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In the 19th century, at the time of Impressionism, Realism and Expressionism lived the English painter Ambrose McEvoy. In this period there were great upheavals in art. Not only did a time begin in which feelings and impressions entered art, but also more turned to the actual state instead of idealization. His family recognized his artistic talent early on and encouraged it by sending him to the Slade School of Fine Art in London. This was especially championed by James McNeill Whistler, who was a family friend.
During McEvoy's education, he was greatly influenced by Whistler, who was considered one of the most innovative artists. Along with impressionist Augustus John and portrait painter William Orpen, he formed a circle of artists. Initially, McEvoy focused primarily on landscapes in oil painting. He was inspired by the early Italian artists and the English Pre-Raphaelites. He often went to the National Gallery and copied drawings by Titian (also Titiano Vecellio) and Diego Velázquez. At the beginning of World War I, he began to turn to sketchy portrait drawings in watercolor, for which he is still known today. He frequently portrayed women from the upper class in particular. He became famous for his portrait of the American Maude Louise Baring. After he served in World War 1 for three years, his subjects changed for some time. He drew mainly important marines and soldiers. These portraits were given to the Imperial War Museum and the National Maritime Museum.
Ambrose McEvoy was a painter known for his temperament and also for his unconventional approach in the studio. He often invited his models in the evening. There was a boisterous mood there. He especially liked to draw to jazz music. He was one of the first artists to use colored light bulbs, which were new at that time. Above all, he used yellow, blue and green, giving his portraits an extraordinary depth, which he captured. At the same time, it allowed him to draw even at night. An artist once said that Ambrose McEvoy never seemed to work hard, but had great talent and a great zest for life. He was a member and also founder of several drawing groups. Among them was the New English Art Club, in whose galleries he frequently exhibited paintings of landscapes and interiors. He founded the National Portrait Society and later became a member of the International one as well. After thirty years, his portraits fell out of fashion and he was considered "common". After his death, he quickly fell into oblivion, until through his descendant, the paintings were made available to the public and are once again enjoying growing popularity.
In the 19th century, at the time of Impressionism, Realism and Expressionism lived the English painter Ambrose McEvoy. In this period there were great upheavals in art. Not only did a time begin in which feelings and impressions entered art, but also more turned to the actual state instead of idealization. His family recognized his artistic talent early on and encouraged it by sending him to the Slade School of Fine Art in London. This was especially championed by James McNeill Whistler, who was a family friend.
During McEvoy's education, he was greatly influenced by Whistler, who was considered one of the most innovative artists. Along with impressionist Augustus John and portrait painter William Orpen, he formed a circle of artists. Initially, McEvoy focused primarily on landscapes in oil painting. He was inspired by the early Italian artists and the English Pre-Raphaelites. He often went to the National Gallery and copied drawings by Titian (also Titiano Vecellio) and Diego Velázquez. At the beginning of World War I, he began to turn to sketchy portrait drawings in watercolor, for which he is still known today. He frequently portrayed women from the upper class in particular. He became famous for his portrait of the American Maude Louise Baring. After he served in World War 1 for three years, his subjects changed for some time. He drew mainly important marines and soldiers. These portraits were given to the Imperial War Museum and the National Maritime Museum.
Ambrose McEvoy was a painter known for his temperament and also for his unconventional approach in the studio. He often invited his models in the evening. There was a boisterous mood there. He especially liked to draw to jazz music. He was one of the first artists to use colored light bulbs, which were new at that time. Above all, he used yellow, blue and green, giving his portraits an extraordinary depth, which he captured. At the same time, it allowed him to draw even at night. An artist once said that Ambrose McEvoy never seemed to work hard, but had great talent and a great zest for life. He was a member and also founder of several drawing groups. Among them was the New English Art Club, in whose galleries he frequently exhibited paintings of landscapes and interiors. He founded the National Portrait Society and later became a member of the International one as well. After thirty years, his portraits fell out of fashion and he was considered "common". After his death, he quickly fell into oblivion, until through his descendant, the paintings were made available to the public and are once again enjoying growing popularity.
