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Charles Rennie Mackintosh
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Museum Quality Art Prints
Individual Customization Options

Charles Rennie Mackintosh

United Kingdom of Great Britain and Northern Ireland · 1868–1928 · Arts and Crafts Movement · 268 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Charles Rennie Mackintosh
1868–1928
Born 1868 (Townhead)
Died 1928 (London)
Nationality United Kingdom of Great Britain and Northern Ireland
Epochs Arts and Crafts Movement
Profession architect, painter, designer, sculptor, interior designer, graphic artist, watercolorist
Family
Notable works Designs for fish knives and forks (1900), Design for knife and fork for Brota (1900), Design for two spoons for Margaret Macdonald Mackintosh (1900), Design for a metal bowl (1900), Design for forks and spoons for Brota (1904)
Charles Rennie Mackintosh

Charles Rennie Mackintosh

    June 7, 1868   -   December 10, 1928

Like many artists of the Art Nouveau period, Charles Rennie Mackintosh strove for a universal design that related to architecture, interior design, and everyday objects, in other words, to virtually all of everyday life. Thus, in addition to houses, he designed a wide variety of furniture, patterned curtains, had cutlery and metal formed, sketched book covers, and dealt with a wide range of other decorative arts. In addition, he also made flower studies, ornamental and architectural sketches or landscape views.

He was formative for the architectural scene in Glasgow, influenced with his black and white style significantly the Vienna Secession and the Wiener Werkstätten as well as the German production facilities in Hellerau. Innovative and new living concepts developed there radiated into the Bauhaus and laid the foundation for modern furniture design as we know and appreciate it to this day. Mackintosh's wife Margaret MacDonald, who was herself artistically active, was always decisively involved in Mackintosh's ideas and concepts. Mackintosh, in turn, had been influenced by his father's horticultural ambitions and liked to incorporate a stylized rose or other floral elements into his work. In addition, he was influenced by the Celtic origins of Scotland as well as Japanese artwork, which resulted in a geometric design, a certain simplicity and a symbolic language of form. Particularly noteworthy is his design and implementation of the Glasgow School of Art, which to this day is considered the masterpiece of Charles Rennie Mackintosh, and this despite an incipient alcohol dependence of its architect. Here, the design of the library is particularly noteworthy. Also for the design and implementation of four salons in Glasgow, it was not without a certain irony that Mackintosh had a significant alcohol problem, since the client, as a member of the Anti-Alcohol League, pursued the enthusiastic goal of creating a meeting place for tea drinkers in drinking Scotland and the serving of alcohol in their tea rooms was definitely not intended.

It is no less understandable, but all the more tragic, that Mackintosh's famous chairs with their high backs are now considered design classics, while the artist himself was not really able to earn much money from his designs throughout his life, and even made a move with his wife from bustling London to the remoteness of the French Pyrenees in order to save on living expenses. He died virtually penniless due to diagnosed tongue cancer after a desperate return to London, where his estate was even deemed completely worthless after the death of his wife a few years later. Possibly his alcohol problem stood in his own way as far as acquiring new and lucrative commissions was concerned. For his works were highly appreciated and praised by many contemporaries and artists. Today, they are recognized worldwide, so it cannot be attributed to a lack of quality or talent if Mackintosh's professional establishment was not as successful as that of artistically far less ambitious contemporaries.

Artworks by Charles Rennie Mackintosh

268 artworks found
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268 artworks found

Charles Rennie Mackintosh
 
1904 | pencil and watercolour

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Charles Rennie Mackintosh
Modern Reproduction from Origina...
1893 | pencil; watercolor wash; metal; poster; stencil; ink; watercolor

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Charles Rennie Mackintosh
 
19th century | watercolour and pencil on paper

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
Polyanthus, Walberswick, 1915
1915 | Pencil and watercolour on paper

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Charles Rennie Mackintosh
Cactus Flower
1915 | watercolour on paper

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
A Della Robbian [sic] Frieze, Mu...
1891 |

