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George Stubbs
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Museum Quality Art Prints
Individual Customization Options
George Stubbs

George Stubbs

    August 25, 1724   -   July 10, 1806
Genre painting   •   Wikipedia: George Stubbs

The English animal painter and draughtsman George Stubbs was born in Liverpool in 1724. His father worked as a leather tanner and leather merchant. So the boy came into contact with various animal products at an early age. At first he worked in his father's tannery until his death. But George was more and more attracted to a completely different occupation, painting and drawing. Therefore he wanted to be trained by a painter and engraver in these artistic fields. After some time, however, this seemed to be insufficient for George and he left the instructor.

George Stubbs was firmly convinced that he could teach himself everything necessary with a lot of hard work and persistence. So he began to make portraits according to the wishes of his clients. Eventually, the 21-year-old decided to pursue specific anatomical studies. Anatomy fascinated him from childhood on. Perhaps this had its origins in the practical experience in his father's tannery. That's why George Stubbs left for York and studied at County Hospital for several years. Here he was able to devote himself to human anatomy and gain a lot of experience for painting. In the course of the next few years he was even able to work as a lecturer for human and animal anatomy in York due to his outstanding achievements. Several published scientific books bear witness to his extensive knowledge in the field of anatomy. George Stubbs made the plates for his books himself, as he also had the necessary knowledge as an engraver. The animal painter was not afraid to dissect horses for slaughter in a rented barn in Horkstow in order to examine their anatomy thoroughly. This finally enabled him to create the truly lifelike horse paintings.

In the noble circles of the time, George Stubbs was known for his precise drawings of animals, especially horses. The orders of his well-heeled customers ensured him a very good income. The special thing about his paintings is that he did not simply depict the animals in a simple pose, but drew them in detail with their peculiarities and often in a sequence of movements. George Stubbs painted not only noble horses, but also dogs, oxen, fighting bulls and lions, always matching the surrounding landscape. George Stubbs became very famous as an animal painter, especially through the "painting of a rising horse" at a parade ("Whistlejacket"). He created this painting in 1760, commissioned by the Prime Minister Charles Watson-Wentworth.

George Stubbs

    August 25, 1724   -   July 10, 1806
Genre painting   •   Wikipedia: George Stubbs George Stubbs

The English animal painter and draughtsman George Stubbs was born in Liverpool in 1724. His father worked as a leather tanner and leather merchant. So the boy came into contact with various animal products at an early age. At first he worked in his father's tannery until his death. But George was more and more attracted to a completely different occupation, painting and drawing. Therefore he wanted to be trained by a painter and engraver in these artistic fields. After some time, however, this seemed to be insufficient for George and he left the instructor.

George Stubbs was firmly convinced that he could teach himself everything necessary with a lot of hard work and persistence. So he began to make portraits according to the wishes of his clients. Eventually, the 21-year-old decided to pursue specific anatomical studies. Anatomy fascinated him from childhood on. Perhaps this had its origins in the practical experience in his father's tannery. That's why George Stubbs left for York and studied at County Hospital for several years. Here he was able to devote himself to human anatomy and gain a lot of experience for painting. In the course of the next few years he was even able to work as a lecturer for human and animal anatomy in York due to his outstanding achievements. Several published scientific books bear witness to his extensive knowledge in the field of anatomy. George Stubbs made the plates for his books himself, as he also had the necessary knowledge as an engraver. The animal painter was not afraid to dissect horses for slaughter in a rented barn in Horkstow in order to examine their anatomy thoroughly. This finally enabled him to create the truly lifelike horse paintings.

In the noble circles of the time, George Stubbs was known for his precise drawings of animals, especially horses. The orders of his well-heeled customers ensured him a very good income. The special thing about his paintings is that he did not simply depict the animals in a simple pose, but drew them in detail with their peculiarities and often in a sequence of movements. George Stubbs painted not only noble horses, but also dogs, oxen, fighting bulls and lions, always matching the surrounding landscape. George Stubbs became very famous as an animal painter, especially through the "painting of a rising horse" at a parade ("Whistlejacket"). He created this painting in 1760, commissioned by the Prime Minister Charles Watson-Wentworth.

Artworks by George Stubbs

Artworks by George Stubbs

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896 artworks found

George Stubbs
 
1762 | oil on canvas

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George Stubbs
Gimcrack with John Pratt up on N...
1765 | oil on canvas

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George Stubbs
Miss Ann White's Kitten, 1790
1790 | oil on canvas

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George Stubbs
Lord Torrington's Hunt Servants ...
Undated | oil on canvas

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George Stubbs
Una and the Lion (Isabella Salto...
1782 | enamel paint on ceramic plaque

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George Stubbs
Sir John Nelthorpe, 6th Baronet ...
1776 | Oil on panel

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George Stubbs
Whistlejacket and two other Stal...
1762 | oil on canvas

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George Stubbs
Dungannon, the property of Colon...
1793 | oil on canvas

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George Stubbs
Two Shafto Mares and a Foal, 1774
1774 | Oil on panel

