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Roger Fenton
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

Roger Fenton

United Kingdom of Great Britain and Northern Ireland · 1819–1869 · Photography · 555 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Roger Fenton
1819–1869
Born 1819 (Crimble Hall, Heywood)
Died 1869 (London)
Nationality United Kingdom of Great Britain and Northern Ireland
Epochs Photography
Profession photographer, journalist, photojournalist
Memberships Royal Photographic Society
Notable works Valley of the Shadow of Death (1855), The Queen's Target (1860), Reclining Odalisque (1858), Pasha and Bayadère (1858), L'Entente Cordiale (1855)
Museums J. Paul Getty Museum, Art Institute of Chicago, National Gallery of Art, Clark Art Institute
Roger Fenton

Roger Fenton

    1819   -   1869

In the year of Queen Victoria's birth, 1819, the universe added another miracle: Roger Fenton. In a world before war photography, where the horrors of war were experienced only through reports and stories, Fenton, born into a wealthy family of Lancashire merchants, became a pioneer of photography. Fenton's passion for art led him to dive deep into the world of painting, and he furthered his studies at the University of London. After graduating, he began to further his love of painting in Paris. There he studied under the influence of the history painter Michel Martin Drolling and later the history painter Charles Lucy in London. During this period, Fenton also began to exhibit his works at the prestigious Royal Academy.

The turning point in Fenton's career came in 1851, when he had his first encounter with photography at the Great Exhibition in London. Fascinated by this new technology, he went to Paris to learn the calotype process, which he later refined and exhibited in Britain. His talent and dedication earned him the honor of becoming co-founder and first secretary of the Royal Photographic Society. The impact of the Crimean War in 1854, which kept the British public on edge, was a catalyst for Fenton's trip to the Crimea, sponsored by Thomas Agnew & Sons. With a team consisting of his photographic assistant Marcus Sparling and a servant named William, Fenton set out to document a world that had never before been captured photographically. Fenton set himself the challenge of producing unique images despite the unwieldiness of his photographic equipment and the fact that the photographic technology of the time required long exposures. His photographs were to be published in the Illustrated London News and thus made available to the general public. One of his most famous photographs, "The Valley of the Shadow of Death," is a testament to his impressive skills as a photographer.

Fenton returned from the Crimean War with over 350 large-format negatives and exhibited his work in London. Although sales were not as high as expected, Fenton held on to his passion for photography. He continued to photograph landscapes and still life images and made a name for himself in Britain. Fenton's late work includes studies such as "Seated Odalisque," based on romantic fantasies about Muslim life. However, despite his remarkable career, Fenton gave up photography in 1862 and returned to his original career as a lawyer. However, his contributions to the world of photography remain unforgotten and are still appreciated today. His images have been carefully preserved and remain a valuable historical archive to this day. They provide us with a unique and intimate glimpse into a bygone era and were instrumental in establishing the genre of war photography. Fenton not only told stories with his camera, but also ushered in a new era of visual communication. His legacy is still alive in the world of photography today, and his courage and determination continue to inspire photographers worldwide.

Artworks by Roger Fenton

555 artworks found
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555 artworks found

Roger Fenton
General Beuret and Officers of h...
Undated | black and white photograph

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Roger Fenton
Major Gen.l Sir George Buller, K...
1855 | Photo

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Roger Fenton
LEntente cordiale
1855 |

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Roger Fenton
Major General Garrett & Officers...
1855 |

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Roger Fenton
Cossack Bay, Crimea, c.1855
1855 | black and white photograph

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Roger Fenton
Hardships in the Camp, from an a...
1855 | black and white photograph

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Roger Fenton
Foss Nevin, on the Conway (Wales).
1855 |

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Roger Fenton
The Staff at Headquarters, from ...
1855 | black and white photograph

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Roger Fenton
Group at Headquarters, from an a...
1855 | black and white photograph

