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Coatlicue, Mother of the Gods by Aztec

Coatlicue, Mother of the Gods

(Coatlicue, Mother of the Gods )


Aztec

€ 138.24
Enthält 0% MwSt.
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Undated  ·  stone  ·  Image ID: 298031

Cultural Circles

Coatlicue, Mother of the Gods by Aztec. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
goddess · aztec · deity · carved · carving · mexican · necklace of hands · pre columbian · pre-columbian · mesoamerica · mesoamerican · earth mother · serpent head · central american · Private Collection / Bridgeman Images
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 138.24
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Coatlicue, Late Post Classic Period (1300-1521) Votive Palm from El Paraiso, Late Classic Period, Mexico Coatlicue, Late Post Classic Period (1300-1521) Stela depicting a ball player, from Guatemala, Classic Period Pre-Columbian art, Mixtec civilization: sculpted pectoral representing a richly dressed figure - from Oaxaca, Mexico. National Museum of Anthropology, Mexico City, Mexico Funerary Urn from Tapijulapa, Tabasco Life-Death Figure, from Veracruz, Mexico Stela from Calakmul, Yucatan Peninsula, Mexico, Late Classic Period Tikal Stela 2, Early Classic Period Great Temple of the Aztecs, Coyolxauqui Incense Burner in the Form of the God Nappatecuhtli, Tlahuac, Late Postclassic Period, c.1500 Hieroglyphs on Stela D at Quirigua, Izabal, Guatemala, Late Classic Period, c.600-900 AD Panel fragment with ruler, Late Classic period, 600-900 AD The Queen of Uxmal, temple carving Stele, from the Great Court of the Stelae Yaxchilan Lintel 25, Late Classic Period The Birth of Topiltzin Stele II, Rectangular with Relief Depicting a Figure Standing on a Platform, Pre-Classical Period Stele in the House A, Patio 2 in the Palace Statuette Placed in Dedication Down the Hieroglyphic Stairway, Copan, Late Classic Period (600-900) Funerary Urn from Tapijulapa, Tabasco Censer support from Mexico, mid 7th-9th century Lid of an Incense Brazier Back of Stela B, Copan, Late Classic Period, 731 AD Funerary Urn from Teapa, Tabasco Recumbent sun god with a sun calendar disk in hair The fire serpent Xiucoatl, weapon of the god-sun Huitzilopochtli, 2010 Guardian Figure from an Epic Drama. Volcanic stone. Indonesia (East Java). 1400-1500. Majapahit period. United Kingdom Greatest Aztecs, Tlaltechutli Stone moved to museum, Templo Mayor, Mexico City, Mexico, 2010
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Similar artworks selected for you

Coatlicue, Late Post Classic Period (1300-1521) Votive Palm from El Paraiso, Late Classic Period, Mexico Coatlicue, Late Post Classic Period (1300-1521) Stela depicting a ball player, from Guatemala, Classic Period Pre-Columbian art, Mixtec civilization: sculpted pectoral representing a richly dressed figure - from Oaxaca, Mexico. National Museum of Anthropology, Mexico City, Mexico Funerary Urn from Tapijulapa, Tabasco Life-Death Figure, from Veracruz, Mexico Stela from Calakmul, Yucatan Peninsula, Mexico, Late Classic Period Tikal Stela 2, Early Classic Period Great Temple of the Aztecs, Coyolxauqui Incense Burner in the Form of the God Nappatecuhtli, Tlahuac, Late Postclassic Period, c.1500 Hieroglyphs on Stela D at Quirigua, Izabal, Guatemala, Late Classic Period, c.600-900 AD Panel fragment with ruler, Late Classic period, 600-900 AD The Queen of Uxmal, temple carving Stele, from the Great Court of the Stelae Yaxchilan Lintel 25, Late Classic Period The Birth of Topiltzin Stele II, Rectangular with Relief Depicting a Figure Standing on a Platform, Pre-Classical Period Stele in the House A, Patio 2 in the Palace Statuette Placed in Dedication Down the Hieroglyphic Stairway, Copan, Late Classic Period (600-900) Funerary Urn from Tapijulapa, Tabasco Censer support from Mexico, mid 7th-9th century Lid of an Incense Brazier Back of Stela B, Copan, Late Classic Period, 731 AD Funerary Urn from Teapa, Tabasco Recumbent sun god with a sun calendar disk in hair The fire serpent Xiucoatl, weapon of the god-sun Huitzilopochtli, 2010 Guardian Figure from an Epic Drama. Volcanic stone. Indonesia (East Java). 1400-1500. Majapahit period. United Kingdom Greatest Aztecs, Tlaltechutli Stone moved to museum, Templo Mayor, Mexico City, Mexico, 2010
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Gambling Patoli and the god Xochipilli, from Codex Magliabechiano Representation of Aztec deities and boxes corresponding to the calendar. Page of the Aztec manuscript on bark "Codex Borbonicus", pre-Columbian Indigenous codex of central Mexico, late 15th century. Library of the National Assembly (Palais Bourbon). Representation of Aztec deities and boxes corresponding to the calendar. Page of the Aztec manuscript on bark "Codex Borbonicus", pre-Columbian Indigenous codex of central Mexico, late 15th century. Library of the National Assembly (Palais Bourbon). Representation of Aztec deities and boxes corresponding to the calendar. Page of the Aztec manuscript on bark "Codex Borbonicus", pre-Columbian Indigenous codex of central Mexico, late 15th century. Library of the National Assembly (Palais Bourbon). Representation of Aztec deities and boxes corresponding to the calendar. Page of the Aztec manuscript on bark “Codex Borbonicus”, pre-Columbian indigenous codex of central Mexico, late 15th century. Library of the National Assembly (Palais Bourbon). Depiction of Aztec deities and boxes corresponding to the calendar. Page from the Aztec manuscript on bark, the "Codex Borbonicus", a pre-Columbian Indigenous codex from central Mexico, late 15th century. Library of the National Assembly (Palais Bourbon). Representation of Aztec deities and boxes corresponding to the calendar. Page from the Aztec manuscript on bark Representation of Aztec deities and boxes corresponding to the calendar. Page of the Aztec manuscript on bark "Codex Borbonicus", pre-Columbian Indigenous codex of central Mexico, late 15th century. Library of the National Assembly (Palais Bourbon). Ritual Impersonator of the Deity Xipe Totec, possibly Central Veracruz, 1450/1500 North Patio of Temple A, Templo Mayor, Late Post Classic period Eagle warrior from the House of the Eagles B.R. 232 fol. 70r A human sacrifice from the Codex Magliabechiano Coatlicue, Late Post Classic Period (1300-1521) The Great Calendar Stone, Late Post Classic Period Aztec Glyph Showing the Number 4, Late Post Classic Period
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More art prints by Aztec

