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Feel the passion of Charles Rennie Mackintosh in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh

Charles Rennie Mackintosh

June 7, 1868   -   December 10, 1928
Nonclassified artists   •   Wikipedia: Charles Rennie Mackintosh

Like many artists of the Art Nouveau period, Charles Rennie Mackintosh strove for a universal design that related to architecture, interior design, and everyday objects, in other words, to virtually all of everyday life. Thus, in addition to houses, he designed a wide variety of furniture, patterned curtains, had cutlery and metal formed, sketched book covers, and dealt with a wide range of other decorative arts. In addition, he also made flower studies, ornamental and architectural sketches or landscape views.

He was formative for the architectural scene in Glasgow, influenced with his black and white style significantly the Vienna Secession and the Wiener Werkstätten as well as the German production facilities in Hellerau. Innovative and new living concepts developed there radiated into the Bauhaus and laid the foundation for modern furniture design as we know and appreciate it to this day. Mackintosh's wife Margaret MacDonald, who was herself artistically active, was always decisively involved in Mackintosh's ideas and concepts. Mackintosh, in turn, had been influenced by his father's horticultural ambitions and liked to incorporate a stylized rose or other floral elements into his work. In addition, he was influenced by the Celtic origins of Scotland as well as Japanese artwork, which resulted in a geometric design, a certain simplicity and a symbolic language of form. Particularly noteworthy is his design and implementation of the Glasgow School of Art, which to this day is considered the masterpiece of Charles Rennie Mackintosh, and this despite an incipient alcohol dependence of its architect. Here, the design of the library is particularly noteworthy. Also for the design and implementation of four salons in Glasgow, it was not without a certain irony that Mackintosh had a significant alcohol problem, since the client, as a member of the Anti-Alcohol League, pursued the enthusiastic goal of creating a meeting place for tea drinkers in drinking Scotland and the serving of alcohol in their tea rooms was definitely not intended.

It is no less understandable, but all the more tragic, that Mackintosh's famous chairs with their high backs are now considered design classics, while the artist himself was not really able to earn much money from his designs throughout his life, and even made a move with his wife from bustling London to the remoteness of the French Pyrenees in order to save on living expenses. He died virtually penniless due to diagnosed tongue cancer after a desperate return to London, where his estate was even deemed completely worthless after the death of his wife a few years later. Possibly his alcohol problem stood in his own way as far as acquiring new and lucrative commissions was concerned. For his works were highly appreciated and praised by many contemporaries and artists. Today, they are recognized worldwide, so it cannot be attributed to a lack of quality or talent if Mackintosh's professional establishment was not as successful as that of artistically far less ambitious contemporaries.

Charles Rennie Mackintosh

June 7, 1868   -   December 10, 1928
Nonclassified artists   •   Wikipedia: Charles Rennie Mackintosh Charles Rennie Mackintosh

Like many artists of the Art Nouveau period, Charles Rennie Mackintosh strove for a universal design that related to architecture, interior design, and everyday objects, in other words, to virtually all of everyday life. Thus, in addition to houses, he designed a wide variety of furniture, patterned curtains, had cutlery and metal formed, sketched book covers, and dealt with a wide range of other decorative arts. In addition, he also made flower studies, ornamental and architectural sketches or landscape views.

He was formative for the architectural scene in Glasgow, influenced with his black and white style significantly the Vienna Secession and the Wiener Werkstätten as well as the German production facilities in Hellerau. Innovative and new living concepts developed there radiated into the Bauhaus and laid the foundation for modern furniture design as we know and appreciate it to this day. Mackintosh's wife Margaret MacDonald, who was herself artistically active, was always decisively involved in Mackintosh's ideas and concepts. Mackintosh, in turn, had been influenced by his father's horticultural ambitions and liked to incorporate a stylized rose or other floral elements into his work. In addition, he was influenced by the Celtic origins of Scotland as well as Japanese artwork, which resulted in a geometric design, a certain simplicity and a symbolic language of form. Particularly noteworthy is his design and implementation of the Glasgow School of Art, which to this day is considered the masterpiece of Charles Rennie Mackintosh, and this despite an incipient alcohol dependence of its architect. Here, the design of the library is particularly noteworthy. Also for the design and implementation of four salons in Glasgow, it was not without a certain irony that Mackintosh had a significant alcohol problem, since the client, as a member of the Anti-Alcohol League, pursued the enthusiastic goal of creating a meeting place for tea drinkers in drinking Scotland and the serving of alcohol in their tea rooms was definitely not intended.

It is no less understandable, but all the more tragic, that Mackintosh's famous chairs with their high backs are now considered design classics, while the artist himself was not really able to earn much money from his designs throughout his life, and even made a move with his wife from bustling London to the remoteness of the French Pyrenees in order to save on living expenses. He died virtually penniless due to diagnosed tongue cancer after a desperate return to London, where his estate was even deemed completely worthless after the death of his wife a few years later. Possibly his alcohol problem stood in his own way as far as acquiring new and lucrative commissions was concerned. For his works were highly appreciated and praised by many contemporaries and artists. Today, they are recognized worldwide, so it cannot be attributed to a lack of quality or talent if Mackintosh's professional establishment was not as successful as that of artistically far less ambitious contemporaries.

