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Karl Pavlovich Bryullov

Karl Pavlovich Bryullov

   Romantic
87 artworks found



Portrait of the Princess Elizavetta Pavlovna Saltykova (1802-63) 1841
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Portrait of the Writer Alexandr Nikolayevich Strugovshchikov, 1840, 1965.
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Illustration to the novel Wilhelm Meisters Apprenticeship by Johann Wolfgang ...
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Karl Pavlovich Bryullov

Karl Pavlovich Bryullov

   •   Romantic   •   Wikipedia: Karl Pavlovich Bryullov
87 artworks found

The work of the Russian painter Karl Pavlovich Bryullov is still impressive today, as his portraits are considered particularly lively and expressive. The artist was born in St. Petersburg in 1799 and died in the Italian town of Manziana in 1852. Besides his activity as a painter, Karl Pavlovich Bryullov was also an architect. His acquaintances and friends also called the talented painter "Charlemagne", which shows what a reputation he already had during his lifetime. Stylistically, the artist stands between the period of Russian Neoclassicism and Romanticism, which is reflected in his expressive paintings. Bryullov was compared with Peter Paul Rubens. The painter and architect was closely connected with Taras Hryhorowytsch Schewtschenko, whom he supported in his development as a painter. He eventually even bought Shevchenko out of serfdom, for which he paid with a painting.

Bryllov visited numerous European cities, such as Dresden, Munich, Rome and travelled as far as Palestine. On his numerous travels he became acquainted with the works of past masters and created paintings that took place here: These are the names of his works "The Last Night in Pompeii" or "The Murder of Ines de Castro". The painter depicted these themes, legends and stories in a very lively way, whereby the viewer is virtually drawn into the scenes. This becomes especially clear through the subtle character depictions.

To this day, the realism of his painting, which goes hand in hand with the romantic depiction of antique themes, continues to fascinate. Particularly attractive are the vivid colours which the painter uses to reproduce moods and light incidence. In monumental depictions, such as the fall of the city of Pompeii, he uses the colours to bring the end-time mood closer to the viewer. But the harmonious picture "Italian Noon" also gains warmth through its colourfulness, which captivates the viewer. © Meisterdrucke




Karl Pavlovich Bryullov
 
1830 | Oil on canvas

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Karl Pavlovich Bryullov
 
Undated |

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Karl Pavlovich Bryullov
 
1831 | Oil on canvas

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Karl Pavlovich Bryullov
Portrait of Anatole Demidoff, Pr...
1829 |

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Karl Pavlovich Bryullov
 
Undated |

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Karl Pavlovich Bryullov
 
1848 |

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Karl Pavlovich Bryullov
 
1848 | Oil on canvas

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Karl Pavlovich Bryullov
 
1833 | oil painting

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Karl Pavlovich Bryullov
 
1849 | Oil on canvas

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Karl Pavlovich Bryullov
 
1833 | oil on canvas

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Karl Pavlovich Bryullov
Portrait of the Princess Elizave...
1841 | Oil on canvas

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Karl Pavlovich Bryullov
Fete in Albano, 1830-1833.
Undated |

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Karl Pavlovich Bryullov
 
1965 | oil painting

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Karl Pavlovich Bryullov
 
1827 | Oil on canvas

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Karl Pavlovich Bryullov
 
1836 | oil painting

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Karl Pavlovich Bryullov
 
Undated |

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Karl Pavlovich Bryullov
 
1833 | Oil on canvas

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Karl Pavlovich Bryullov
 
1830 | Oil on canvas

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Karl Pavlovich Bryullov
 
Undated | colour lithograph

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Karl Pavlovich Bryullov
Portrait of the Writer Alexandr ...
1965 | oil painting

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Karl Pavlovich Bryullov
 
1833 | oil painting

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Karl Pavlovich Bryullov
 
Undated |

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Karl Pavlovich Bryullov
 
Undated |

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Karl Pavlovich Bryullov
 
1839 | Oil on canvas

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Karl Pavlovich Bryullov
 
Undated | Oil on canvas

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Karl Pavlovich Bryullov
 
Undated | lithograph

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Karl Pavlovich Bryullov
 
1848 | oil on cardboard

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Karl Pavlovich Bryullov
Der letzte Tag von Pompeji (detail)
1827 | Oil on canvas

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Der letzte Tag von Pompeji (detail)
1827 | Oil on canvas

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Karl Pavlovich Bryullov
 
Undated |

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Karl Pavlovich Bryullov
 
Undated |

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Karl Pavlovich Bryullov
Unbekanntes Bild
1848 | Oil on canvas

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Unbekanntes Bild
1848 | Oil on canvas

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Karl Pavlovich Bryullov
Unbekanntes Bild
1832 | Oil on canvas

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Unbekanntes Bild
1832 | Oil on canvas

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Karl Pavlovich Bryullov
Portrait of M.A. Bek, 1840
1840 | Oil on canvas

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Portrait of M.A. Bek, 1840
1840 | Oil on canvas

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Karl Pavlovich Bryullov
 
Undated | Oil on canvas

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Karl Pavlovich Bryullov
 
1835 | ink and wash on paper

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Karl Pavlovich Bryullov
 
1830 | watercolour on card

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Karl Pavlovich Bryullov
 
Undated | lithograph

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Karl Pavlovich Bryullov
 
Undated |

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Karl Pavlovich Bryullov
 
Undated |

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Karl Pavlovich Bryullov
 
1840 | oil painting

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Karl Pavlovich Bryullov
 
Undated |

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Karl Pavlovich Bryullov
 
1827 | oil painting

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Karl Pavlovich Bryullov
 
Undated |

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Karl Pavlovich Bryullov
Reiterin
1832 | painting

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Karl Pavlovich Bryullov
Portrait of Anna Borisovna Bakun...
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Karl Pavlovich Bryullov
 
Undated |

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Karl Pavlovich Bryullov
 
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Karl Pavlovich Bryullov
Illustration to the novel Wilhel...
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Karl Pavlovich Bryullov
 
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