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Roger Fenton
 
1852 | salted paper print

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Roger Fenton
Ismail Pasha (1830-95) and Atten...
Undated | black and white photograph

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Roger Fenton
Still Life with Fruit, 1860 (sep...
1860 | sepia photograph

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Roger Fenton
Colonel Tylden, Royal Engineers.
1855 |

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Roger Fenton
The Valley of Death, after the C...
Undated | sepia photograph

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Roger Fenton
Rievaulx Abbey, the High Altar, ...
Undated | photograph

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Roger Fenton
Laughing Satyr, 1854-58.
Undated | photograph

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Roger Fenton
Ismail Pacha & Attendants.
1855 |

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Roger Fenton
Lichfield Cathedral from the Nor...
Undated | photograph

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Roger Fenton
 
Undated | salted paper print

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Roger Fenton
Interior- Tintern Abbey
1858 |

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Roger Fenton
Captain Burnaby, Grenadier Guard...
1855 | black and white photograph

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Roger Fenton
Colonel Doherty, Officers and Me...
1855 | black and white photograph

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Roger Fenton
Officers and Men of the 3rd (Eas...
1855 | black and white photograph

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Roger Fenton
The Cloisters, Tintern Abbey, 18...
Undated | photograph

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Roger Fenton
 
1855 |

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Roger Fenton
Major-General Henry William Barn...
1855 | black and white photograph

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Roger Fenton
Men of the 68th (Durham) Regimen...
1855 | black and white photograph

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Roger Fenton
Officers and Men of the 89th (Pr...
Undated | black and white photograph

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Roger Fenton
Brigadier General Charles Thomas...
1855 | black and white photograph

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Roger Fenton
 
1855 | Salted paper print, from the album Photographic Pictures of the Seat of War in the Crimea (1856)

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Roger Fenton
Fruit and Flowers, 1860.
Undated | photograph

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Roger Fenton
Party of French and English Troo...
1855 | black and white photograph

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Roger Fenton
Brigadier Robert Garrett and Off...
Undated | black and white photograph

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Roger Fenton
Houses of Parliament under const...
Undated | black and white photograph

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Roger Fenton
The Photographers Van with Marcu...
1855 | Salt print

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Roger Fenton
Camp of the 4th (The Queen’s Own...
1855 | black and white photograph

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Roger Fenton
French Marechal Pelissier, Full-...
1855 | black and white photograph

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Roger Fenton
The Old Post Office, Balaklava.
Undated |

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Roger Fenton
portrait of a man ,c. 1855 (photo)
1855 |

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Roger Fenton
Camp of the 4th Light Dragoons, ...
Undated |

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Roger Fenton
Group at Head Quarters, 1855.
Undated | photograph

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Roger Fenton
 
1855 | Salted paper print, from the album Photographic Pictures of the Seat of War in the Crimea (1856)

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Roger Fenton
Cornet Henry John Wilkin, 11th (...
1855 | black and white photograph

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Roger Fenton
Rocken End in a Storm, Isle of W...
1853 |

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Roger Fenton
Arab Chief at Turkish Headquarters.
1855 |

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Roger Fenton
Ismail Pasha, Khedive of Egypt, ...
1850 | photograph

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Roger Fenton
 
1854 | salted paper print

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Roger Fenton
Lincoln Cathedral: The Galilee P...
Undated |

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Roger Fenton
Artillery Waggons, Balaklava in ...
Undated |

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Roger Fenton
Rievaulx Abbey, North Yorkshire,...
1854 | sepia photograph

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Roger Fenton
Sir Jas. York Scarlett (1799-188...
Undated |

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Roger Fenton
Plateau of Sebastopol IX.
Undated |

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Roger Fenton
Lieutenant William Stirling, 1855
1855 | black and white photograph

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Roger Fenton
 
Undated | black and white photograph

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Roger Fenton
 
1855 | Salted paper print, from the album Photographic Pictures of the Seat of War in the Crimea (1856)