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Charles Rennie Mackintosh
 
19th century | watercolour on tracing paper

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
Certosa di Pavia (study of a scu...
1891 |

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Charles Rennie Mackintosh
Design for a Dining Room, 1901
1901 | colour lithograph

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Charles Rennie Mackintosh
 
19th century | oil painted on gesso

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
Elder, Walberswick, 1915 (wc & p...
1915 | watercolour and pencil on paper

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Charles Rennie Mackintosh
Apple, Walberswick, 1915 (pencil...
1915 | pencil and watercolour

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Charles Rennie Mackintosh
Poster: The Scottish Musical Rev...
1893 | pencil; watercolor wash; metal; poster; stencil; ink; watercolor

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Charles Rennie Mackintosh
Modern Reproduction from Origina...
1893 | pencil; watercolor wash; metal; poster; stencil; ink; watercolor

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Charles Rennie Mackintosh
The Tree of Personal Effort, by ...
Undated |

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Charles Rennie Mackintosh
Design for a Music Room, c.1901
1901 | colour lithograph

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Charles Rennie Mackintosh
Previously unrecorded architectu...
Undated |

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Charles Rennie Mackintosh
Blackthorn, Chiddingstone, Kent,...
1910 | Pencil and watercolour on paper

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Charles Rennie Mackintosh
Black painted fireplace, c.1914-...
1914 | wood; metal

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Charles Rennie Mackintosh
Furniture designed for No. 120 M...
1904 | wood; stained glass; enamel

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Charles Rennie Mackintosh
 
1904 | card, paint

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
Poster advertising the Scottish ...
1896 | colour lithograph

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Charles Rennie Mackintosh
Design for a printed textile (wa...
1915 | watercolour

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Charles Rennie Mackintosh
Table with mother of pearl inlay...
1918 | stained mahogany with mother-of-pearl inlay

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Charles Rennie Mackintosh
Intarsia Panel, Certosa di Pavia...
1891 |

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Charles Rennie Mackintosh
Intarsia Panel, Certosa di Pavia...
1891 |

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Charles Rennie Mackintosh
Palazzo Pollini and Window in th...
1891 |

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Charles Rennie Mackintosh
Certosa di Pavia, Doorway in sma...
1891 |

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Charles Rennie Mackintosh
 
1924 | Pencil and watercolour on paper

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
View of a studio, built 1897-99
1897 |

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Charles Rennie Mackintosh
View of the School of Fine Arts ...
Undated | photograph

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Charles Rennie Mackintosh
Palace Courtyard, Ferrara, 1891
1891 |

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Charles Rennie Mackintosh
Preliminary design for Mural dec...
1896 | pencil and watercolour on tracing paper

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Charles Rennie Mackintosh
The Lighthouse, 1927 (wc over pe...
1927 | watercolour over pencil on paper

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
The Lateran, Rome, 1891
1891 |

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Charles Rennie Mackintosh
Intarsia Panel, Certosa di Pavia...
1891 |

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Charles Rennie Mackintosh
Plan of Mosaics, Orvieto Cathedr...
1891 |

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Charles Rennie Mackintosh
 
1895 | wood, linen and lead

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
House At Corner Of Mcleod Street
1889 | pencil, paper

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Charles Rennie Mackintosh
Angel, wall detail, 1891 (Pencil...
1891 |

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Charles Rennie Mackintosh
Plan of Well in Lavatory, Certos...
1891 |

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Charles Rennie Mackintosh
Exterior from the north west, 1899
1899 |

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Charles Rennie Mackintosh
View of a roof arch from the wes...
1897 |

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Charles Rennie Mackintosh
Scottish Musical Review (planogr...
Undated | planographic print, lithograph, paper

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Charles Rennie Mackintosh
Doorway in Small Cloister, Certo...
1891 |

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Charles Rennie Mackintosh
View of the East Staircase, buil...
1897 |

