The Annunciation by Benvenuto Tisi da Garofalo

The Annunciation

(Die Ankündigung)

Benvenuto Tisi da Garofalo

Late Renaissance
graceful · heartfelt · beautiful · peaceful · glorious · heavenly · serenity · delightful · charming · enchanting
The Annunciation by Benvenuto Tisi da Garofalo
1528   ·  Öl auf Holz  ·  Picture ID: 9
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The year in which the Italian painter Benvenuto Tisi da Garofalo completed the announcement, he hid in the painting itself. The Roman numeral MDXXVIII is immortalized above the chimney: 1528. The artist's coat of arms motif, the carnation, also finds its place in the foreground of the painting. She has earned the Benvenuto Tisi born Italians the nickname Garofalo, derived from the Italian word for carnation (Garofano). Like most of Garofalo's works, which painted until his blindness in 1550, the announcement reveals a biblical motif. The Archangel Gabriel with wings, wreath and golden ornaments announces to reading Mary that she will give birth to the Son of God. In contrast to Gabriel, Mary is dressed rather simply and is in an intimate, home-like environment with a book, a burning fireplace and a resting cat. Next to the archangel diagonally symbolizes the Trinity: the father as an old man in the clouds, the son as a small child and the Holy Spirit as a dove. Announcing his fate on earth, the child wears a wooden cross with nails. © Meisterdrucke
The Annunciation by Benvenuto Tisi da Garofalo

The Annunciation

(Die Ankündigung)

Benvenuto Tisi da Garofalo

Late Renaissance
graceful · heartfelt · beautiful · peaceful · glorious · heavenly · serenity · delightful · charming · enchanting
The Annunciation by Benvenuto Tisi da Garofalo
1528   ·  Öl auf Holz  ·  Picture ID: 9
   Add to favorites
0 Reviews
The year in which the Italian painter Benvenuto Tisi da Garofalo completed the announcement, he hid in the painting itself. The Roman numeral MDXXVIII is immortalized above the chimney: 1528. The artist's coat of arms motif, the carnation, also finds its place in the foreground of the painting. She has earned the Benvenuto Tisi born Italians the nickname Garofalo, derived from the Italian word for carnation (Garofano). Like most of Garofalo's works, which painted until his blindness in 1550, the announcement reveals a biblical motif. The Archangel Gabriel with wings, wreath and golden ornaments announces to reading Mary that she will give birth to the Son of God. In contrast to Gabriel, Mary is dressed rather simply and is in an intimate, home-like environment with a book, a burning fireplace and a resting cat. Next to the archangel diagonally symbolizes the Trinity: the father as an old man in the clouds, the son as a small child and the Holy Spirit as a dove. Announcing his fate on earth, the child wears a wooden cross with nails. © Meisterdrucke
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Other art prints by Benvenuto Tisi da Garofalo
The Annunciation A Pagan Sacrifice, 1526 Allegory of the Old and New Testaments Christ with the Tribute Money (panel) The Agony in the Garden, Between 1520 and 1539 The Virgin Enthroned with St. Jerome and St. John (oil) (see also 33480) The Madonna and Child The Adoration of the Magi St. James the Greater Jesus and the Samaritan woman The Agony in the Garden, 1524 St. Jerome (panel) The Adoration of the Magi, 1513 Saint Lucy, 1535-1540 The Carrying of the Cross, c. 1500
Other art prints by Benvenuto Tisi da Garofalo
The Annunciation A Pagan Sacrifice, 1526 Allegory of the Old and New Testaments Christ with the Tribute Money (panel) The Agony in the Garden, Between 1520 and 1539 The Virgin Enthroned with St. Jerome and St. John (oil) (see also 33480) The Madonna and Child The Adoration of the Magi St. James the Greater Jesus and the Samaritan woman The Agony in the Garden, 1524 St. Jerome (panel) The Adoration of the Magi, 1513 Saint Lucy, 1535-1540 The Carrying of the Cross, c. 1500
Excerpt from our top sellers
Christ walking on the waters The Circumcision, c.1605 The Inspiration of Saint Matthew Mater Dolorosa Madonna and Child and Saints, 16th century, (triptych) Adoration of the Magi, 1510-5 Jesus on the way to Calvary The Crucifixion, from the Isenheim Altarpiece, c.1512-15 The Lamentation over the Dead Christ Jesus Healing the Leper, 1864 Crucifixion, 1581 The Institution of the Eucharist, c.1490 (tempera on panel) Christ in the House of Simon the Pharisee, c.1656 The Lamentation of Christ The Last Judgement, c.1445-50
Excerpt from our top sellers
Christ walking on the waters The Circumcision, c.1605 The Inspiration of Saint Matthew Mater Dolorosa Madonna and Child and Saints, 16th century, (triptych) Adoration of the Magi, 1510-5 Jesus on the way to Calvary The Crucifixion, from the Isenheim Altarpiece, c.1512-15 The Lamentation over the Dead Christ Jesus Healing the Leper, 1864 Crucifixion, 1581 The Institution of the Eucharist, c.1490 (tempera on panel) Christ in the House of Simon the Pharisee, c.1656 The Lamentation of Christ The Last Judgement, c.1445-50
Excerpt from our top sellers
Summer evening on the beach at Skagen. The painter and his wife. The Tower of Babel (Vienna) Der Lesende Winged altar with the Last Judgment Camelot, illustration from Idylls of the King by Alfred Tennyson Accent en Rose, 1926 Ships Bearing up for Anchorage (The Egremont Sea Piece), 1802 Drifting Clouds Tondals Vision Paradise Lost: Fall of the rebel angels, The White Ship, 1915 The Temple of Juno in Agrigento, by Caspar David Friedrich (1774-1840). Hypnosis Mater Dolorosa Young Woman With Green Eyes, c.1910
Excerpt from our top sellers
Summer evening on the beach at Skagen. The painter and his wife. The Tower of Babel (Vienna) Der Lesende Winged altar with the Last Judgment Camelot, illustration from Idylls of the King by Alfred Tennyson Accent en Rose, 1926 Ships Bearing up for Anchorage (The Egremont Sea Piece), 1802 Drifting Clouds Tondals Vision Paradise Lost: Fall of the rebel angels, The White Ship, 1915 The Temple of Juno in Agrigento, by Caspar David Friedrich (1774-1840). Hypnosis Mater Dolorosa Young Woman With Green Eyes, c.1910

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