support@meisterdrucke.com  ·  0043 4257 29415

Deutsch English Italiano Español Français Nederlands Português Svenska Polski Dansk
Search by artist, work title or style – e.g. Monet, Starry Night, Impressionism, Hokusai wave, nude. Describe the scene – e.g. green meadow, abstract with lots of red, dark oil painting, standing nude next to a tree.
Thomas Moran

With the mastery of a light-weaver, he transforms sweeping vistas into luminous visions that hover between dream and reality, capturing the awe of untamed nature for all time.


Discover artworks now!
Österreichische Kunstmanufaktur Erfahrungen & Bewertungen zu Meisterdrucke auf ProvenExpert.com

Thomas Moran

With the mastery of a light-weaver, he transforms sweeping vistas into luminous visions that hover between dream and reality, capturing the awe of untamed nature for all time.

Discover artworks now!
Thomas Moran
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Thomas Moran

Thomas Moran

        February 12, 1837   -   August 25, 1926
Post Impressionism   •   Wikipedia: Thomas Moran

In 1872, Yellowstone's unique landscape was deemed worthy of protection and the first national park was established. The impassable terrain was not the focus of the responsible politicians for a long time. In 1871, a survey team set out to explore the west of the USA. Among them the artist Thomas Moran. Born in England, Moran had emigrated with his parents across the ocean when industrial England came into economically difficult times. Thomas Moran drew his inspiration from the works of Turner. Dematerialized paintings, whose effect was based on the play of light and color, were executed with great skill by British artists. In America, the painters around the Hudson River School had redefined the standards of landscape painting. Thomas Cole was the founder of the association and lent a harmonious atmosphere to the development between nature and population.

Thomas Moran was the first painter to capture the enormous canyons and bubbling geysers of the dramatic landscape. It is thanks to his depictions that society's awareness of the protection of Yellowstone and the Grand Canyon has become firmly established. Moran achieved more than just depiction. His slightly idealized depictions led society to look at the landscape with a transfigured gaze as well. A talent with which few painters could convince. Moran takes up an aesthetic that is characteristic of the artists of the American East Coast. Like a gentle filter, he lays the artistic impression over the wild and rough landscape in the west of the country. The painting The Grand Canyon of Yellowstone appeals to the viewer through its special coloration. Moran had excellent topographical knowledge, which he takes away from reality through light and color. In his own words, the artist dared to approach the greatest, most beautiful or wonderful thing in nature and presented his works on large canvases. He lovingly called his depiction of the Grand Canyon "my big picture". The Grand Canyon forms a foundation of America's cultural identity. After its completion, Moran's painting found a place in the Capitol and ensured the painter artistic success.

Thomas Moran was at home on the east coast and absorbed the impulses that were influenced by the currents of European art. However, the artist found his motifs on journeys. Moran continued to take part in expeditions through Yellowstone and visited Mexico and Europe. In addition to his impressive landscape views, he tried his hand at depictions of urban life and industrial developments. He colored his sketches with watercolor and let the richness of color flow onto the canvas in his studio. Throughout his life, Moran emphasized how confidently he could bring together from his memory the features of the landscape and the combination of colors in his studio. The painter was productive beyond the age of eighty, leaving behind a body of work of unparalleled scope.

Thomas Moran

        February 12, 1837   -   August 25, 1926
Post Impressionism   •   Wikipedia: Thomas Moran Thomas Moran

In 1872, Yellowstone's unique landscape was deemed worthy of protection and the first national park was established. The impassable terrain was not the focus of the responsible politicians for a long time. In 1871, a survey team set out to explore the west of the USA. Among them the artist Thomas Moran. Born in England, Moran had emigrated with his parents across the ocean when industrial England came into economically difficult times. Thomas Moran drew his inspiration from the works of Turner. Dematerialized paintings, whose effect was based on the play of light and color, were executed with great skill by British artists. In America, the painters around the Hudson River School had redefined the standards of landscape painting. Thomas Cole was the founder of the association and lent a harmonious atmosphere to the development between nature and population.

Thomas Moran was the first painter to capture the enormous canyons and bubbling geysers of the dramatic landscape. It is thanks to his depictions that society's awareness of the protection of Yellowstone and the Grand Canyon has become firmly established. Moran achieved more than just depiction. His slightly idealized depictions led society to look at the landscape with a transfigured gaze as well. A talent with which few painters could convince. Moran takes up an aesthetic that is characteristic of the artists of the American East Coast. Like a gentle filter, he lays the artistic impression over the wild and rough landscape in the west of the country. The painting The Grand Canyon of Yellowstone appeals to the viewer through its special coloration. Moran had excellent topographical knowledge, which he takes away from reality through light and color. In his own words, the artist dared to approach the greatest, most beautiful or wonderful thing in nature and presented his works on large canvases. He lovingly called his depiction of the Grand Canyon "my big picture". The Grand Canyon forms a foundation of America's cultural identity. After its completion, Moran's painting found a place in the Capitol and ensured the painter artistic success.