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Charles Rennie Mackintosh
 
1898 | oak and rush

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Charles Rennie Mackintosh
Marian del Carmine, Naples
1891 |

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Charles Rennie Mackintosh
Details of Entrance Gateway, Cer...
1891 |

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Charles Rennie Mackintosh
Harold Squire Studio: elevations...
1923 | pencil and wash on brown tracing paper

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Charles Rennie Mackintosh
Textile Design, c.1915
1915 | watercolour on paper

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Charles Rennie Mackintosh
 
1914 | Pencil and watercolour on paper

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
Chancel of S. Miracoli, Venice, ...
1891 |

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Charles Rennie Mackintosh
Fountain in Cloister, Monreale, ...
1891 |

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Charles Rennie Mackintosh
Design for a wardrobe, shown in ...
19th century | Pencil, watercolour

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Charles Rennie Mackintosh
High-back side chair for the Arg...
1898 | oak

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Charles Rennie Mackintosh
Floral and chequered fabric desi...
1916 | pencil and bodycolour on oiled tracing paper

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Charles Rennie Mackintosh
Sketches from Pompeii, 1891
1891 |

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Charles Rennie Mackintosh
Campanile, S. Marks, Venice, 1891
1891 |

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Charles Rennie Mackintosh
Interior view of the reading roo...
Undated | photograph

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Charles Rennie Mackintosh
Notes from Rome, 1891
1891 |

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Charles Rennie Mackintosh
Study of an angel statue, Certos...
1891 | pencil and watercolour

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Charles Rennie Mackintosh
Settle from Dug Out, Miss Cranst...
Undated | painted wood

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Charles Rennie Mackintosh
Sweetheart Abbey, 1892
1893 | pencil on paper

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Charles Rennie Mackintosh
Bedroom suite for the guest bedr...
1917 | mahogany wood

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Charles Rennie Mackintosh
Interior view of the reading roo...
Undated | photograph

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Charles Rennie Mackintosh
Chair in the Drawing Room, HousH...
1904 | wood stained dark, inlaid with coloured glass

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Charles Rennie Mackintosh
Sketch of English Village with T...
1893 | pencil on paper

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Charles Rennie Mackintosh
Details of Fountain in Lavatory,...
1891 |

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Charles Rennie Mackintosh
Cabinets, made for 14 Kingsborou...
1902 | painted oak

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Charles Rennie Mackintosh
Capitals from Bologna, 1891
1891 |

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Charles Rennie Mackintosh
Dining room suite, c.1918-19 (wo...
Undated | wood inlaid with mother-of-pearl and aluminium

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Charles Rennie Mackintosh
Oak Armchair, c.1897 (oak wood a...
Undated | oak wood and rush

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Charles Rennie Mackintosh
 
Undated | watercolour

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
The Rocks, 1927
1927 | Pencil and watercolour on paper

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
Design for the Order Desk Chair,...
1904 | Pencil, watercolour

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Charles Rennie Mackintosh
View of the School of Fine Arts ...
Undated | photograph

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Charles Rennie Mackintosh
Tomb of Carlo Marsuppini, Santa ...
1891 |

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Charles Rennie Mackintosh
Line drawing of furniture (a cup...
1914 | pencil, ink on paper

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Charles Rennie Mackintosh
 
1891 | pencil, grey wash

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Charles Rennie Mackintosh
Sketch of English Village, c.1920
1893 | pencil on paper

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Charles Rennie Mackintosh
Vicenza, at left A Balcony, and ...
1891 |

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Charles Rennie Mackintosh
Jewel box, c.1900 (metal)
Undated | metal

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
 
1896 | pencil and watercolour on tracing paper

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Charles Rennie Mackintosh
Carved Pilasters, S. Miracoli, V...
1891 |

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Charles Rennie Mackintosh
Armchair designed for the Argyle...
1896 | stained oak

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Charles Rennie Mackintosh
Rare and important high-back cha...
Undated | oak

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Charles Rennie Mackintosh
Orvieto Cathedral Doorway, 1891
1891 |