Artworks by Charles Rennie Mackintosh

Artworks by Charles Rennie Mackintosh

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268 artworks found

Charles Rennie Mackintosh
 
Undated | pencil and watercolour

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Charles Rennie Mackintosh
Modern Reproduction from Origina...
1893 | pencil; watercolor wash; metal; poster; stencil; ink; watercolor

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Charles Rennie Mackintosh
Polyanthus, Walberswick, 1915
1915 | Pencil and watercolour on paper

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Charles Rennie Mackintosh
Cactus Flower
1915 | watercolour on paper

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
Modern Reproduction from Origina...
1893 | pencil; watercolor wash; metal; poster; stencil; ink; watercolor

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Charles Rennie Mackintosh
 
Undated | colour lithograph

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Charles Rennie Mackintosh
Previously unrecorded architectu...
Undated |

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Charles Rennie Mackintosh
A Della Robbian [sic] Frieze, Mu...
1891 |

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Charles Rennie Mackintosh
Apple, Walberswick, 1915 (pencil...
1915 | pencil and watercolour

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Charles Rennie Mackintosh
Design for a Dining Room, 1901
1901 | colour lithograph

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Charles Rennie Mackintosh
Poster: The Scottish Musical Rev...
1893 | pencil; watercolor wash; metal; poster; stencil; ink; watercolor

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Charles Rennie Mackintosh
 
19th century | watercolour and pencil on paper

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
Certosa di Pavia (study of a scu...
1891 |

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Charles Rennie Mackintosh
 
Undated | watercolour on tracing paper

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
Blackthorn, Chiddingstone, Kent,...
1910 | Pencil and watercolour on paper

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Charles Rennie Mackintosh
The Tree of Personal Effort, by ...
Undated |

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Charles Rennie Mackintosh
Elder, Walberswick, 1915 (wc & p...
1915 | watercolour and pencil on paper

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Charles Rennie Mackintosh
 
Undated | oil painted on gesso

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
White cabinet designed for Mrs. ...
1902 | wood; stained glass; enamel

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Charles Rennie Mackintosh
Pencil sketch of old buildings, ...
Undated | pencil, paper

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Charles Rennie Mackintosh
Bedroom suite for the guest bedr...
1917 | mahogany wood

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Charles Rennie Mackintosh
White cabinet designed for Mrs. ...
1902 | wood; stained glass; enamel

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Charles Rennie Mackintosh
Certosa di Pavia, Doorway in sma...
1891 |

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Charles Rennie Mackintosh
Line drawing of furniture (a cup...
1914 | pencil, ink on paper

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Charles Rennie Mackintosh
Cabinets, made for 14 Kingsborou...
1902 | painted oak

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Charles Rennie Mackintosh
White cabinet designed for Mrs. ...
1902 | wood; stained glass; enamel

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Charles Rennie Mackintosh
Stationery design for John Orr &...
Undated | Printed paper

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Charles Rennie Mackintosh
The Road Through the Rocks, c.19...
Undated | watercolour

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Charles Rennie Mackintosh
High backed chair, c.1897 (dark ...
Undated | dark stained oak with rush seat and pierced oval back rails

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Charles Rennie Mackintosh
Decoration from Roof of S. Minia...
1891 |

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Charles Rennie Mackintosh
High-back side chair for the Arg...
Undated | oak

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Charles Rennie Mackintosh
Furniture designed for No. 120 M...
1904 | wood; stained glass; enamel

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Charles Rennie Mackintosh
Plan of Mosaics, Orvieto Cathedr...
1891 |

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Charles Rennie Mackintosh
Title Page for Haus Eines Kunstf...
1902 | colour lithograph

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Charles Rennie Mackintosh
A sheet of studies of mosaic ban...
1891 | pencil and watercolour

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Charles Rennie Mackintosh
 
1891 | Pencil and watercolour on paper

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Charles Rennie Mackintosh
Intarsia Panel, Certosa di Pavia...
1891 |

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Charles Rennie Mackintosh
Two ladder back chairs, for Miss...
Undated | stained oak

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Charles Rennie Mackintosh
 
Undated | painted oak

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Charles Rennie Mackintosh
White cabinet designed for Mrs. ...
1902 | wood; stained glass; enamel

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Charles Rennie Mackintosh
Egyptian Pottery, Naples Museum,...
1891 |

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Charles Rennie Mackintosh
Line drawing of furniture (a set...
1914 | pencil, ink on paper

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Charles Rennie Mackintosh
Orvieto Cathedral, Mosaic Bands ...
1891 |

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Charles Rennie Mackintosh
White cabinet designed for Mrs. ...
1902 | wood; stained glass; enamel

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Charles Rennie Mackintosh
Ladderback chairs, c.1903 (stain...
Undated | stained oak

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Charles Rennie Mackintosh
Well Head, Venice, 1891
1891 |

