Drawing of Abraham parting from the Angels from Benozzo Gozzoli

Drawing of Abraham parting from the Angels from Benozzo Gozzoli's Story of Abraham and Hagar in the Camposanto, Pisa, 14 - 15 May 1845 (pen and ink over graphite on wove paper)

(Drawing of Abraham parting from the Angels from Benozzo Gozzolis Story of Abraham and Hagar in the Camposanto, Pisa, 14 - 15 May 1845 (pen and ink over graphite on wove paper))


John Ruskin

1845   ·  pen and ink over graphite on wove paper  ·  Picture ID: 277341

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Drawing of Abraham parting from the Angels from Benozzo Gozzoli's Story of Abraham and Hagar in the Camposanto, Pisa, 14 - 15 May 1845 (pen and ink over graphite on wove paper) by John Ruskin
westernart · benozzo gozzoli · drawing · sketch · study · abraham · angels · old testament · hagar · camposanto · pisa · angel · renaissance · Ashmolean Museum, University of Oxford, UK / bridgemanimages.com
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The Duomo of San Martino, Lucca, July - August 1874 (graphite, watercolour and bodycolour on paper, some lines ruled) Part of Saint Marks Basilica, Venice: Sketch after Rain, 27 May 1846 (watercolour and bodycolour and ink over graphite on grey wove paper) Tracery from the Campanile of Giotto, Florence, from `The Seven Lamps of Architecture by John Ruskin, engraved by James Charles Armytage (c.1820-97) published 1894 (engraving) The Ducal Palace, Renaissance Capitals of the Loggia, from Examples of the Architecture of Venice by John Ruskin, engraved by G. Rosenthal, 1851 A Wild Strawberry Plant, 5 - 6 June 1873 (watercolour and bodycolour over graphite on blue wove paper) Apse of the Duomo, Pisa, 19th century (pencil and wc on paper) Pilaster on the Facade of Sant Anastasia, Verona, June 1869 (wc and bodycolour over graphite on paper, some lines ruled) Study of rocks and ferns in a wood at Crossmount, Perthshire, 1843 (wc on paper) Aiguilles de Chamonix, c.1850 (pencil, pen and ink and wash on card) The Matterhorn, Switzerland, from the Northeast, 1849 Dawn Coniston, 1873 (wc on paper) Ivy-Leaved Toadflax (Oxford Ivy), 1852 (watercolour, bodycolour and pen and ink over graphite on blue wove paper) La Cascade de la Folie, Chamonix Stormy Sunset Study for Detail of the Market-Place, Abbeville, September - October 1868 graphite on off-white paper
Other art prints by John Ruskin
The Duomo of San Martino, Lucca, July - August 1874 (graphite, watercolour and bodycolour on paper, some lines ruled) Part of Saint Marks Basilica, Venice: Sketch after Rain, 27 May 1846 (watercolour and bodycolour and ink over graphite on grey wove paper) Tracery from the Campanile of Giotto, Florence, from `The Seven Lamps of Architecture by John Ruskin, engraved by James Charles Armytage (c.1820-97) published 1894 (engraving) The Ducal Palace, Renaissance Capitals of the Loggia, from Examples of the Architecture of Venice by John Ruskin, engraved by G. Rosenthal, 1851 A Wild Strawberry Plant, 5 - 6 June 1873 (watercolour and bodycolour over graphite on blue wove paper) Apse of the Duomo, Pisa, 19th century (pencil and wc on paper) Pilaster on the Facade of Sant Anastasia, Verona, June 1869 (wc and bodycolour over graphite on paper, some lines ruled) Study of rocks and ferns in a wood at Crossmount, Perthshire, 1843 (wc on paper) Aiguilles de Chamonix, c.1850 (pencil, pen and ink and wash on card) The Matterhorn, Switzerland, from the Northeast, 1849 Dawn Coniston, 1873 (wc on paper) Ivy-Leaved Toadflax (Oxford Ivy), 1852 (watercolour, bodycolour and pen and ink over graphite on blue wove paper) La Cascade de la Folie, Chamonix Stormy Sunset Study for Detail of the Market-Place, Abbeville, September - October 1868 graphite on off-white paper
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