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Paradiso, Canto XXI, Verses 1-3 by Gustave Dore

Paradiso, Canto XXI, Verses 1-3

(Gustave Doré - Paradiso, c. XXI, v. 1-3)


Gustave Dore

€ 109.15
Enthält 0% MwSt.
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19  ·  Image ID: 1556355

Romanticism

Paradiso, Canto XXI, Verses 1-3 by Gustave Dore. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 109.15
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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The Divine Comedy, Paradiso, Canto 8: Charles Martel addresses Dante and Beatrice - Illustration by Gustave Dore The Divine Comedy, Paradiso, Canto 26: St. John examines Dante concerning love - by Dante Alighieri - Illustration by Gustave Doré Touch Me Not; Noli Me Tangere Paradiso, Canto 26: St John Examines Dante Concerning Love, Illustration from The Divine Comedy by Dante Alighieri Beatrice moves away from Dante, and at his side appears St. Bernard. Illustration of Canto XXXI in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence The Divine Comedy, Purgatorio, Canto 16: Dante Speaks to the Soul of Marco Lombardo - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) I, Who Now Bid Thee on This Errand Forth, Am Beatrice Ecstasy of Teresa Annunciation Raising of Lazarus Saint Margarita of Cortona, kneeling before Christ, after Pietro Andrea Pucciardi Dante Covers His Face, Overcome by Beatrice Dante and Beatrice meet St. Peter. Illustration of Canto XXIV in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence Dante and Beatrice in front of the bright spirits of the apostles Peter, James and John. Peter has his arm raised in a sign of wrath. Illustration of Canto XXVII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza The Temptation of Christ (Illustration by Gustave Dore for the Bible) Annunciation Beatrice Pointing Upward with Her Forefinger Leads Dante Through the Firmament of Paradiso (Illustration of Canto I of Paradiso of The Divine Comedy by Dante Alighieri) St. Bernard, smiling, motions Dante to look on high; the poet is kneeling, with open arms, next to the saint; blessed spirits surround them. Illustration of Canto XXXIII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza de Inferno, Canto 5: Francesca Da Rimini describes her death (illustration from The Divine Comedy) Plate 6: Saint Joseph Elijah Nourished by an Angel. After a Work from The Bible by Gustave Dore. From Life and Reminiscences of Gustave Dore, Published 1885. The Divine Comedy, Inferno, Canto 5: The Soul of Francesca Speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) St. Francis of Paola in Ecstasy There stood I like the friar, that doth shrive a wretch for murder doom The Annunciation I Through Compassion Fainting, Seemed Not Far from Death The Annunciation, Plate One from The Birth and Early Life of Christ Dante, urged by Beatrice, speaks with a pious spirit. Illustration of Canto V in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence The Annunciation
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The Divine Comedy, Paradiso, Canto 8: Charles Martel addresses Dante and Beatrice - Illustration by Gustave Dore The Divine Comedy, Paradiso, Canto 26: St. John examines Dante concerning love - by Dante Alighieri - Illustration by Gustave Doré Touch Me Not; Noli Me Tangere Paradiso, Canto 26: St John Examines Dante Concerning Love, Illustration from The Divine Comedy by Dante Alighieri Beatrice moves away from Dante, and at his side appears St. Bernard. Illustration of Canto XXXI in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence The Divine Comedy, Purgatorio, Canto 16: Dante Speaks to the Soul of Marco Lombardo - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) I, Who Now Bid Thee on This Errand Forth, Am Beatrice Ecstasy of Teresa Annunciation Raising of Lazarus Saint Margarita of Cortona, kneeling before Christ, after Pietro Andrea Pucciardi Dante Covers His Face, Overcome by Beatrice Dante and Beatrice meet St. Peter. Illustration of Canto XXIV in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence Dante and Beatrice in front of the bright spirits of the apostles Peter, James and John. Peter has his arm raised in a sign of wrath. Illustration of Canto XXVII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza The Temptation of Christ (Illustration by Gustave Dore for the Bible) Annunciation Beatrice Pointing Upward with Her Forefinger Leads Dante Through the Firmament of Paradiso (Illustration of Canto I of Paradiso of The Divine Comedy by Dante Alighieri) St. Bernard, smiling, motions Dante to look on high; the poet is kneeling, with open arms, next to the saint; blessed spirits surround them. Illustration of Canto XXXIII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza de Inferno, Canto 5: Francesca Da Rimini describes her death (illustration from The Divine Comedy) Plate 6: Saint Joseph Elijah Nourished by an Angel. After a Work from The Bible by Gustave Dore. From Life and Reminiscences of Gustave Dore, Published 1885. The Divine Comedy, Inferno, Canto 5: The Soul of Francesca Speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) St. Francis of Paola in Ecstasy There stood I like the friar, that doth shrive a wretch for murder doom The Annunciation I Through Compassion Fainting, Seemed Not Far from Death The Annunciation, Plate One from The Birth and Early Life of Christ Dante, urged by Beatrice, speaks with a pious spirit. Illustration of Canto V in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence The Annunciation
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Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration from Edgar Allan Poe The Valley of Tears, 1883 The Oceanids The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Fall of the Rebel Angels, from Book I of “Paradise Lost” by John Milton (1608-74), c. 1868
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More art prints by Gustave Dore

Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration from Edgar Allan Poe The Valley of Tears, 1883 The Oceanids The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Fall of the Rebel Angels, from Book I of “Paradise Lost” by John Milton (1608-74), c. 1868
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The Harbour at Sunset, Opus 236 (Saint-Tropez), 1892 Wanderer above the Sea of Fog, c. 1817 Self-portrait at a young age Kneeling Woman in an Orange-Red Dress The Munnekeholm with the Aduardergasthuis in the foreground and the West-Indisch Huis in the background Elizabeth of Bavaria (1837-98), Empress of Austria, wife of Emperor Franz Joseph of Austria (1830-1916) Thalia, the Muse of Comedy, 1897 Christ in the Wilderness Le Port au soleil couchant, Opus 236 The School Examination Rosa banksiae (Banks The Holy Trinity, 1420s The Jumantsubo Plain in Susaki near Fukagawa, 1857 Will He Come Back?, c.1918 The Sailing Boat, Evening Effect, 1885
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+43 4257 29415
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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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+43 4257 29415 · support@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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