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Inferno, Canto 31: The Giant Antaeus by Gustave Dore

Inferno, Canto 31: The Giant Antaeus

(Inferno, Canto 31 : The giant Antaeus)


Gustave Dore

€ 120.17
Enthält 0% MwSt.
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1885  ·  digital gefärbte Gravur  ·  Image ID: 628256

Romanticism

Inferno, Canto 31: The Giant Antaeus by Gustave Dore. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
Private Collection / Bridgeman Images
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 120.17
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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The Giant Antaeus, from The Divine Comedy, Inferno, Canto 31: The Giant Antaeus Lowers Dante and Virgil into the Last Circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Inferno, Canto 7: Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) Yet in the abyss, which Lucifer with Judas deeply engulfs, he gently placed us, c. 1890. Inferno, Canto 30: Myrrha, condemned for incest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) Dante and Virgil meet Giant Anthee, illustrated by Gustave Dore And there at point of the disparted ridge lay stretched the infamy of Crete Inferno, Canto 31: Ephialtes (Ephialte) in manacles among the giants, illustration from The Divine Comedy by Dante Alighieri, 1885 Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedy) illustrated by Gustave Dore. French edition of 1861. "E in su la punta della rotta lacca/L Nebuchadnezzar Recovering His Reason Inferno, Canto 12: The Minotaur on the shattered cliff, illustration from The Divine Comedy by Dante Alighieri, 1885 The Cyclops Polyphemus Surprising Galatea and Acis (engraving) Inferno, Canto 18: Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885 That is the ancient soul of wretched Myrrha Cursed Wolf! Thy Fury Inward on Thyself Prey, and Consume Thee! Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from The Divine Comedy, Inferno, Canto 30: Myrrha, Condemned for Incest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Virgil and Dante, Illustration from The Divine Comedy, Inferno, Canto 7: Virgil rebukes Plutus at the entrance to the fourth circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883) Inferno, Canto 6: Virgil feeds Cerberus in the third circle, illustration from The Divine Comedy by Dante Alighieri, 1885 The Divine Comedy (La Divina Commedia, La Divine Comédie), Inferno, Canto 12: The Minotaur on the shattered cliff - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883) Inferno, Canto 32: Ugolino (Ugolino della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 11: The burning tomb of Pope Anastasius II (Anastase II), illustration from The Divine Comedy by Dante Alighieri, 1885 Myrrha, illustration from By the hair it bore the severed member, lantern-wise pendant in hand, c. 1890 Purgatorio, Canto 11: The souls of the prideful, bearing heavy stones, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 1: The Panther at the Beginning of the Ascent, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 29: Virgil reproves Dante Dante and Virgil meet the giant Anteas (Illustration for the Divine Comedy by Dante Alighieri by Gustave Doré)
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Similar artworks selected for you

The Giant Antaeus, from The Divine Comedy, Inferno, Canto 31: The Giant Antaeus Lowers Dante and Virgil into the Last Circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Inferno, Canto 7: Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) Yet in the abyss, which Lucifer with Judas deeply engulfs, he gently placed us, c. 1890. Inferno, Canto 30: Myrrha, condemned for incest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) Dante and Virgil meet Giant Anthee, illustrated by Gustave Dore And there at point of the disparted ridge lay stretched the infamy of Crete Inferno, Canto 31: Ephialtes (Ephialte) in manacles among the giants, illustration from The Divine Comedy by Dante Alighieri, 1885 Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedy) illustrated by Gustave Dore. French edition of 1861. "E in su la punta della rotta lacca/L Nebuchadnezzar Recovering His Reason Inferno, Canto 12: The Minotaur on the shattered cliff, illustration from The Divine Comedy by Dante Alighieri, 1885 The Cyclops Polyphemus Surprising Galatea and Acis (engraving) Inferno, Canto 18: Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885 That is the ancient soul of wretched Myrrha Cursed Wolf! Thy Fury Inward on Thyself Prey, and Consume Thee! Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from The Divine Comedy, Inferno, Canto 30: Myrrha, Condemned for Incest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Virgil and Dante, Illustration from The Divine Comedy, Inferno, Canto 7: Virgil rebukes Plutus at the entrance to the fourth circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883) Inferno, Canto 6: Virgil feeds Cerberus in the third circle, illustration from The Divine Comedy by Dante Alighieri, 1885 The Divine Comedy (La Divina Commedia, La Divine Comédie), Inferno, Canto 12: The Minotaur on the shattered cliff - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883) Inferno, Canto 32: Ugolino (Ugolino della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 11: The burning tomb of Pope Anastasius II (Anastase II), illustration from The Divine Comedy by Dante Alighieri, 1885 Myrrha, illustration from By the hair it bore the severed member, lantern-wise pendant in hand, c. 1890 Purgatorio, Canto 11: The souls of the prideful, bearing heavy stones, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 1: The Panther at the Beginning of the Ascent, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 29: Virgil reproves Dante Dante and Virgil meet the giant Anteas (Illustration for the Divine Comedy by Dante Alighieri by Gustave Doré)
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Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration from Edgar Allan Poe The Valley of Tears, 1883 The Oceanids The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Divine Comedy, Inferno, Canto 34: The poets emerge from hell - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883)
Show more works by Gustave Dore

More art prints by Gustave Dore

Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration from Edgar Allan Poe The Valley of Tears, 1883 The Oceanids The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Divine Comedy, Inferno, Canto 34: The poets emerge from hell - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883)
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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