Thomas Moran was at home on the east coast and absorbed the impulses that were influenced by the currents of European art. However, the artist found his motifs on journeys. Moran continued to take part in expeditions through Yellowstone and visited Mexico and Europe. In addition to his impressive landscape views, he tried his hand at depictions of urban life and industrial developments. He colored his sketches with watercolor and let the richness of color flow onto the canvas in his studio. Throughout his life, Moran emphasized how confidently he could bring together from his memory the features of the landscape and the combination of colors in his studio. The painter was productive beyond the age of eighty, leaving behind a body of work of unparalleled scope.

Artworks by Thomas Moran

Artworks by Thomas Moran

434 artworks found
Sort by

Filter settings

Display settings
434 artworks found

Thomas Moran
Moonlit Shipwreck at Sea, 1901
1901 | oil on canvas

Choose picture

Thomas Moran
Moonlight in Venice,
1898 | oil on panel

Choose picture

Thomas Moran
Index Peak, Yellowstone National...
1914 | oil on canvas

Choose picture

Thomas Moran
Green River of Wyoming, 1878
1878 | oil on canvas

Choose picture

Thomas Moran
 
1901 | oil on canvas

Choose picture

Thomas Moran
Fiercely the red sun descendingB...
1875 | oil on canvas

Choose picture

Thomas Moran
 
1897 | oil on canvas

Choose picture

Thomas Moran
The Grand Canyon of the Yellowst...
Undated | oil painting

Choose picture

Thomas Moran
A Long Island River, 1908
1908 | oil on canvas

Choose picture

Thomas Moran
 
1913 | oil on canvas

Choose picture

Thomas Moran
Fingal’s Cave, Island of Staffa,...
1885 | oil on canvas

Choose picture

Thomas Moran
Children of the Mountain, 1867
1867 | oil on canvas

Choose picture

Thomas Moran
 
1872 | gouache over graphite, on cream laid paper

Choose picture

Thomas Moran
 
1884 | oil on canvas

Choose picture

Thomas Moran
 
1872 | Brush and black wash, graphite on tan wove paper

Choose picture

Thomas Moran
Castle in Scotland, 1910
1910 | Oil on cardboard

Choose picture

Thomas Moran
Entrance to the Grand Canal, Ven...
1905 | oil on canvas

Choose picture

Thomas Moran
Valley of Cuernavaca, 1903.
Undated | oil painting

Choose picture

Thomas Moran
 
1918 | oil on canvas

Choose picture

Thomas Moran
Sunset, Venice; Santa Maria and ...
1902 | oil on canvas

Choose picture

Thomas Moran
 
1889 | oil on canvas

Choose picture

Thomas Moran
Sunset, Pueblo del Walpe, Arizon...
1880 | oil on canvas

Choose picture

Thomas Moran
Landscape, 1920
1920 | oil on canvas

Choose picture

Thomas Moran
 
Undated | oil on canvas

Choose picture

Thomas Moran
Rock Towers of the Rio Virgin, 1...
1908 | oil on canvas

Choose picture

Thomas Moran
The Juniata, Evening, 1864
1864 | oil on canvas

Choose picture

Thomas Moran
The Grand Canal, 1887
1887 | oil on canvas

Choose picture

Thomas Moran
 
Undated | etching and drypoint in black on laid paper

Choose picture

Thomas Moran
Mountain Scene, c.1865 (oil on c...
1865 | oil on canvas

Choose picture

Thomas Moran
Woods by a River, 1886
1886 | oil on canvas

Choose picture

Thomas Moran
The Teton Range, 1897
1897 | oil on canvas

Choose picture

Thomas Moran
Mist in Kanab Canyon, Utah, 1892.
Undated | oil painting

Choose picture

Thomas Moran
 
1905 | oil on canvas

Choose picture

Thomas Moran
 
1892 | oil on canvas

Choose picture

Thomas Moran
 
1864 | oil on canvas

Choose picture

Thomas Moran
Sunset at Sea, 1906
1906 | oil on canvas

Choose picture

Thomas Moran
The Juniata, Evening, 1864.
Undated |

Choose picture

Thomas Moran
 
Undated | watercolour and ink on paper

Choose picture

Thomas Moran
 
Undated | oil on canvas

Choose picture

Thomas Moran
The Coast of Florida, 1882
1882 | oil on canvas

Choose picture

Thomas Moran
 
Undated | etching in brown on laid paper

Choose picture

Thomas Moran
 
1879 | Brush and watercolor, white goauche, graphite on gray laid paper

Choose picture

Thomas Moran
 
1899 | oil on canvas

Choose picture

Thomas Moran
 
1874 | Brush and black wash, graphite on thin light brown wove paper

