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James Ward

James Ward

   Genre painting
360 artworks found



Adonis, King George III"s Favourite Charger,
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Man Struggling with a Boa Constrictor, Study for 'Liboya Serpent Seizing its ...
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James Ward

James Ward

   •   Genre painting   •   Wikipedia: James Ward
360 artworks found

The London painter and engraver James Ward, born in London in the late 18th century, was commissioned by the British government over a period of six years to paint a gigantic picture of the Battle of Waterloo entitled "Allegory of Waterloo", which is still considered lost today. The work also brought Ward neither special praise nor the hoped-for financial success. Some heavy family strokes of fate - the death of his first wife and one of his daughters - in combination caused Ward to fall into a bitter state of mind. It all began in London in 1769, when he was born as the son of James and Rachael. His older brother, William Ward, was one of the most successful artists of the time and was appointed engraver to the Prince of Wales, the Duke of York and the Royal Academy of Arts in London. James Ward learned the art of engraving from William.

However, he was inspired less by his brother than by his brother-in-law George Morland and later by the Flemish painter Peter Paul Rubens. In addition to the "Allegory of Waterloo", his works include numerous landscape, animal and genre paintings. In the course of his career Ward turned to ever larger landscapes. He reached his artistic peak with the landscape painting of the limestone gorge Gordale Scar, which lies in the Yorkshire region. However, Ward basically earned his money with commissions from wealthy noblemen, for whom he painted their favourite horses or hunting dogs. After the death of his first wife he married again and finally moved to the small town of Cheshunt, where he continued his work and turned to religious subjects. His granddaughter Henrietta Ward became a painter herself. She concentrated on history and genre painting. His great-grandson Leslie Ward was the well-known portraitist and caricaturist of the magazine "Vanity Fair". James Ward died impoverished in 1855 from a stroke.

Ward was considered one of the best artists of his time, especially with regard to his animal paintings. Together with his brother, he made considerable progress in the British art scene. The combination of artistic talent and perfect craftsmanship produced impressive works, which made it to the gallery of the Tate Modern in London, among others. © Meisterdrucke




James Ward
 
1840 | Oil on panel

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James Ward
 
225 | Graphite on paper

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James Ward
 
330 | Ink on paper

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330 | Ink on paper

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James Ward
 
283 | Graphite on paper

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283 | Graphite on paper

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James Ward
 
1802 | Graphite on paper

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James Ward
 
1797 | Oil on canvas

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James Ward
 
1848 | engraving

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James Ward
 
133 | Graphite on paper

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133 | Graphite on paper

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James Ward
 
1822 | Graphite on paper

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1822 | Graphite on paper

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James Ward
 
267 | Graphite on paper

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267 | Graphite on paper

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James Ward
 
168 | Graphite on paper

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James Ward
 
1828 | Oil on panel

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James Ward
 
143 | Watercolor on paper

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143 | Watercolor on paper

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James Ward
Adonis, King George III"s Favour...
Undated |

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James Ward
 
1810 | Oil on canvas

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James Ward
Napoleon's Horse, Marengo
1892 | lithograph

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Napoleon's Horse, Marengo
1892 | lithograph

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James Ward
 
Undated | graphite and wash

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James Ward
 
127 | Graphite on paper

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127 | Graphite on paper

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James Ward
 
165 | Graphite on paper

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James Ward
 
1830 | Oil on panel

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James Ward
 
1787 | Graphite on paper

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James Ward
Mrs. Morland's Portrait
1802 |

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Mrs. Morland's Portrait
1802 |

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James Ward
Unbekanntes Bild
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James Ward
 
1793 | engraving

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James Ward
 
Undated | black chalk on paper

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James Ward
 
Undated |

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James Ward
 
Undated |

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James Ward
Man Struggling with a Boa Constr...
Undated | Oil on canvas

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James Ward
 
137 | Graphite on paper

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137 | Graphite on paper

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James Ward
 
Undated | Oil on panel

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James Ward
 
546 | Graphite on paper

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James Ward
 
Undated | Ink on paper

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James Ward
 
260 | Watercolor on paper

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260 | Watercolor on paper

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James Ward
 
1815 | Graphite on paper

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James Ward
 
200 | Graphite on paper

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200 | Graphite on paper

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James Ward
 
178 |

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James Ward
 
105 | Graphite on paper

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James Ward
 
1814 | Watercolor on paper

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James Ward
 
1805 | Oil on panel

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James Ward
 
137 | Graphite on paper

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James Ward
 
1811 | Oil on canvas

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James Ward
 
1830 | Oil on panel

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James Ward
 
105 | Watercolor on paper

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105 | Watercolor on paper

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James Ward
 
1814 | Ink on paper

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James Ward
 
260 | Watercolor on paper

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James Ward
 
152 | Watercolor on paper

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James Ward
 
1820 | Graphite on paper

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James Ward
 
Undated |

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James Ward
 
Undated | Graphite on paper

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James Ward
 
251 | Graphite on paper

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James Ward
 
105 | Graphite on paper

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James Ward
 
232 | Graphite on paper

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James Ward
 
114 | Graphite on paper

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James Ward
 
1803 | Graphite on paper

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James Ward
 
1795 | Oil on canvas

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James Ward
 
140 | Graphite on paper

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140 | Graphite on paper

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James Ward
 
137 | Watercolor on paper

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James Ward
 
18th century | Watercolor on paper

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James Ward
 
102 | Watercolor on paper

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James Ward
 
1810 | Oil on panel

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James Ward
 
18th century | Oil on canvas

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1800 | Oil on canvas

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James Ward
 
184 | Graphite on paper

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184 | Graphite on paper

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James Ward
 
324 | Graphite on paper

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324 | Graphite on paper

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James Ward
 
1805 | Graphite on paper

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1805 | Graphite on paper

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James Ward
 
1802 | Oil on panel

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James Ward
 
18th century | Oil on panel

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James Ward
 
152 | Graphite on paper

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152 | Graphite on paper

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James Ward
 
1807 | Graphite on paper

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James Ward
 
152 | Graphite on paper

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152 | Graphite on paper

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James Ward
 
1807 | Graphite on paper

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1807 | Graphite on paper

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James Ward
 
1803 | Graphite on paper

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1803 | Graphite on paper

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