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View of the Blue Bergh Called Mount Parnassus, 1813 by John Gabriel Stedman

View of the Blue Bergh Called Mount Parnassus, 1813

(View of the Blue Bergh called, Mount Parnassus, 1813)


John Gabriel Stedman

€ 126.02
Enthält 0% MwSt.
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1813  ·  engraving  ·  Image ID: 756003

Nonclassified artists

View of the Blue Bergh Called Mount Parnassus, 1813 by John Gabriel Stedman. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
weather · transport · transportation · nature · exterior · river · cloud · clouds · tree · hill · building · buildings · people · male · landscape · boat · boats · plant · view · british · geography · palm tree · color · colour · mount · rustic · century · barge · britain · concept · outside · riverbank · 19th century · water transport · encampment · nineteenth century · rural · art media · geographical feature · parnassus · rural life · slave trade · tow path · engraving · landscape · john gabriel stedman · stedman · john gabriel · captain · captain jg stedman · jg stedman · j g stedman · Art Media/Heritage Images
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 126.02
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Indian Village, Point Mudge View of the Camp at the Java Creek View of the Settlement Called the Jews Savannah, 1813 Trinity Estate. St. Mary View of the Water Gap and Columbian Glassworks, River Delaware Wolseley Bridge View of Post Gelderland and Jewish Savannah Residence of John Macarthur Esq near Parramatta N.S.W. Residence of John Macarthur Esq near Parramatta N.S.W. On the Way to Røros Copper Works A view of a British colony. In the foreground, natives in a canoe, from a Journal kept on board the Minerva transport, from Ireland to New South Wales and Bengal, by John Washington Price Untitled Remarkable Supported Poles, in Port Townsend, Gulf of Georgia Santa Lucia, 1855 Village of Friendly Indians, at the Entrance of Bute The Residence of Edward Riley Esquire, Wooloomooloo, Near Sydney N.S.W. The Hippah, New Zealand Sugar cane cultivation in South America West Point No. 16 of The Hudson River Portfolio Karia, West Coast of Japan Hill Village in the District of Bauhelepoor, 1787 A View of the Butte Des Morts Treaty Ground The indigo factory - in The Old and Modern Costume, by Dr. Jules Ferrario, ed. Milan The Port and Town of Malacca, Malaysia, illustration from View of the Encampment at Jerusalem, 1813 A View from the Royal Artillery Encampment, Conditore, Plate 37 from General John Burgoyne Meeting the Indians Thermal Waters of Cajamarca, Illustration from Early settlement of Vancouver
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The Manicole and the Cocoa Nut Tree, from The Mountain Cabbage & Maureecee Tree The Skinning of the Aboma Snake, Shot by Captain Stedman, from The Green Butterfly of South America & the Rattlesnake & Dypsas of Guiana The Skulls of Lieu Leppar, Six of His Men, by J.G. Stedman Plan of a Regular Coffee Plantation, 1813 Pinktoe Tarantula, Avicularia avicularia, 1800 (engraving) Sprig of the Indigo Plant Rural Retreat, The Cottage, 1813 A black person hung alive by the Ribs to a Gallows, pub. 1796 View of the Settlement Called the Jews Savannah, 1813 Humming Bird, with Its Nest Views & Plan of the Fortress Called Amsterdam View of the Camp at the Java Creek View of the Encampment at Jerusalem, 1813
Show more works by John Gabriel Stedman

More art prints by John Gabriel Stedman

The Manicole and the Cocoa Nut Tree, from The Mountain Cabbage & Maureecee Tree The Skinning of the Aboma Snake, Shot by Captain Stedman, from The Green Butterfly of South America & the Rattlesnake & Dypsas of Guiana The Skulls of Lieu Leppar, Six of His Men, by J.G. Stedman Plan of a Regular Coffee Plantation, 1813 Pinktoe Tarantula, Avicularia avicularia, 1800 (engraving) Sprig of the Indigo Plant Rural Retreat, The Cottage, 1813 A black person hung alive by the Ribs to a Gallows, pub. 1796 View of the Settlement Called the Jews Savannah, 1813 Humming Bird, with Its Nest Views & Plan of the Fortress Called Amsterdam View of the Camp at the Java Creek View of the Encampment at Jerusalem, 1813
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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