Autumn tree in stirred Air (Winter Tree) by Egon Schiele

Autumn tree in stirred Air (Winter Tree)

(Herbstbaum in bewegter Luft (Winterbaum))


Egon Schiele

Autumn tree in stirred Air (Winter Tree) by Egon Schiele
1912   ·  Oil on canvas  ·  23.84 Megapixel  ·  Picture ID:24372


19.05.2018
Britta H.
Art print on Canvas glossy, 100cm x 99cm, stretched on stretcher. With picture frame 'Giada'.
The moving air of the winter tree is only partly recognizable in the picture by Egon Schiele (1890-1918). The painting from 1912 also does not necessarily show a tree; If the image title were not available, the viewer would hardly be able to clearly identify the displayed image content.

Although the picture in the true sense has no depth effect, there is a foreground, middle and background. The foreground is an irregularly shaped light brown stripe, followed by a narrow mountain silhouette in dark brown to black colors; most of the image is made up of the background in a shade of gray that alternates between rather light and rather dark parts.
From the brown earthy stripe, clearly to the left of the center of the almost square picture, the trunk of the tree in question grows up just below the center of the picture. The trunk is crowned, which has initially grown to the right, then strives straight upwards, and then, finally, to lean back clearly to the right, from an indicated treetop, which the artist has almost depicted as a curved whip.

Looking only at this part of the picture, it dissolves almost completely from every form of objectivity. Only the narrow earth-colored band on the lower edge of the picture as well as the following also narrow mountain silhouette make the idea that a tree is represented here appear conclusive.
The painting is absolutely harmonious and harmonious in its design. The renunciation of almost every claim to a realistic representation leads to a dynamic representation of this autumn tree in moving air. Particularly impressive are the delicate lines that are intended to represent small branches, but at the same time look like an appealing pattern. Here Schiele is only a small step away from pure abstraction. © Meisterdrucke



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Other art prints by Egon Schiele
The Embrace, 1917 Sitting woman with raised knee A Portrait of the Artists Father-in-Law, Johann Harms, 1915  Seated Woman with Bent Knees, 1917 Seated Female Nude Self portrait, 1914 pencil and gouache Portrait of Wally Reclining Nude Seated female nude, 1918 Poster for the Vienna Secession, 49th Exhibition, Die Freunde, 1918 Self Portrait Screaming Dead City III (City on the Blue River III) Lying female nude Sleeping girl Seated Woman from behind Death and the Maiden Standing female nude with blue towel Crouching Male Nude
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Dream of spring Haymaking Reclining Nude from the Back (Nu Couche de Dos) 1917 The Lady of Shalott The Nightwatch, 1642 The Magpie The Carpet Merchant Mending the Sail, 1896 Monk by the Sea Rain Steam and Speed, The Great Western Railway The Birth of Christ The Duel After the Masquerade Waterlilies, 1916-19  (see also detail 382331) Vertumnus, 1591 Impression: Sunrise, 1872
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Hausergasse 21 · 9500 Villach, Austria
+43 4242 25574 · office@meisterdrucke.com

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