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Roger Fenton
The Pipe of Peace
Undated | black and white photograph

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Roger Fenton
General Cisse & Staff Officer.
1855 |

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Roger Fenton
Lieutenant-General William Munro...
1855 | black and white photograph

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Roger Fenton
Officers on the Staff of Lieuten...
1855 | black and white photograph

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Roger Fenton
General Bosquet (1810-61) and St...
1855 | black and white photograph

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Roger Fenton
Rievaulx Abbey, 1854.
Undated | photograph

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Roger Fenton
Omar Pacha,1855 (photo)
1855 |

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Roger Fenton
Captain Mark Walker, 30th (The C...
1855 | black and white photograph

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Roger Fenton
 
1854 | albumen print

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Roger Fenton
 
1870 | albumen print

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Roger Fenton
Major Adolphus William Desart Bu...
1855 | black and white photograph

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Roger Fenton
[Untitled]
1854 |

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Roger Fenton
Fenton13ltdragoons
1855 |

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Roger Fenton
Dr Sutherland and Robert Rawlins...
1855 | black and white photograph

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About the artist

Roger Fenton
Roger Fenton
1819–1869
Born1819 (Crimble Hall, Heywood)
Died1869 (London)
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsPhotography
Professionphotographer, journalist, photojournalist
MembershipsRoyal Photographic Society
Notable worksValley of the Shadow of Death (1855), The Queen's Target (1860), Reclining Odalisque (1858), Pasha and Bayadère (1858), L'Entente Cordiale (1855)
MuseumsJ. Paul Getty Museum, Art Institute of Chicago, National Gallery of Art, Clark Art Institute

In the year of Queen Victoria's birth, 1819, the universe added another miracle: Roger Fenton. In a world before war photography, where the horrors of war were experienced only through reports and stories, Fenton, born into a wealthy family of Lancashire merchants, became a pioneer of photography. Fenton's passion for art led him to dive deep into the world of painting, and he furthered his studies at the University of London. After graduating, he began to further his love of painting in Paris. There he studied under the influence of the history painter Michel Martin Drolling and later the history painter Charles Lucy in London. During this period, Fenton also began to exhibit his works at the prestigious Royal Academy.

The turning point in Fenton's career came in 1851, when he had his first encounter with photography at the Great Exhibition in London. Fascinated by this new technology, he went to Paris to learn the calotype process, which he later refined and exhibited in Britain. His talent and dedication earned him the honor of becoming co-founder and first secretary of the Royal Photographic Society. The impact of the Crimean War in 1854, which kept the British public on edge, was a catalyst for Fenton's trip to the Crimea, sponsored by Thomas Agnew & Sons. With a team consisting of his photographic assistant Marcus Sparling and a servant named William, Fenton set out to document a world that had never before been captured photographically. Fenton set himself the challenge of producing unique images despite the unwieldiness of his photographic equipment and the fact that the photographic technology of the time required long exposures. His photographs were to be published in the Illustrated London News and thus made available to the general public. One of his most famous photographs, "The Valley of the Shadow of Death," is a testament to his impressive skills as a photographer.

Fenton returned from the Crimean War with over 350 large-format negatives and exhibited his work in London. Although sales were not as high as expected, Fenton held on to his passion for photography. He continued to photograph landscapes and still life images and made a name for himself in Britain. Fenton's late work includes studies such as "Seated Odalisque," based on romantic fantasies about Muslim life. However, despite his remarkable career, Fenton gave up photography in 1862 and returned to his original career as a lawyer. However, his contributions to the world of photography remain unforgotten and are still appreciated today. His images have been carefully preserved and remain a valuable historical archive to this day. They provide us with a unique and intimate glimpse into a bygone era and were instrumental in establishing the genre of war photography. Fenton not only told stories with his camera, but also ushered in a new era of visual communication. His legacy is still alive in the world of photography today, and his courage and determination continue to inspire photographers worldwide.



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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