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Bharata and Shatrughna greet Rama and Sita as the Pushpaka departs by Indian School

Bharata and Shatrughna greet Rama and Sita as the Pushpaka departs

(Bharata and Śatrughna greet Rāma and Sītā as the Puṣpaka departs)


Indian School

€ 122.24
Enthält 0% MwSt.
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1653  ·  miniature  ·  Image ID: 1636079

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Bharata and Shatrughna greet Rama and Sita as the Pushpaka departs by Indian School. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
17th century · colour · civilization · hinduism · religion · india · asia · miniature · mythology · mythological figure · chariot · named people · colours · personalities · religious movements · people · famous people · poems · manuscript · vehicle · diety · religious groups · hinduism · hindu · poetry · poem · document · religious faiths · colour · transportation · religion · sita · hindoo · transport · rama · British Library, London, UK / Bridgeman Images
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 122.24
(inkl. 20% MwSt)
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Rama Is Crowned and Rewards His Allies; Sita Gifts Her Necklace to Hanuman On the Right, Dasaratha Again Tells Rama He Will Make Him King, with Vasistha, Laksmana, Another Brahmin and Ministers in Attendance. Rama and Laksmana Then Leave the King to Call on Kausalya on the Left, Who, Dressed in White, is Wor Ravana Sits on His Throne as His Sister Surpanakha Mourns Her Husband Rama bids farewell to his allies as his golden reign, Ram-rajya, begins Add. 15296 (1) f.96r, Bharata and Shatrughna have performed their father Vibhishana Joins Rama In the throne room at Nandigrama, Bharata places on the throne Rama Ravana visits Nikumbhila where Meghanada performs sacrifices for the power of illusion The princes in their chariot drive through the main street at Ayodhya, wondering at the change in the city since they left it, and then enter the palace, with questioning gestures. In an upper room, a Brahmin and three ministers converse. At the top on the right, Bharata and Shatrughna greet Kaikeyi, who takes them on her lap, and they converse about recent happenings Monkeys Mistake Vibhishana for Indrajit; Narada Praises Narayana as Ravana Dines Rāvaṇa commands Kumbhakarṇa Sukesha Vishnu Declines to Fight Ravana Due to His Boon, but Encourages the Gods to Battle Him Rama Rejects Sita Upon Her Return; She Asks to Prove Her Chastity by Fire The procession returns to Ayodhya, along the bottom of the painting, the sorrowful and deserted city being the haunt of cats and owls. Bharata and Shatrughna take their leave of the queens and tell Vasistha that they will retire to N Rama Recognizes Lava and Kusha, and Sita Swears Her Innocence Before Him Rama and Sita Arrive at Bharadvaja Hanuman Informs Guha, Bharata, and Shatrughna of Rama Rāma accepts homage but awaits return to Ayodhyā; Vibhīṣaṇa hosts a durbar for monkey and bear leaders Rama wakes to praises, bathes, and sits in his throne room, where everyone pays homage to him Ravana grieves, restrains rage against Sita, and readies for battle In his sons Rāma Hears from Agastya the Origins of the Rākṣasas, Beginning with Prajāpati’s Creation Rama Returns to Ayodhya and Plans the Rajasuya Sacrifice, but Bharata Dissuades Him Despite the entreaties of his brother to return to rule Ayodhya, Rama remains adamant in adhering to his father Dasaratha and his queens return to Ayodhya, leaving Rishyasringa and Shanta behind Monkeys, bears, and others gather as Rama departs, with attendants carrying the sacrificial fire
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Rama Is Crowned and Rewards His Allies; Sita Gifts Her Necklace to Hanuman On the Right, Dasaratha Again Tells Rama He Will Make Him King, with Vasistha, Laksmana, Another Brahmin and Ministers in Attendance. Rama and Laksmana Then Leave the King to Call on Kausalya on the Left, Who, Dressed in White, is Wor Ravana Sits on His Throne as His Sister Surpanakha Mourns Her Husband Rama bids farewell to his allies as his golden reign, Ram-rajya, begins Add. 15296 (1) f.96r, Bharata and Shatrughna have performed their father Vibhishana Joins Rama In the throne room at Nandigrama, Bharata places on the throne Rama Ravana visits Nikumbhila where Meghanada performs sacrifices for the power of illusion The princes in their chariot drive through the main street at Ayodhya, wondering at the change in the city since they left it, and then enter the palace, with questioning gestures. In an upper room, a Brahmin and three ministers converse. At the top on the right, Bharata and Shatrughna greet Kaikeyi, who takes them on her lap, and they converse about recent happenings Monkeys Mistake Vibhishana for Indrajit; Narada Praises Narayana as Ravana Dines Rāvaṇa commands Kumbhakarṇa Sukesha Vishnu Declines to Fight Ravana Due to His Boon, but Encourages the Gods to Battle Him Rama Rejects Sita Upon Her Return; She Asks to Prove Her Chastity by Fire The procession returns to Ayodhya, along the bottom of the painting, the sorrowful and deserted city being the haunt of cats and owls. Bharata and Shatrughna take their leave of the queens and tell Vasistha that they will retire to N Rama Recognizes Lava and Kusha, and Sita Swears Her Innocence Before Him Rama and Sita Arrive at Bharadvaja Hanuman Informs Guha, Bharata, and Shatrughna of Rama Rāma accepts homage but awaits return to Ayodhyā; Vibhīṣaṇa hosts a durbar for monkey and bear leaders Rama wakes to praises, bathes, and sits in his throne room, where everyone pays homage to him Ravana grieves, restrains rage against Sita, and readies for battle In his sons Rāma Hears from Agastya the Origins of the Rākṣasas, Beginning with Prajāpati’s Creation Rama Returns to Ayodhya and Plans the Rajasuya Sacrifice, but Bharata Dissuades Him Despite the entreaties of his brother to return to rule Ayodhya, Rama remains adamant in adhering to his father Dasaratha and his queens return to Ayodhya, leaving Rishyasringa and Shanta behind Monkeys, bears, and others gather as Rama departs, with attendants carrying the sacrificial fire
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Radha and Krishna Embrace in a Grove of Flowering Trees, c. 1780 Surrender of Kandahar to Said Khan, c. 1640 Shiva and Krishna, mid 1700s Erotic scene in a luxurious boudoir, Rajasthani miniature painting Radha in the Kitchen, c. 1810 Album Page with Stokesia and Portrait of Abdul Rahim Khan-e Khanna The foot of Rama, from the Hindu epic Nutta Singh Akali, from The Kingdom of the Punjab, its Rulers and Chiefs, volume II Durian Fruit and Foliage, c. 1815 A lady comes to her lover Miniature depicting a scene of a winged figure on a horse, probably Delhi school, Mughal, Indian, early 19th century A Jasrota prince, possibly Balwant Singh, on a riding expedition, by Nainsukh (fl. 1740-50), Kashmir, c. 1751 Bahram Khan, a court official of Shah Jahan, Mughal India, c.1720 The Churning of the Ocean of Milk, c. 1825 A dragon devouring a woman
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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