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Feel the passion of William Heath Robinson in our art prints.

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William Heath Robinson
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William Heath Robinson

William Heath Robinson

    May 31, 1872   -   September 13, 1944
Caricatures, Comics   •   Wikipedia: William Heath Robinson

William Heath Robinson was an English artist, illustrator and cartoonist. He was one of six children of Eliza and Thomas Robinson. His father was an illustrator and earned his income primarily from his created illustrations for the Penny Illustrated Paper. So it's no wonder that William Heath Robinson also became an illustrator. He studied at the Islington School of Art. After leaving school, he tried unsuccessfully to earn a living by painting landscapes. His first book illustrations were published in Don Quixote, Danish Fairy Tales and The Giant Crab and Other Tales from India. However, it was not until the publication of Uncle Lubin that he was able to improve his financial situation. William Heath Robinson worked in black and white for his first book illustrations. Well-known illustrated gift books by William Heath Robinson include Twelfth Night, A Song of the English, Bill the Minder, Fairy Tales, Old Time Stories, Midsummer Night's Dream, and The Tempest. In addition, he not only illustrated books, but also wrote them himself, such as "The Adventures of Uncle Lubin" and "Bill the Minder". The stories are charming, funny, simple, funny and absurd at the same time.

William Heath Robinson used both color plates and illustrations in black and white. The Hans Andersen was a success, which stood out with black and white illustrations and well-printed plates, as they were designed either with decorative charm and cheerfulness or absurdly humorous. Besides his books, William Heath Robinson started drawing cartoons and depicting them in a funny way. The first drawings first appeared in magazines, such as "London Magazine", "Pall Mall Magazine", "Bystander" and "Sketch". The artistic drawings of William Heath Robinson were illustrated in many different advertising brochures. He had a fascinating connection with industry and commerce, as he created different works for companies. The success of his cartoons was due to the style of the drawings, which he created in an absurd way. William Heath Robinson believed in his artistic abilities and considered them as a kind of joke. He also made many appearances on television and radio, designed sets for the theater and painted murals. The art in his paintings was the mixing of the serious with the comic, which he conveyed through his illustrations, cartoons and drawings. However, he became known especially as a creator of strange mechanical devices and machines. His name was used as a synonym for such devices. In his first drawings, he set out to ridicule the self-importance and fussiness of experts. William Heath Robinson found that the complicated machines stood as a metaphor for bureaucracy and various processes. Most of William Heath Robinson's humorous work focuses on the human condition, the weakness and self-importance of man than on the devices and apparatuses themselves.

William Heath Robinson

    May 31, 1872   -   September 13, 1944
Caricatures, Comics   •   Wikipedia: William Heath Robinson William Heath Robinson

William Heath Robinson was an English artist, illustrator and cartoonist. He was one of six children of Eliza and Thomas Robinson. His father was an illustrator and earned his income primarily from his created illustrations for the Penny Illustrated Paper. So it's no wonder that William Heath Robinson also became an illustrator. He studied at the Islington School of Art. After leaving school, he tried unsuccessfully to earn a living by painting landscapes. His first book illustrations were published in Don Quixote, Danish Fairy Tales and The Giant Crab and Other Tales from India. However, it was not until the publication of Uncle Lubin that he was able to improve his financial situation. William Heath Robinson worked in black and white for his first book illustrations. Well-known illustrated gift books by William Heath Robinson include Twelfth Night, A Song of the English, Bill the Minder, Fairy Tales, Old Time Stories, Midsummer Night's Dream, and The Tempest. In addition, he not only illustrated books, but also wrote them himself, such as "The Adventures of Uncle Lubin" and "Bill the Minder". The stories are charming, funny, simple, funny and absurd at the same time.

William Heath Robinson used both color plates and illustrations in black and white. The Hans Andersen was a success, which stood out with black and white illustrations and well-printed plates, as they were designed either with decorative charm and cheerfulness or absurdly humorous. Besides his books, William Heath Robinson started drawing cartoons and depicting them in a funny way. The first drawings first appeared in magazines, such as "London Magazine", "Pall Mall Magazine", "Bystander" and "Sketch". The artistic drawings of William Heath Robinson were illustrated in many different advertising brochures. He had a fascinating connection with industry and commerce, as he created different works for companies. The success of his cartoons was due to the style of the drawings, which he created in an absurd way. William Heath Robinson believed in his artistic abilities and considered them as a kind of joke. He also made many appearances on television and radio, designed sets for the theater and painted murals. The art in his paintings was the mixing of the serious with the comic, which he conveyed through his illustrations, cartoons and drawings. However, he became known especially as a creator of strange mechanical devices and machines. His name was used as a synonym for such devices. In his first drawings, he set out to ridicule the self-importance and fussiness of experts. William Heath Robinson found that the complicated machines stood as a metaphor for bureaucracy and various processes. Most of William Heath Robinson's humorous work focuses on the human condition, the weakness and self-importance of man than on the devices and apparatuses themselves.