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Charles Rennie Mackintosh
Chair for the White Dining Room,...
Undated | oak wood

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Charles Rennie Mackintosh
The Village of La Lagonne (water...
Undated | watercolour on paper

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Charles Rennie Mackintosh
 
1904 | Pencil, watercolour

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Charles Rennie Mackintosh
 
1905 | pencil and watercolour

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Charles Rennie Mackintosh
Sidechair, c.1905/10 (ebonised w...
Undated | ebonised wood

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Charles Rennie Mackintosh
Intarsia Panel, Certosa di Pavia...
1891 |

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Charles Rennie Mackintosh
Ladderback chairs, c.1903 (stain...
Undated | stained oak

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Charles Rennie Mackintosh
Detail of the ironwork of the No...
1897 |

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Charles Rennie Mackintosh
Notes from Rome, 1891
1891 |

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Page 1 / 3

About the artist

Charles Rennie Mackintosh
Charles Rennie Mackintosh
1868–1928
Born1868 (Townhead)
Died1928 (London)
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsArts and Crafts Movement
Professionarchitect, painter, designer, sculptor, interior designer, graphic artist, watercolorist
Family
Notable worksDesigns for fish knives and forks (1900), Design for knife and fork for Brota (1900), Design for two spoons for Margaret Macdonald Mackintosh (1900), Design for a metal bowl (1900), Design for forks and spoons for Brota (1904)

Like many artists of the Art Nouveau period, Charles Rennie Mackintosh strove for a universal design that related to architecture, interior design, and everyday objects, in other words, to virtually all of everyday life. Thus, in addition to houses, he designed a wide variety of furniture, patterned curtains, had cutlery and metal formed, sketched book covers, and dealt with a wide range of other decorative arts. In addition, he also made flower studies, ornamental and architectural sketches or landscape views.

He was formative for the architectural scene in Glasgow, influenced with his black and white style significantly the Vienna Secession and the Wiener Werkstätten as well as the German production facilities in Hellerau. Innovative and new living concepts developed there radiated into the Bauhaus and laid the foundation for modern furniture design as we know and appreciate it to this day. Mackintosh's wife Margaret MacDonald, who was herself artistically active, was always decisively involved in Mackintosh's ideas and concepts. Mackintosh, in turn, had been influenced by his father's horticultural ambitions and liked to incorporate a stylized rose or other floral elements into his work. In addition, he was influenced by the Celtic origins of Scotland as well as Japanese artwork, which resulted in a geometric design, a certain simplicity and a symbolic language of form. Particularly noteworthy is his design and implementation of the Glasgow School of Art, which to this day is considered the masterpiece of Charles Rennie Mackintosh, and this despite an incipient alcohol dependence of its architect. Here, the design of the library is particularly noteworthy. Also for the design and implementation of four salons in Glasgow, it was not without a certain irony that Mackintosh had a significant alcohol problem, since the client, as a member of the Anti-Alcohol League, pursued the enthusiastic goal of creating a meeting place for tea drinkers in drinking Scotland and the serving of alcohol in their tea rooms was definitely not intended.

It is no less understandable, but all the more tragic, that Mackintosh's famous chairs with their high backs are now considered design classics, while the artist himself was not really able to earn much money from his designs throughout his life, and even made a move with his wife from bustling London to the remoteness of the French Pyrenees in order to save on living expenses. He died virtually penniless due to diagnosed tongue cancer after a desperate return to London, where his estate was even deemed completely worthless after the death of his wife a few years later. Possibly his alcohol problem stood in his own way as far as acquiring new and lucrative commissions was concerned. For his works were highly appreciated and praised by many contemporaries and artists. Today, they are recognized worldwide, so it cannot be attributed to a lack of quality or talent if Mackintosh's professional establishment was not as successful as that of artistically far less ambitious contemporaries.



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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

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Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
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        support@meisterdrucke.com
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Post.at DHL Express Quehenberger Cargoboard


               

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