Accompanied Centre, 1937 by Wassily Kandinsky

Accompanied Centre, 1937

(Begleitzentrum, 1937)


Wassily Kandinsky

1937   ·  Öl auf Leinwand  ·  Picture ID: 99936

Expressionism  ·  Abstract shapes

Accompanied Centre, 1937 by Wassily Kandinsky
blue riders · abstract · Galerie Maeght, Paris, France / bridgemanimages.com
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13.06.2019
Atakan O.
Art Print on Color cardboard, 61cm x 48cm.


24.09.2019
Ralf S.
Art Print on FineArt Photo Satin, 64cm x 50cm, with 8cm additional border (White).
Mockup 1 Mockup 2 Mockup 3 Mockup 5 Mockup 6 Mockup 7

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Gemälde
Veredelung
Keilrahmen
Museumslizenz

(inkl. 20% MwSt)

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Produktionszeit: 2-4 Werktage
Bildschärfe: PERFEKT
Other art prints by Wassily Kandinsky
Yellow Red Blue Intersecting Lines, 1923 Soft Hard up Composition, 1930 (wc and indian ink) Yellow - red - blue Composition VIII Painting by Vassily Kandinsky (or Wassily Kandinski or Kandinskij, 1866-1944). 1915 Sun. 201x140 cm New York, Guggenheim Museum Yellow, Red, Blue Murnau, Burggrabenstrasse Several Circles, 1926 Blue (Blue), 1922 Houses in Munich, 1908 (oil on cardboard) Circles in a Circle. 1923 Leger, Abstract Art, 1930 (oil on card) Composition VII
Other art prints by Wassily Kandinsky
Yellow Red Blue Intersecting Lines, 1923 Soft Hard up Composition, 1930 (wc and indian ink) Yellow - red - blue Composition VIII Painting by Vassily Kandinsky (or Wassily Kandinski or Kandinskij, 1866-1944). 1915 Sun. 201x140 cm New York, Guggenheim Museum Yellow, Red, Blue Murnau, Burggrabenstrasse Several Circles, 1926 Blue (Blue), 1922 Houses in Munich, 1908 (oil on cardboard) Circles in a Circle. 1923 Leger, Abstract Art, 1930 (oil on card) Composition VII
Other motives from the category Abstract shapes
Blacknoll: Reciprocal Forms with Red and Green (oil & white ink on board) Grey Square, 1923 (pen and ink and wc) Composition IX, 1936 Constructivist Composition, 1925 (pen and ink, wc and gouache on paper) Soft Hard Intersecting Lines, 1923 Leger, Abstract Art, 1930 (oil on card) Matter, 1912 Composition with Red and Blue Stripes, 1913 Improvisation of Cold Forms, 1914 Fantomas, 1915 On White II, 1923 Composition, 1930 (wc and indian ink) Study for On White II, 1922 Suprematist Composition, 1915
Other motives from the category Abstract shapes
Blacknoll: Reciprocal Forms with Red and Green (oil & white ink on board) Grey Square, 1923 (pen and ink and wc) Composition IX, 1936 Constructivist Composition, 1925 (pen and ink, wc and gouache on paper) Soft Hard Intersecting Lines, 1923 Leger, Abstract Art, 1930 (oil on card) Matter, 1912 Composition with Red and Blue Stripes, 1913 Improvisation of Cold Forms, 1914 Fantomas, 1915 On White II, 1923 Composition, 1930 (wc and indian ink) Study for On White II, 1922 Suprematist Composition, 1915
Excerpt from our top sellers
Poppy Field Waterloo Bridge LIle to Nettles Yellow Red Blue The Luncheon: Monets garden at Argenteuil, c.1873 Waterlilies: Morning, 1914-18 (left, centre left, centre right and rigth section) Almond Blossom Poplars on the Banks of the Epte, Autumn, 1891 The Japanese Bridge Ms 69 f.48r Nativity, from the Besançon Book of Hours Ambassadors: Aristide Bruant, 1892 The water lily pond in the evening Head of Medusa. Marble, 1630 Tulip Fields at Sassenheim. 1886 The Geese, 1874
Excerpt from our top sellers
Poppy Field Waterloo Bridge LIle to Nettles Yellow Red Blue The Luncheon: Monets garden at Argenteuil, c.1873 Waterlilies: Morning, 1914-18 (left, centre left, centre right and rigth section) Almond Blossom Poplars on the Banks of the Epte, Autumn, 1891 The Japanese Bridge Ms 69 f.48r Nativity, from the Besançon Book of Hours Ambassadors: Aristide Bruant, 1892 The water lily pond in the evening Head of Medusa. Marble, 1630 Tulip Fields at Sassenheim. 1886 The Geese, 1874

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