Artworks by William Heath Robinson

Artworks by William Heath Robinson

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William Heath Robinson
 
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William Heath Robinson
How Noah, by skilful management,...
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William Heath Robinson
Swimming the channel, some simpl...
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William Heath Robinson
 
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William Heath Robinson
Romantic Possibilities in Modern...
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William Heath Robinson
Nothing new under the sun (litho)
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William Heath Robinson
An interesting and elegant appar...
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William Heath Robinson
Overcoming the difficulties of s...
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William Heath Robinson
An elf depicted on the introduct...
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William Heath Robinson
A Song of the English title page...
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William Heath Robinson
Agamemnon heard the sound of pip...
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William Heath Robinson
The Baby Grand in a Bungalow (li...
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William Heath Robinson
Trapping the clothes moth in the...
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William Heath Robinson
Flat life, the spare bedroom litho
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William Heath Robinson
The wart chair, a simple device ...
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William Heath Robinson
Was foretold by an old Lourpidon...
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William Heath Robinson
Puck: She never had so sweet a c...
1914 | colour lithograph

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William Heath Robinson
The Wimbledon Serving Tube, For ...
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William Heath Robinson
The "Modesty" seaside bungalow (...
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William Heath Robinson
The mind of woman works in myste...
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William Heath Robinson
'The Latest Method of Arousing S...
Undated | pen and ink and monochrome watercolour on paper

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William Heath Robinson
A Fairy Eating an Apple, illustr...
1914 | pen and ink on paper

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William Heath Robinson
For singeing the hair at the bac...
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William Heath Robinson
Little Red Riding Hood Went to t...
1921 | pen and ink on paper

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William Heath Robinson
Illustration for Don Quixote (li...
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William Heath Robinson
O the terrible Coyl that they ke...
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William Heath Robinson
Baby's new safety swing, for fla...
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William Heath Robinson
The Multi-movement Tabby Silence...
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William Heath Robinson
An Abandoned Young Pilot Appropr...
1919 |

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William Heath Robinson
Flat life, some ingenious device...
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William Heath Robinson
Many are at this day Dukes on th...
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William Heath Robinson
The Nest, from Princess Marie-Jo...
1916 | colour lithograph

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William Heath Robinson
The Peasants Wife Sat on Sundays...
1930 |

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William Heath Robinson
For Silent Practice in a Communa...
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William Heath Robinson
The Spare Bedroom (litho)
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William Heath Robinson
The Elfin-Kings Housekeeper, c1930
1930 |

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William Heath Robinson
She Wore a Large Hat, With Most ...
1930 |

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William Heath Robinson
Eurhythmics, An Exercise in Pois...
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William Heath Robinson
The all-steel piano (litho)
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William Heath Robinson
Illustration for Don Quixote (li...
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
The last straw that didn't break...
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William Heath Robinson
Will You Tell Us A Story Asked t...
1930 |

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William Heath Robinson
She Put The Statue Back In Her G...
1930 |

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William Heath Robinson
Cautious youth sounding lady fri...
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William Heath Robinson
How to Choose a Name for the Bab...
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William Heath Robinson
Her brother was in pious convers...
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William Heath Robinson
Buying a new wife in the Stone A...
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William Heath Robinson
The Peas Were Presented In The C...
1930 |

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William Heath Robinson
Bombay, Royal and Dower Royal I ...
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William Heath Robinson
The Ghost and the Mince Pie, 194...
1941 | pen and ink and watercolour on paper

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William Heath Robinson
Illustration for Don Quixote (li...
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William Heath Robinson
Design for a Landscape Garden (l...
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William Heath Robinson
They, to the suits already begot...
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William Heath Robinson
Came the whisper, came the vision
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William Heath Robinson
Modern furniture lends itself ad...
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William Heath Robinson
Laughing Gas Attack, from "Some ...
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William Heath Robinson
How to Rise with the Sun, illust...
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William Heath Robinson
A Leak in the Channel Tunnel, il...
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William Heath Robinson
A useful hobby, breeding plaice ...
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William Heath Robinson
How to avoid tears when peeling ...
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William Heath Robinson
For shuffling dominoes (litho)
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William Heath Robinson
The boat sunk, leaving me upon t...
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William Heath Robinson
Mars Wounded by Diomed returning...
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William Heath Robinson
Waiting for the plumber to deal ...
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William Heath Robinson
An intelligent method of overcom...
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William Heath Robinson
Burn'd with a lingring fire (litho)
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William Heath Robinson
Toys for Christmas, c.1900
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William Heath Robinson
She Sat The Livelong Day Upon th...
1930 |

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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
Equitable distribution (litho)
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William Heath Robinson
How to Prevent the Alarum from D...
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William Heath Robinson
Windows to fit all figures (litho)
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William Heath Robinson
Stories from Chaucer (colour litho)
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William Heath Robinson
And He Wept Like A Child, c1930
1930 |

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William Heath Robinson
An Amusing Method of Explaining ...
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William Heath Robinson
The Harmonic Dresser For Relievi...
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William Heath Robinson
That Was The Greatest of Pleasur...
1930 |

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William Heath Robinson
Flat life, how the tenant of the...
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William Heath Robinson
Arrival of the judge, juries, co...
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William Heath Robinson
Multi tennis, for introducing mo...
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William Heath Robinson
My arm is nothing weak, my stren...
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William Heath Robinson
I arose, and followed her (engra...
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
Removing Worn-Out Teeth from a R...
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William Heath Robinson
Stories from Chaucer (colour litho)
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William Heath Robinson
Your salarie is at the gibet-foo...
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William Heath Robinson
View of the War from Switzerland...
1915 | lithograph

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William Heath Robinson
A Small Garden Party (litho)
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William Heath Robinson
Not a Boat Was To Be Seen, c1930
1930 |

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William Heath Robinson
The Water Coupe, an elegant litt...
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William Heath Robinson
God knows how he got to L'Isle B...
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William Heath Robinson
New and ingenious methods of adv...
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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+43 4257 29415 · office@meisterdrucke.com
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