs, who is often quoted and criticized in Blake's work. Sigmund Freud and Carl Gustav Jung were also inspired by The Marriage of Heaven and Hell because it describes the struggle between a superego and an id. © Meisterdrucke

Title Page, from The Marriage of Heaven and Hell by William Blake

Title Page, from The Marriage of Heaven and Hell

(Titelseite, aus der Heirat des Himmels und der Hölle)

William Blake

Victorian art  ·  Text pages and calligraphy
prose
Title Page, from The Marriage of Heaven and Hell by William Blake
1790   ·  Wasserfarbe auf Papier  ·  Picture ID: 116018   ·  Private Collection / bridgemanimages.com
   Add to favorites
0 Reviews
Wiilliam Blake was a poet, nature mystic and painter. Between 1790 and 1798 he wrote and painted with the help of his wife Catherine Blake the idea writing "The Marriage of Heaven and Hell". The work consists of 27 plates. The book is about the poet visiting hell. He imitates the revelation books, but reflects his own views. The title is an ironic allusion to "De Coelo et eius mirabilibus, et de inferno" (in English: heaven and hell) a theological text by Emanuel Swedenborgs, who is often quoted and criticized in Blake's work. Sigmund Freud and Carl Gustav Jung were also inspired by The Marriage of Heaven and Hell because it describes the struggle between a superego and an id. © Meisterdrucke
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

(inkl. 20% MwSt)

Produktionszeit: 2-4 Werktage
Bildschärfe: PERFEKT
Other art prints by William Blake
Blake-Cant-pilgrims-detail-b1 Coloured engraving, 2nd state (1810) Dante running from the three beasts, Canto I of Inferno from The Divine Comedy by Dante Alighieri, 1824-27 (pen, ink and wc over pencil on paper) A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from The First Book of Urizen, 1794 (relief etching with wc) Visions of the Daughters of Albion, Plate 10, The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1-4), c.1803-05 (black ink and watercolor over traces of graphite and incised lines) Europe. A Prophecy, Plate 14, And the clouds & fires . . . .  (Bentley 15) The Fatal Sisters, design 63 from The Poems of Thomas Gray, 1797-98 (wc with pen and ink on paper) Nebuchadnezzar The goddess of fortune, illustration to the Divine Comedy by Dante Alighieri, 1824-27 (pen & ink with wc over pencil and chalk) Songs of Innocence and of Experience, Plate 41, A Poison Tree (Bentley 49) Jerusalem The Emanation of the Giant Albion; plate 76 Albion before Christ crucified on the Tree of Knowledge and Good and Evil, 1804-20 (relief etching finished with wc) The Vision of God, from Illustrations of the Book of Job, 1825-26. The Red Dragon and the Woman Clothed in Sun, ca 1802-1805 Songs of Innocence and of Experience, Plate 36, The Tyger (Bentley 42) Oh! Flames of Furious Desires: Plate 3 of Urizen, 1796
Other art prints by William Blake
Blake-Cant-pilgrims-detail-b1 Coloured engraving, 2nd state (1810) Dante running from the three beasts, Canto I of Inferno from The Divine Comedy by Dante Alighieri, 1824-27 (pen, ink and wc over pencil on paper) A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from The First Book of Urizen, 1794 (relief etching with wc) Visions of the Daughters of Albion, Plate 10, The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1-4), c.1803-05 (black ink and watercolor over traces of graphite and incised lines) Europe. A Prophecy, Plate 14, And the clouds & fires . . . .  (Bentley 15) The Fatal Sisters, design 63 from The Poems of Thomas Gray, 1797-98 (wc with pen and ink on paper) Nebuchadnezzar The goddess of fortune, illustration to the Divine Comedy by Dante Alighieri, 1824-27 (pen & ink with wc over pencil and chalk) Songs of Innocence and of Experience, Plate 41, A Poison Tree (Bentley 49) Jerusalem The Emanation of the Giant Albion; plate 76 Albion before Christ crucified on the Tree of Knowledge and Good and Evil, 1804-20 (relief etching finished with wc) The Vision of God, from Illustrations of the Book of Job, 1825-26. The Red Dragon and the Woman Clothed in Sun, ca 1802-1805 Songs of Innocence and of Experience, Plate 36, The Tyger (Bentley 42) Oh! Flames of Furious Desires: Plate 3 of Urizen, 1796
Other motives from the category Text pages and calligraphy
Visions of the Daughters of Albion, Plate 10, Saint John Takes the Rod to Measure the Temple Fratricide Witnesses the Loyalty of Two Friends The Poems of Thomas Gray, Design 93, Segawa Kikunojô as Tomoe Gozen, c.1825-29 (color woodcut) Leonardo da Vincis handwriting Exodus 9 13-35 The Seven Plagues of Egypt: Moses and the plague of hail and lightning, from the Nuremberg Bible (Biblia Sacra Germanaica) (coloured woodcut) Ruth resting at the feet of Boaz, from Ruth et Booz, translated by J.C. Mardrus, published 1930 Seljuk style Koran with coloured inscriptions and decorative counting medallions in the margins, 12-13th century Fol 311 verso 312 recto, Timurid Quran, 1441 (ink and gold on paper) Title Page, from The Marriage of Heaven and Hell Koran frontispiece (opaque wc, ink and gold on paper) Numbers 16 32 The Earth swallows the rebels Dathan and Abiram, from the Nuremberg Bible (Biblia Sacra Germanaica) (coloured woodcut) Ms 313 God creating the world, miniature from the Bible des Grands Augustins, 1494 Front Page of Chapter I, taken from The Well at Worlds End by William Morris, 1896
Other motives from the category Text pages and calligraphy
Visions of the Daughters of Albion, Plate 10, Saint John Takes the Rod to Measure the Temple Fratricide Witnesses the Loyalty of Two Friends The Poems of Thomas Gray, Design 93, Segawa Kikunojô as Tomoe Gozen, c.1825-29 (color woodcut) Leonardo da Vincis handwriting Exodus 9 13-35 The Seven Plagues of Egypt: Moses and the plague of hail and lightning, from the Nuremberg Bible (Biblia Sacra Germanaica) (coloured woodcut) Ruth resting at the feet of Boaz, from Ruth et Booz, translated by J.C. Mardrus, published 1930 Seljuk style Koran with coloured inscriptions and decorative counting medallions in the margins, 12-13th century Fol 311 verso 312 recto, Timurid Quran, 1441 (ink and gold on paper) Title Page, from The Marriage of Heaven and Hell Koran frontispiece (opaque wc, ink and gold on paper) Numbers 16 32 The Earth swallows the rebels Dathan and Abiram, from the Nuremberg Bible (Biblia Sacra Germanaica) (coloured woodcut) Ms 313 God creating the world, miniature from the Bible des Grands Augustins, 1494 Front Page of Chapter I, taken from The Well at Worlds End by William Morris, 1896
Excerpt from our top sellers
Girl with child Murnau, Burggrabenstrasse The Origin of the World Large Study, 1914 The Birth of Venus, 1846 Otters and Walrus The anarchist, 1894 The Ninth Wave Geography of Plants in Tropical Countries, A Study of the Andes, drawn by Schoenberger and Turpin, printed by Langlois, Paris Birds and Flowers of the Four Seasons: Spring and Summer, Muromachi Period, late 15th-early 16th century (ink and colour on paper) hungry girl Rhythm of a Russian dance The parrot man Nocturne: Cremorne Lights Colorful in the triangle
Excerpt from our top sellers
Girl with child Murnau, Burggrabenstrasse The Origin of the World Large Study, 1914 The Birth of Venus, 1846 Otters and Walrus The anarchist, 1894 The Ninth Wave Geography of Plants in Tropical Countries, A Study of the Andes, drawn by Schoenberger and Turpin, printed by Langlois, Paris Birds and Flowers of the Four Seasons: Spring and Summer, Muromachi Period, late 15th-early 16th century (ink and colour on paper) hungry girl Rhythm of a Russian dance The parrot man Nocturne: Cremorne Lights Colorful in the triangle