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Charles Rennie Mackintosh
Design for a wardrobe, shown in ...
1904 | Pencil, watercolour

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Charles Rennie Mackintosh
Doorway in Small Cloister, Certo...
1891 |

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Charles Rennie Mackintosh
Textile Design, c.1915
1915 | watercolour on paper

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Charles Rennie Mackintosh
Rare and important high-back cha...
Undated | oak

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Charles Rennie Mackintosh
Exterior from the north west, 1899
1899 |

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Charles Rennie Mackintosh
Orvieto Cathedral Doorway, 1891
1891 |

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Charles Rennie Mackintosh
Black painted fireplace, c.1914-...
1914 | wood; metal

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Charles Rennie Mackintosh
Chair for the White Dining Room,...
Undated | oak wood

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Charles Rennie Mackintosh
Pinks, c1920
1920 | watercolour

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
S. Maria dei Miracoli Altar Scre...
1891 |

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Charles Rennie Mackintosh
View of the Board Room, built 18...
Undated |

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Charles Rennie Mackintosh
Design for curtains for the hall...
Undated | pencil and bodycolour on oiled tracing paper

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Charles Rennie Mackintosh
Design for a Music Room with pan...
1901 | colour lithograph

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Charles Rennie Mackintosh
Doorway, Certosa di Pavia, 1891 ...
1891 |

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Charles Rennie Mackintosh
Bas relief, detail of fireplace ...
Undated | bas relief

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Charles Rennie Mackintosh
 
Undated | metal and leaded glass

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Charles Rennie Mackintosh
Detail of Acanthus, 1891
1891 |

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
Panel of three stylised rose mot...
Undated | stencilled linen

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Charles Rennie Mackintosh
Orvieto Cathedral Door Jamb, 1891
1891 |

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Charles Rennie Mackintosh
Floral and chequered fabric desi...
Undated | pencil and bodycolour on oiled tracing paper

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Charles Rennie Mackintosh
Intarsia Panel, Certosa di Pavia...
1891 |

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Charles Rennie Mackintosh
 
Undated | Pencil, watercolour

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Charles Rennie Mackintosh
Charles Rennie Mackintosh (1868 ...
Undated |

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Charles Rennie Mackintosh
 
Undated | pencil and watercolour on tracing paper

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Charles Rennie Mackintosh
 
Undated | mahogany, mother of pearl, metal, leaded glass, ivory, ceramic

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Charles Rennie Mackintosh
 
Undated | mahogany, mother of pearl, metal, leaded glass, ivory, ceramic

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Charles Rennie Mackintosh
Desk for the Blue Bedroom at Hou...
1904 |

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Charles Rennie Mackintosh
Jewel box, c.1900 (metal)
Undated | metal

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
Furniture designed for No. 120 M...
19th century | wood; stained glass; enamel

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Charles Rennie Mackintosh
Old House, Lyme Regis, Dorsetshi...
1893 | pencil on paper

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Charles Rennie Mackintosh
One of a pair of armchairs for t...
1905 | stained oak with mother of pearl inlay

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Charles Rennie Mackintosh
Mother-of-pearl inlaid bedside c...
1917 | mahogany

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Charles Rennie Mackintosh
Chair in the Drawing Room, HousH...
1904 | wood stained dark, inlaid with coloured glass

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Charles Rennie Mackintosh
Design for a wardrobe, shown in ...
Undated | Pencil, watercolour

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Charles Rennie Mackintosh
Candlestick (?), Naples Museum, ...
1891 |

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Charles Rennie Mackintosh
Designs for writing desks shown ...
1909 | pen and black ink and brown wash on linen

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Charles Rennie Mackintosh
Textile design (wc & pencil on b...
Undated | watercolour and pencil on brown paper

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Charles Rennie Mackintosh
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Charles Rennie Mackintosh
Certosa di Pavia, Memorial, 1891...
1891 |

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Charles Rennie Mackintosh
Studies of decorative ceiling pa...
1891 | pencil and watercolour

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Charles Rennie Mackintosh
Mosaic Bands, Orvieto Cathedral,...
1891 |

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Charles Rennie Mackintosh
Monuments, S. Maria del Popolo, ...
1891 |

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Charles Rennie Mackintosh
White cabinet designed for Mrs. ...
1902 | wood; stained glass; enamel

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Charles Rennie Mackintosh
Line drawing of furniture (a dre...
1914 | pencil, ink on paper

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Charles Rennie Mackintosh
 
Undated |

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Charles Rennie Mackintosh
Hat, coat and umbrella stand for...
1897 | oak wood

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Charles Rennie Mackintosh
Plan of Well in Lavatory, Certos...
1891 |

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Charles Rennie Mackintosh
One of a pair of armchairs, late...
Undated | tan leather and ebonised oak

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Charles Rennie Mackintosh
Table designed for the Billiard ...
1897 | oak

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Charles Rennie Mackintosh
Port Vendres, La Ville, c1925
1925 | watercolour

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Charles Rennie Mackintosh
Campanile, Bologna, 1891
1891 |

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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