Fragment of the Alps, c.1854-56 (wc & gouache over pencil on paper) by John Ruskin

Fragment of the Alps, c.1854-56 (wc & gouache over pencil on paper)

(Fragment der Alpen, um 1854-56 (WC & Gouache über Bleistift auf Papier))


John Ruskin

1854   ·  watercolour and gouache over pencil on paper  ·  Picture ID: 643428

Unclassified artists

Fragment of the Alps, c.1854-56 (wc & gouache over pencil on paper) by John Ruskin
trees · atmospheric · study · geology · drawing · alpine · pine · alps · geological · pines · rugged · rock · boulders · boulder · blue · rocky · rocks · pine-trees · fragment · chamonix · Fogg Art Museum, Harvard Art Museums, USA / bridgemanimages.com
   Add to favorites
0 Reviews
Mockup 1 Mockup 2 Mockup 3 Mockup 5 Mockup 6 Mockup 7

Size & Border

Picture Frame

Medium & Stretcher

Glass & Passepartout

Miscellaneous & Extras

 Save / compare configuration
Preview Icon

Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

(inkl. 20% MwSt)

Worldwide shipping
Produktionszeit: 2-4 Werktage
Bildschärfe: PERFEKT
Other art prints by John Ruskin
The Duomo of San Martino, Lucca, July - August 1874 (graphite, watercolour and bodycolour on paper, some lines ruled) Part of Saint Marks Basilica, Venice: Sketch after Rain, 27 May 1846 (watercolour and bodycolour and ink over graphite on grey wove paper) Tracery from the Campanile of Giotto, Florence, from `The Seven Lamps of Architecture by John Ruskin, engraved by James Charles Armytage (c.1820-97) published 1894 (engraving) The Ducal Palace, Renaissance Capitals of the Loggia, from Examples of the Architecture of Venice by John Ruskin, engraved by G. Rosenthal, 1851 Pilaster on the Facade of Sant Anastasia, Verona, June 1869 (wc and bodycolour over graphite on paper, some lines ruled) Study of rocks and ferns in a wood at Crossmount, Perthshire, 1843 (wc on paper) A Wild Strawberry Plant, 5 - 6 June 1873 (watercolour and bodycolour over graphite on blue wove paper) Apse of the Duomo, Pisa, 19th century (pencil and wc on paper) Aiguilles de Chamonix, c.1850 (pencil, pen and ink and wash on card) The Matterhorn, Switzerland, from the Northeast, 1849 Dawn Coniston, 1873 (wc on paper) La Cascade de la Folie, Chamonix Ivy-Leaved Toadflax (Oxford Ivy), 1852 (watercolour, bodycolour and pen and ink over graphite on blue wove paper) Study for Detail of the Market-Place, Abbeville, September - October 1868 graphite on off-white paper Stormy Sunset
Other art prints by John Ruskin
The Duomo of San Martino, Lucca, July - August 1874 (graphite, watercolour and bodycolour on paper, some lines ruled) Part of Saint Marks Basilica, Venice: Sketch after Rain, 27 May 1846 (watercolour and bodycolour and ink over graphite on grey wove paper) Tracery from the Campanile of Giotto, Florence, from `The Seven Lamps of Architecture by John Ruskin, engraved by James Charles Armytage (c.1820-97) published 1894 (engraving) The Ducal Palace, Renaissance Capitals of the Loggia, from Examples of the Architecture of Venice by John Ruskin, engraved by G. Rosenthal, 1851 Pilaster on the Facade of Sant Anastasia, Verona, June 1869 (wc and bodycolour over graphite on paper, some lines ruled) Study of rocks and ferns in a wood at Crossmount, Perthshire, 1843 (wc on paper) A Wild Strawberry Plant, 5 - 6 June 1873 (watercolour and bodycolour over graphite on blue wove paper) Apse of the Duomo, Pisa, 19th century (pencil and wc on paper) Aiguilles de Chamonix, c.1850 (pencil, pen and ink and wash on card) The Matterhorn, Switzerland, from the Northeast, 1849 Dawn Coniston, 1873 (wc on paper) La Cascade de la Folie, Chamonix Ivy-Leaved Toadflax (Oxford Ivy), 1852 (watercolour, bodycolour and pen and ink over graphite on blue wove paper) Study for Detail of the Market-Place, Abbeville, September - October 1868 graphite on off-white paper Stormy Sunset
Excerpt from our top sellers
Starry Night A Lady Receiving Visitors (The Reception) The Horse’s Bath Reclining nude with spread legs Moon above Landscape The Origin of the World Blue (Blue), 1922 Boy viewing Mount Fuji, 1839 (ink and colour on silk) Ancient Times, from De Figuris Veneris by F.K Forberg, engraved by the artist, 1900 The Origin of the World, 1866 Woman in White Stockings, c.1861 Savior of the world  					Paradiso, Canto 31  : The saintly throng form a rose in the empyrean Illustration to the Divine Comedy by Dante Alighieri Abyss of Hell, 1480-1490 The Sleepers Sleep
Excerpt from our top sellers
Starry Night A Lady Receiving Visitors (The Reception) The Horse’s Bath Reclining nude with spread legs Moon above Landscape The Origin of the World Blue (Blue), 1922 Boy viewing Mount Fuji, 1839 (ink and colour on silk) Ancient Times, from De Figuris Veneris by F.K Forberg, engraved by the artist, 1900 The Origin of the World, 1866 Woman in White Stockings, c.1861 Savior of the world  					Paradiso, Canto 31  : The saintly throng form a rose in the empyrean Illustration to the Divine Comedy by Dante Alighieri Abyss of Hell, 1480-1490 The Sleepers Sleep

Meisterdrucke Logo long

   Hausergasse 25
       9500 Villach, Austria
   +43 4257 29415
   office@meisterdrucke.com
Social Media & Languages
                   

Erfahrungen & Bewertungen zu Meisterdrucke
Partner Logos

Kunsthistorisches Museum Wien      Kaiser Franz Joseph      Albertina

Meisterdrucke Logo long
Hausergasse 25 · 9500 Villach, Austria
+43 4257 29415 · office@meisterdrucke.com
Partner Logos


               


(c) 2021 meisterdrucke.uk