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Titelseite, aus der Heirat des Himmels und der Hölle (AT) Titelseite, aus der Heirat des Himmels und der Hölle (DE) Titelseite, aus der Heirat des Himmels und der Hölle (CH) Title Page, from The Marriage of Heaven and Hell (US)
Pagina del titolo, dal matrimonio del paradiso e dell&39;inferno (IT) Page de titre, du Mariage du Ciel et de l&39;Enfer (FR) Titelpagina, uit Het huwelijk van hemel en hel (NL) Página de título, de The Marriage of Heaven and Hell (ES) Титульный лист из фильма «Небесный и адский брак» (RU)
शीर्षक पृष्ठ, द मैरिज ऑफ हेवन एंड हेल से (HI) 标题页,来自天堂与地狱的婚姻 (ZH) Página de rosto, do casamento do céu e do inferno (PT) タイトルページ、天国と地獄の結婚から (JP) صفحة العنوان ، من زواج السماء والجحيم (AE)

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Titelseite, aus der Heirat des Himmels und der Hölle (AT) Titelseite, aus der Heirat des Himmels und der Hölle (DE) Titelseite, aus der Heirat des Himmels und der Hölle (CH) Title Page, from The Marriage of Heaven and Hell (US) Pagina del titolo, dal matrimonio del paradiso e dell&39;inferno (IT) Page de titre, du Mariage du Ciel et de l&39;Enfer (FR) Titelpagina, uit Het huwelijk van hemel en hel (NL) Página de título, de The Marriage of Heaven and Hell (ES) Титульный лист из фильма «Небесный и адский брак» (RU) शीर्षक पृष्ठ, द मैरिज ऑफ हेवन एंड हेल से (HI) 标题页,来自天堂与地狱的婚姻 (ZH) Página de rosto, do casamento do céu e do inferno (PT) タイトルページ、天国と地獄の結婚から (JP) صفحة العنوان ، من زواج السماء والجحيم (AE)


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