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Thomas Cole

Thomas Cole

205 Discovered works of art  •  ID: #1070  •  
American art   •   Thomas Cole @ Wikipedia

Thomas Cole is considered the founder of the Hudson River School. His detailed landscape paintings make him at the same time one of the most important representatives of the artist grouping. The artist, who was born in England, gained his first artistic experience with the production of wooden printing blocks. The Cole family emigrated to America, where Thomas worked in the family owned wallpaper factory.

Cole learned to paint with oil paints, but his first attempts at popular portraiture were unsuccessful. Instead, Thomas Cole focused on depicting landscapes. Satisfied with the result, the painter spent his free time in nature and studied the landscapes of his surroundings. But the naturalistic picture was not enough for the artist. Deeply religious, he saw the connection between nature and religion, which he expressed in his works as well as historical events. He enjoyed the original nature and undertook study trips along the Hudson River. "Our society seeks only to accomplish something instead of enjoying something ..." he stated critically. He proclaimed the important influence of the imagination and the artistic freedom to complete works with symbolism and own impressions.

Cole created the cycle The Voyage of Life with its interpretation of childhood, youth, manhood and old age. The biblical garden blossoms in the pair of pictures The garden of Eden and The Expulsion from the Garden of Eden. © Meisterdrucke

Double Waterfall - Kaaterskill F...
1826 | charcoal, black and white crayon and graphite pencil on paper

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Double Waterfall - Kaaterskill F...
1826 | charcoal, black and white crayon and graphite pencil on paper

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Scene from 'The Last of the Mohi...
Undated | Oil on canvas

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Scene from 'The Last of the Mohi...
0 | Oil on canvas

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1847 | Oil on canvas

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1847 | Oil on canvas

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1825 | Oil on canvas

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1825 | Oil on canvas

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1831 | pen and ink over pencil on paper

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1831 | pen and ink over pencil on paper

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1829 | pen and ink over pencil on paper

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1829 | pen and ink over pencil on paper

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1846 | Oil on canvas

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1846 | Oil on canvas

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1842 | pencil with white chalk on paper

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1842 | pencil with white chalk on paper

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Taormina, Sicily, 1842
1842 | pencil on paper

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Taormina, Sicily, 1842
1842 | pencil on paper

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Layout for The Course of the Emp...
1833 | pen and brown ink over graphite pencil on off-white wove paper

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Layout for The Course of the Emp...
1833 | pen and brown ink over graphite pencil on off-white wove paper

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1831 | pen and brown and black ink over pencil on paper

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1831 | pen and brown and black ink over pencil on paper

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Undated | Oil on canvas

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undatiert | Oil on canvas

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1841 | pencil on paper

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1841 | pencil on paper

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Large Gnarled Tree with Bearded ...
Undated | pen and ink over pencil on paper

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Large Gnarled Tree with Bearded ...
0 | pen and ink over pencil on paper

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Il Penseroso, 1845
1845 | Oil on canvas

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Il Penseroso, 1845
1845 | Oil on canvas

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1842 | pencil with white chalk on paper

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1842 | pencil with white chalk on paper

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1844 | pencil with white chalk on paper

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1844 | pencil with white chalk on paper

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Horseshoe Falls, Niagara, Mornin...
Undated | pen and brown ink over graphite on off-white wove paper

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Horseshoe Falls, Niagara, Mornin...
0 | pen and brown ink over graphite on off-white wove paper

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1825 | graphite pencil on off-white wove paper

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1825 | graphite pencil on off-white wove paper

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1830 | pen and black ink over graphite pencil on off-white wove paper

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1830 | pen and black ink over graphite pencil on off-white wove paper

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Undated | pencil on paper

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Undated | pen and ink over pencil on paper

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1829 | black chalk heightened with white chalk on grayish blue wove paper

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1829 | black chalk heightened with white chalk on grayish blue wove paper

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1842 | pencil heightened with white chalk on paper

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1842 | pencil heightened with white chalk on paper

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1837 | pen and ink over pencil on paper

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1837 | pen and ink over pencil on paper

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Undated | pencil on paper

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0 | pencil on paper

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Undated | black and white chalks on paper

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1841 | pen and black ink on cream wove paper

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1841 | pen and black ink on cream wove paper

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1828 | graphite pencil on off-white wove paper

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1828 | graphite pencil on off-white wove paper

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Schroon Mountain, Adirondacks, c...
Undated | black and white chalk on grey wove paper

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Schroon Mountain, Adirondacks, c...
0 | black and white chalk on grey wove paper

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1832 | pen and ink with plant specimen attached to paper

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1832 | pen and ink with plant specimen attached to paper

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LAllegro, 1845
1845 | Oil on canvas

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LAllegro, 1845
1845 | Oil on canvas

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Gnarled Tree Trunk, c.1826 (pen ...
Undated | pen and brown ink over graphite pencil on cream wove paper

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Gnarled Tree Trunk, c.1826 (pen ...
0 | pen and brown ink over graphite pencil on cream wove paper

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1832 | pen and brown ink over graphite pencil on off-white wove paper

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1832 | pen and brown ink over graphite pencil on off-white wove paper

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Undated | graphite pencil on off-white paper

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0 | graphite pencil on off-white paper

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The Rocca Nuova (or Torre Maschi...
1831 | pencil on paper

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The Rocca Nuova (or Torre Maschi...
1831 | pencil on paper

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1842 | pencil heightened with white chalk on paper

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1842 | pencil heightened with white chalk on paper

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