Gambling Patoli and the god Xochipilli, from Codex Magliabechiano Representation of Aztec deities and boxes corresponding to the calendar. Page of the Aztec manuscript on bark "Codex Borbonicus", pre-Columbian Indigenous codex of central Mexico, late 15th century. Library of the National Assembly (Palais Bourbon). Representation of Aztec deities and boxes corresponding to the calendar. Page of the Aztec manuscript on bark "Codex Borbonicus", pre-Columbian Indigenous codex of central Mexico, late 15th century. Library of the National Assembly (Palais Bourbon). Representation of Aztec deities and boxes corresponding to the calendar. Page of the Aztec manuscript on bark "Codex Borbonicus", pre-Columbian Indigenous codex of central Mexico, late 15th century. Library of the National Assembly (Palais Bourbon). Representation of Aztec deities and boxes corresponding to the calendar. Page of the Aztec manuscript on bark “Codex Borbonicus”, pre-Columbian indigenous codex of central Mexico, late 15th century. Library of the National Assembly (Palais Bourbon). Depiction of Aztec deities and boxes corresponding to the calendar. Page from the Aztec manuscript on bark, the "Codex Borbonicus", a pre-Columbian Indigenous codex from central Mexico, late 15th century. Library of the National Assembly (Palais Bourbon). Representation of Aztec deities and boxes corresponding to the calendar. Page from the Aztec manuscript on bark Representation of Aztec deities and boxes corresponding to the calendar. Page of the Aztec manuscript on bark "Codex Borbonicus", pre-Columbian Indigenous codex of central Mexico, late 15th century. Library of the National Assembly (Palais Bourbon). Ritual Impersonator of the Deity Xipe Totec, possibly Central Veracruz, 1450/1500 North Patio of Temple A, Templo Mayor, Late Post Classic period Eagle warrior from the House of the Eagles B.R. 232 fol. 70r A human sacrifice from the Codex Magliabechiano Coatlicue, Late Post Classic Period (1300-1521) The Great Calendar Stone, Late Post Classic Period Aztec Glyph Showing the Number 4, Late Post Classic Period
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A selection of our top sellers

Hammamet, 1914 Poster for the Vienna Secession Exhibition, 1902 Iseh in Morning Light Red Snapper and Halfbeak, 1830-1844 Girl with a Pearl Earring Tetrahedra, c.1910 Striped Jug with Spring Flowers, 1992 The sleeping Jesus, or Madonna holding the sleeping Child, accompanied by three angels, 1532 Irises The Wild Hunt of Odin, 1872 The Taking of Christ The Jumantsubo Plain in Susaki near Fukagawa, 1857 Tiger, 1912 Evening with Clouds Tree of Life (Stoclet Frieze)
Show more artworks

A selection of our top sellers

Hammamet, 1914 Poster for the Vienna Secession Exhibition, 1902 Iseh in Morning Light Red Snapper and Halfbeak, 1830-1844 Girl with a Pearl Earring Tetrahedra, c.1910 Striped Jug with Spring Flowers, 1992 The sleeping Jesus, or Madonna holding the sleeping Child, accompanied by three angels, 1532 Irises The Wild Hunt of Odin, 1872 The Taking of Christ The Jumantsubo Plain in Susaki near Fukagawa, 1857 Tiger, 1912 Evening with Clouds Tree of Life (Stoclet Frieze)
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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