Choose picture

Thomas Moran
 
1886 | etching on cream laid paper

Choose picture

Thomas Moran
Below the Towers of Tower Falls,...
1909 | oil on canvas

Choose picture

Thomas Moran
A Scene on the Tohickon Creek: A...
1868 | oil on canvas

Choose picture

Thomas Moran
Drawing, Near San Francisco, Mex...
undatiert |

Choose picture

Thomas Moran
Grand Canal, Venice, 1901
1901 | oil on canvas

Choose picture

Thomas Moran
 
1883 | Brush and watercolor, white gouache, graphite on tan paper

Choose picture

Thomas Moran
The Dell, 1878.
Undated |

Choose picture

Thomas Moran
Grand Canyon of the Colorado'
1908 |

Choose picture

Thomas Moran
 
1878 | oil on canvas

Choose picture

Thomas Moran
On the Berry Trail - Grand Canyo...
1903 | oil on canvas

Choose picture

Thomas Moran
Arabian Nights Fantasy, 1886
1886 | oil on canvas

Choose picture

Thomas Moran
The Rock of Acoma, New Mexicon
1902 |

Choose picture

Thomas Moran
Sunset Vespers at the Old Rugged...
Undated | oil on canvas

Choose picture

Thomas Moran
The Bathing Hole, Cuernavaca, Me...
1913 | oil on canvas

Choose picture

Thomas Moran
Drawing, The Arkansas Divide, Au...
Undated |

Choose picture

Thomas Moran
Hot Springs of Gardiner's River,...
1872 | watercolour on paper

Choose picture

Thomas Moran
 
1901 | Recto: Brush and watercolor, graphite on blue-green wove paper Verso: Graphite on blue-green wove paper

Choose picture

Thomas Moran
 
Undated | etching and drypoint in black

Choose picture

Thomas Moran
The Pueblo of Acoma, New Mexico ...
Undated | oil on canvas

Choose picture

Thomas Moran
 
1874 | Graphite on blue-gray wove paper

Choose picture

Thomas Moran
Venetian Canal, 1896
1896 | oil on panel

Choose picture

Thomas Moran
 
Undated | etching in brown on laid paper

Choose picture

Thomas Moran
 
Undated | etching and drypoint in black on laid paper

Choose picture

Thomas Moran
 
1880 | Etching in black ink on tan paper

Choose picture

Thomas Moran
 
1892 | Brush and watercolor, white gouache, graphite on gray wove paper

Choose picture

Thomas Moran
Caledonia, Stern and Wild, 1919
1919 | oil on canvas

Choose picture

Thomas Moran
Venice,
Undated | oil on canvas

Choose picture

Thomas Moran
 
1875 |

Choose picture

Thomas Moran
Shin-Au-Av-Tu-Weap God Land, Cañ...
Undated | watercolour

Choose picture

Thomas Moran
Rainbow over the Grand Canyon of...
Undated | oil painting

Choose picture

Thomas Moran
 
1892 | Brush and watercolor, white gouache, graphite on wove blue-green wove paper

Choose picture

Thomas Moran
 
1874 | Brush and black wash, graphite on gray paper

Choose picture

Thomas Moran
 
1916 | oil on canvas

Choose picture

Thomas Moran
 
1872 | Recto: Brush and black wash, graphite on light brown wove paper Verso: Graphite on light brown wove paper

Choose picture

Thomas Moran
Venice, 1889
1889 | oil on canvas

Choose picture

Thomas Moran
 
1907 | oil on canvas

Choose picture

Thomas Moran
Drawing, Green River, Wyoming Te...
1879 |

Choose picture

Thomas Moran
 
Undated |

Choose picture

Thomas Moran
A Summer Morning Coast (oil)
Undated | oil

Choose picture

Thomas Moran
Green River of Wyoming, 1878
1878 | oil on canvas

Choose picture

Thomas Moran
The Rapids Above Niagara
Undated | oil on canvas

Choose picture

Thomas Moran
 
1879 | Graphite, brush and grey and blue-grey watercolor, white gouache on thin cream paper

Choose picture

Thomas Moran
 
1892 | Graphite on brown wove paper

Choose picture

Thomas Moran
 
1902 |

Choose picture

Thomas Moran
 
Undated |

Choose picture

Thomas Moran
Sunset, Amagansettn
1905 |

Choose picture

Thomas Moran
Interior of a California Forest ...
1888 | etching on chine collé

Choose picture

Thomas Moran
 
1883 | etching on cream laid paper

Choose picture


Page 1 / 5



What our customers think about us



Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
Other languages

                   
Erfahrungen & Bewertungen zu Meisterdrucke
Post.at DHL Express Quehenberger Cargoboard
Kaiser Franz Joseph

Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

(c) 2026 meisterdrucke.uk