.jpg "Lady Diana Cooper, 1915 by Ambrose McEvoy")
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.jpg "The Green Hat, a portrait of Mrs Claude Johnson, 1918 by Ambrose McEvoy")
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.jpg "The Hon. Lois Stuart II by Ambrose McEvoy")
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.jpg "A Society Beauty by Ambrose McEvoy")
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.jpg "Sketch for")
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.jpg "The Thunderstorm by Ambrose McEvoy")
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.jpg "The Governess, 1917 by Ambrose McEvoy")
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.jpg "Miss Nancy Cunard by Ambrose McEvoy")
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.jpg "Seated Nude by Ambrose McEvoy")
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.jpg "Mademoiselle de Pourtales by Ambrose McEvoy")
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.jpg "Lieutenant William Edward Sanders, 1883-1917 by Ambrose McEvoy")
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.jpg "Miss Winifred Barnes by Ambrose McEvoy")
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 - (MeisterDrucke-246912).jpg "Portrait of a Child, c.1920 by Ambrose McEvoy")
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.jpg "Anais, Wearing a Beguin, c.1822 by Ambrose McEvoy")
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_-_(MeisterDrucke-1127800).jpg "Tink, Miss Joan Claudia Johnson by Ambrose McEvoy")
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.jpg "The Thunderstorm, 1901 by Ambrose McEvoy")
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_-_(MeisterDrucke-390136).jpg "Helen by Ambrose McEvoy")
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.jpg "Sir Johnston Forbes-Robertson by Ambrose McEvoy")
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_(oil_on_canvas)_-_(MeisterDrucke-904917).jpg "Portrait of Dorothy Una Ratcliffe (1891-1967) by Ambrose McEvoy")
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.jpg "John Travers Cornwell, Boy 1st Class by Ambrose McEvoy")
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 1926 - (MeisterDrucke-306123).jpg "The View from the Adelphi (Waterloo Bridge), 1926 by Ambrose McEvoy")
 1926 - (MeisterDrucke-306123).jpg)
.jpg "Morning, Aldbourne by Ambrose McEvoy")
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.jpg "Mrs Redmond McGrath by Ambrose McEvoy")
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.jpg "Gwen John, 1876-1939, 1901 by Ambrose McEvoy")
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.jpg "Portrait, Book Plate by Ambrose McEvoy")
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.jpg "Lady Sybil Smith by Ambrose McEvoy")
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.jpg "Martin Wood, Art Critic by Ambrose McEvoy")
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.jpg "Mrs Richard Jessel by Ambrose McEvoy")
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 McEvoy - Petty Officer E Pitcher VC 1918 - (MeisterDrucke-17800).jpg "Petty Officer E Pitcher VC, 1918 by Ambrose McEvoy")
 McEvoy - Petty Officer E Pitcher VC 1918 - (MeisterDrucke-17800).jpg)
.jpg "Anna, Daughter of the Artist by Ambrose McEvoy")
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.jpg "Cottages at Aldbourne by Ambrose McEvoy")
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.jpg "Portrait of Lady Abdy, Three-Quarter Length, Wearing a Fur Wrap by Ambrose McEvoy")
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_-_(MeisterDrucke-368829).jpg "Le Quai de Carenage, Le Pollet, 1928 by Ambrose McEvoy")
_-_(MeisterDrucke-368829).jpg)
 - (MeisterDrucke-217892).jpg "Zita Jungman by Ambrose McEvoy")
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_-_(MeisterDrucke-1108519).jpg "Mary Magdalene Anointing Christ")
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.jpg "The Convalescent by Ambrose McEvoy")
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.jpg "Mrs Lousada by Ambrose McEvoy")
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.jpg "A Portrait, c1922, c1932 by Ambrose McEvoy")
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.jpg "The Artist")
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_20th_century_(oil)_-_(MeisterDrucke-1505471).jpg "John Travers Cornwell, Boy 1st Class by Ambrose McEvoy")
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.jpg "Mrs. Francis Howard by Ambrose McEvoy")
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.jpg "A Landscape by Ambrose McEvoy")
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.jpg "Portrait of the Artist by Ambrose McEvoy")
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_-_(MeisterDrucke-1106104).jpg "A Child")
_-_(MeisterDrucke-1106104).jpg)
_-_(MeisterDrucke-1128042).jpg "Portrait of a Young Woman by Ambrose McEvoy")
_-_(MeisterDrucke-1128042).jpg)
_-_(MeisterDrucke-1127643).jpg "Young Girl")
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.jpg "The Green Dress by Ambrose McEvoy")
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.jpg "On the Balcony, c.1911-12 by Ambrose McEvoy")
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.jpg "Lady in a Pink Dress by Ambrose McEvoy")
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_(oil_on_canvas)_-_(MeisterDrucke-1483643).jpg "Gwen John by Ambrose McEvoy")
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.jpg "Landscape in America by Ambrose McEvoy")
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.jpg "Sketch for the Portrait of Viscountess Chilston by Ambrose McEvoy")
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_c1918_(oil_on_canvas)_-_(MeisterDrucke-1510385).jpg "Lieutenant William Edward Sanders, DSO, RNR (1883-1917) by Ambrose McEvoy")
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.jpg "Madeline by Ambrose McEvoy")
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.jpg "The Green Cloak by Ambrose McEvoy")
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.jpg "Mrs S. S. Howland by Ambrose McEvoy")
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.jpg "The Hon. Mrs. Akers-Douglas by Ambrose McEvoy")
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.jpg "Miss Teddy Gerrard by Ambrose McEvoy")
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.jpg "Silver and Grey by Ambrose McEvoy")
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.jpg "Portrait of Augustus John by Ambrose McEvoy")
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.jpg "The Thames from the Artist")
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_-_(MeisterDrucke-390082).jpg "Dame Ethel Smyth by Ambrose McEvoy")
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.jpg "Head by Ambrose McEvoy")
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.jpg "Portrait of a Lady by Ambrose McEvoy")
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.jpg "The Gypsy by Ambrose McEvoy")
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.jpg "A. C. R. Carter by Ambrose McEvoy")
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.jpg "The Edwardian Hat by Ambrose McEvoy")
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.jpg "Study of a Young Girl by Ambrose McEvoy")
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.jpg "Mrs Claude Johnson in Black by Ambrose McEvoy")
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.jpg "Study of two young girls by Ambrose McEvoy")
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.jpg "Mrs. Francis Howard by Ambrose McEvoy")
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