Self portrait by Theo van Doesburg

Self portrait

(Selbstporträt)


Theo van Doesburg

Undated   ·  -  ·  Picture ID: 374863

Constructivism, De Stijl  ·  Abstract shapes

Self portrait by Theo van Doesburg
abstract · Prof. Aldo van Eyck, Loenen, The Netherlands / bridgemanimages.com
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Gemälde
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Keilrahmen
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(inkl. 20% MwSt)

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Produktionszeit: 2-4 Werktage
Bildschärfe: PERFEKT
Other art prints by Theo van Doesburg
Rhythm of a Russian dance The Construction of Space - Time III; Construction of L "Espace - Temps III, 1924 Contra-Composition of Dissonances, XVI, 1925 Arithmetic composition Composition in Dissonances Contra composition, 1924 Composition IX, opus 18, 1917 Design for Poster Composition in Half-Tones, 1928 Composition 17, 1919 Composition, 1922 (gouache) Still Life with Apples, 1916 Self portrait Cow. Composition with Flower
Other art prints by Theo van Doesburg
Rhythm of a Russian dance The Construction of Space - Time III; Construction of L "Espace - Temps III, 1924 Contra-Composition of Dissonances, XVI, 1925 Arithmetic composition Composition in Dissonances Contra composition, 1924 Composition IX, opus 18, 1917 Design for Poster Composition in Half-Tones, 1928 Composition 17, 1919 Composition, 1922 (gouache) Still Life with Apples, 1916 Self portrait Cow. Composition with Flower
Other motives from the category Abstract shapes
Leger, Abstract Art, 1930 (oil on card) Intersecting Lines, 1923 Soft Hard Black Lines, December 1913 Zunehmen, 1933 (Oil, egg tempera, and ink on paper) Untitled, 2006 (acrylic on acid free board) Small Pleasures, 1913 Dominant Violet, 1934 (oil and sand on canvas) Untitled, 1923 (pen and ink on paper) (bw photo) Glyndebourne, 2000 (oil on linen) Abstract Composition, 1933 OVERLAY.86, (screen print) Untitled Improvisation, 1914 The Birth of Horses, 1913 (woodcut on Japan paper) Watercolour with a Red Stain, 1911
Other motives from the category Abstract shapes
Leger, Abstract Art, 1930 (oil on card) Intersecting Lines, 1923 Soft Hard Black Lines, December 1913 Zunehmen, 1933 (Oil, egg tempera, and ink on paper) Untitled, 2006 (acrylic on acid free board) Small Pleasures, 1913 Dominant Violet, 1934 (oil and sand on canvas) Untitled, 1923 (pen and ink on paper) (bw photo) Glyndebourne, 2000 (oil on linen) Abstract Composition, 1933 OVERLAY.86, (screen print) Untitled Improvisation, 1914 The Birth of Horses, 1913 (woodcut on Japan paper) Watercolour with a Red Stain, 1911
Excerpt from our top sellers
Sheerness as seen from the Nore The Garden of Earthly Delights The Origin of the World Tondals Vision The Chocolate Girl Lilith The Origin of the World, 1866 Standing Male Nude Hypnosis Rosa Damascena aurora, Rosier Aurore Poniatowska, from La Couronne Des Roses, 1817-1824 (hand-coloured stipple engraving) Jacinto dOrient, blue variety, from Selection Of The Most Beautiful Flowers And The Most Beautiful Fruits, 1827 (hand-colored stippled engraving) Woman in White Stockings, c.1861 Illustration to the Divine Comedy by Dante Alighieri Abyss of Hell, 1480-1490 The Garden of Earthly Delights Central panel, c. 1500 The Sleepers Sleep
Excerpt from our top sellers
Sheerness as seen from the Nore The Garden of Earthly Delights The Origin of the World Tondals Vision The Chocolate Girl Lilith The Origin of the World, 1866 Standing Male Nude Hypnosis Rosa Damascena aurora, Rosier Aurore Poniatowska, from La Couronne Des Roses, 1817-1824 (hand-coloured stipple engraving) Jacinto dOrient, blue variety, from Selection Of The Most Beautiful Flowers And The Most Beautiful Fruits, 1827 (hand-colored stippled engraving) Woman in White Stockings, c.1861 Illustration to the Divine Comedy by Dante Alighieri Abyss of Hell, 1480-1490 The Garden of Earthly Delights Central panel, c. 1500 The Sleepers Sleep

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