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The crust came drawn from underneath in flakes, c1890 by Gustave Dore

The crust came drawn from underneath in flakes, c1890

(The crust came drawn from underneath in flakes, c1890. )


Gustave Dore

€ 123.42
Enthält 0% MwSt.
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1890  ·  engraving  ·  Image ID: 713806

Romanticism

The crust came drawn from underneath in flakes, c1890 by Gustave Dore. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
italy · italian · people · male · arts · country · naked · nude · occupation · skin · scratching · location · century · profession · literature · hell · concept · punishment · suffering · nudity · monochrome · writer · nakedness · affliction · soul · author · 19th century · poem · poetry · black white · black and white · poet · scabs · damned · nineteenth century · divina commedia · divine comedy · virgil · engraving · scab · gustave dore · louis christophe gustave dore · paul gustave dore · dante alighieri · alighieri · dante · gustave doré · doré · paul gustave · dore · paul gustave · dore · gustave · souls · cassell · publius · dante aligheri · aligheri · vergil · publius vergilius maro · petter and galpin · vergilio · vergilius maro · The Print Collector/Heritage Images
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 123.42
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Inferno, Canto 14: The violent, tormented in the rain of fire, illustration from Thy City Heaped with Envy to the Brim, c1890 Engraving by Gustave Dore for Inferno by Dante Alighieri Canto XV lines 28 and 29 Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from Not more furiously on Menalippus temples Tydeus gnawed There stood I like the friar, that doth shrive a wretch for murder doom Sir! Brunetto! And are ye here, c1890 The Divine Comedy, Purgatorio, Canto 4: The indolent souls beside the rock - Illustration by Gustave Dore Call thou to mind Piero of Medicina, if again returning Unceasing was the play of wretched hands, c1890 The Burden of Pride, from Wherefore doth fasten yet thy sight below amongst the maimed and miserable shades, c1890 The Divine Comedy, Purgatorio, Canto 19: The souls of the avaricious: Adrian V speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Purgatorio, Canto 13: Sapia cleanses his guilty life (illustration from The Divine Comedy) Virgil (70-19 BC) and Dante Looking at the Spider Woman, illustration from ...all-searching Justice, dooms to punishment the forgers The Divine Comedy, Inferno, Canto 5: The Soul of Francesca Speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Then my guide, his palms expanding on the ground, c. 1890 The Divine Comedy (La Divina Commedia, La Divine Comédie), Inferno, Canto 18: Virgil shows Dante the shade of Thaïs - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883) The Other Two Looked On, Exclaiming, Ah! How Dost Thou Change, Agnello! The Punishment of the Simonists, from Only So Far Afflicted, That We Live Desiring Without Hope, c. 1890 The Divine Comedy, Inferno, Canto 28: Mutilated sowers of discord in the ninth bolgia - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Divine Comedy, Purgatorio, Canto 3: The company of souls upon the cliff - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) To the gate he came, and with his wand touched it, c.1890 Dante and Virgil in Hell, illustration from Dante Alighieri Inferno, first part of his Divine Comedy 1863. Canto XIV: Third compartment of the seventh circle where three kinds of violence punished: against God, against Nature and against Art. Inferno, Canto 18: Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885 And straight the trunk exclaimed, Why pluckst thou me
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Inferno, Canto 14: The violent, tormented in the rain of fire, illustration from Thy City Heaped with Envy to the Brim, c1890 Engraving by Gustave Dore for Inferno by Dante Alighieri Canto XV lines 28 and 29 Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from Not more furiously on Menalippus temples Tydeus gnawed There stood I like the friar, that doth shrive a wretch for murder doom Sir! Brunetto! And are ye here, c1890 The Divine Comedy, Purgatorio, Canto 4: The indolent souls beside the rock - Illustration by Gustave Dore Call thou to mind Piero of Medicina, if again returning Unceasing was the play of wretched hands, c1890 The Burden of Pride, from Wherefore doth fasten yet thy sight below amongst the maimed and miserable shades, c1890 The Divine Comedy, Purgatorio, Canto 19: The souls of the avaricious: Adrian V speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Purgatorio, Canto 13: Sapia cleanses his guilty life (illustration from The Divine Comedy) Virgil (70-19 BC) and Dante Looking at the Spider Woman, illustration from ...all-searching Justice, dooms to punishment the forgers The Divine Comedy, Inferno, Canto 5: The Soul of Francesca Speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Then my guide, his palms expanding on the ground, c. 1890 The Divine Comedy (La Divina Commedia, La Divine Comédie), Inferno, Canto 18: Virgil shows Dante the shade of Thaïs - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883) The Other Two Looked On, Exclaiming, Ah! How Dost Thou Change, Agnello! The Punishment of the Simonists, from Only So Far Afflicted, That We Live Desiring Without Hope, c. 1890 The Divine Comedy, Inferno, Canto 28: Mutilated sowers of discord in the ninth bolgia - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Divine Comedy, Purgatorio, Canto 3: The company of souls upon the cliff - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) To the gate he came, and with his wand touched it, c.1890 Dante and Virgil in Hell, illustration from Dante Alighieri Inferno, first part of his Divine Comedy 1863. Canto XIV: Third compartment of the seventh circle where three kinds of violence punished: against God, against Nature and against Art. Inferno, Canto 18: Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885 And straight the trunk exclaimed, Why pluckst thou me
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Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from The Oceanids The Valley of Tears, 1883 Illustration from Edgar Allan Poe The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” King Louis IX (1217-70) before Damietta, illustration from Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (rose celeste) - by Dante Alighieri (1265-1321)
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More art prints by Gustave Dore

Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from The Oceanids The Valley of Tears, 1883 Illustration from Edgar Allan Poe The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” King Louis IX (1217-70) before Damietta, illustration from Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (rose celeste) - by Dante Alighieri (1265-1321)
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The Crucifixion, from the Isenheim Altarpiece, c.1512-15 Poppies Waterlilies at Sunset The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection, c. 1898 Self-Portrait (Melancholy of the Mountains). 1929 Ice Floes at Bennecourt Cupid and Psyche Head of a Young Woman with Tousled Hair or Leda Blue Horse I Le Rio de la Salute, 1908 The Battle of Trafalgar, 1805 The Lady of Shalott Hypnosis The Roses, 1925-26 Tiger, 1912
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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Post.at DHL Express Quehenberger Cargoboard


               

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