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George Stubbs
 
1768 | oil on canvas

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George Stubbs
 
Undated | oil on canvas

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George Stubbs
 
Undated | oil on canvas

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George Stubbs
Detail from William Henry Cavend...
1766 | oil on canvas

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George Stubbs
William Henry Cavendish-Bentinck...
1767 | oil on canvas

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George Stubbs
Spanish Pointer
Undated | oil on canvas

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George Stubbs
A Zebra, 1763
1763 | oil on canvas

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George Stubbs
Joseph Smyth Esquire, Lieutenant...
Undated | oil on canvas

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George Stubbs
A Sleeping Leopard, engraved by ...
Undated | etching

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George Stubbs
Fanny, a brown and white spaniel
Undated | oil on canvas

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George Stubbs
A Pointer (oil on canvas) (for p...
Undated | oil on canvas

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George Stubbs
Sleeping Leopard, 1777.
Undated | ceramic

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George Stubbs
Zebra, exhibited 1763.
Undated | oil painting

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George Stubbs
 
1799 | Oil on panel

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George Stubbs
Bay Malton with John Singleton U...
Undated |

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George Stubbs
 
Undated | oil on canvas

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George Stubbs
 
1762 | oil on canvas

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George Stubbs
Stallion and Mare, traditionally...
Undated | oil on canvas

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George Stubbs
The Entire Human Figure from the...
Undated | graphite on paper

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George Stubbs
Study of a Racehorse in Action- ...
171 | Graphite on paper

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George Stubbs
Finished Study for the First Ske...
Undated | graphite on paper

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George Stubbs
Human Skeleton, Lateral View see...
Undated | graphite on thin wove paper

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George Stubbs
Tiger Body, Lateral view (Study ...
Undated | Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer

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George Stubbs
Two Gentlemen Going a Shooting, ...
Undated | oil on canvas

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
 
Undated | Graphite and red chalk; verso: black chalk on thin, slightly textured, cream wove paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
A Spaniel in a Landscape, 1771
1771 | oil on canvas

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George Stubbs
Study of the Human Figure, Poste...
Undated | ink on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Ink on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
Study of a Tiger, Lateral View, ...
Undated | graphite on wove paper

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George Stubbs
Two Gentlemen Shooting
Undated | oil on canvas

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George Stubbs
 
Undated | Graphite on thin, slightly textured, cream wove paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
Greenland Falcon (Grey Falcon), ...
1780 | Oil on panel

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George Stubbs
Brown and White Norfolk or Water...
Undated | oil/wax

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
 
Undated | Graphite and red chalk; verso: black chalk, with evidence of black print media, possibly ink or soft ground on thin, slightly textured, cream wove paper

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George Stubbs
Study of a Fowl Head and Neck, L...
Undated | pen and ink and graphite on paper

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George Stubbs
A Bay Arab in a Coastal Landscap...
1779 | oil on panel

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George Stubbs
Dog (A Foxhound on the Scent) en...
1788 | etching

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George Stubbs
The Farmers Wife and the Raven, ...
1788 | etching

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George Stubbs
Fifth Anatomical Table, from 'Th...
Undated | engraving

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George Stubbs
Study of a Tiger, Lateral View, ...
Undated | pen and ink over graphite and chalk on wove paper

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George Stubbs
 
Undated | Graphite on thin, slightly textured, cream wove paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
Human Body, Posterior View (Outl...
Undated | Graphite and red chalk; verso: graphite and red chalk on cream, thin, smooth, wove paper

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George Stubbs
Human Figure, Lateral View (Prel...
Undated | Graphite on thin, smooth, beige wove paper

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George Stubbs
A comparative anatomical exposit...
1795 | Graphite on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
Turk, 1778
1778 | oil on canvas

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George Stubbs
Illustration from 'The Anatomy o...
1766 | engraving

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George Stubbs
A White Spitz, c.1770 (oil on en...
Undated | oil on enamel porcelain

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George Stubbs
Human Skeleton, Lateral View (in...
Undated | Graphite on thin, slightly textured, cream wove paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
A Lion Attacking a Stag, c.1765
Undated | oil on canvas

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George Stubbs
A Lion (A Lion Resting on a Rock...
Undated | etching

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Ink on paper

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George Stubbs
A Horse Affrighted by a Lion, en...
1788 | etching

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
 
Undated | Graphite on thin, slightly textured, cream wove paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
The Third Duke of Dorset's Hunte...
Undated |

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George Stubbs
Study of the Human Figure, Poste...
Undated | pen and ink over graphite on thin wove paper

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George Stubbs
Horse Frightened by a Lion, betw...
Undated | oil painting

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George Stubbs
A Lion (A Recumbent Lion) engrav...
1788 | etching

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
Tiger Body, Lateral View (Study ...
Undated | Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
Two hunters with a young groom a...
1778 | oil on mahogany panel

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 |

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George Stubbs
Mambrino, engraved by George Tow...
1794 | etching

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George Stubbs
Tiger, Lateral View, Skin Remove...
Undated | red chalk and ink on paper

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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

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Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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