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Feel the passion of William Hatherell in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
William Hatherell
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

William Hatherell

    1855   -   1928
Illustration

The illustrations in books and stories are the pictorial representation of the writer's imagination. They accompany the reader into a world of fantasy or underline the events of the world in their expressiveness. As early as the 18th century, the desire of bourgeois society arose to add illustrations to the world of books and magazines. This desire marked the beginning of the cultural-historical development of literary illustration. A form of art that became commonplace. An art form that was considered more of a craft than an art until the Arts and Craft movement in the mid-19th century. The Arts and Craft movement sought the natural beauty of things and the aesthetics of craft in an age of advancing industrialization. The painters William Morris and John Ruskin began to create a connection between art, society and production. The book moved to center stage and the era of artfully illustrated publishing editions began.

At the birth of William Hatherell, the English kingdom was led by Victoria. A regent who stood one for progress and made England the center of industrialization. In the arts, an antithesis was awakening. A longing for magical creatures and fantastic worlds developed, which could be realized in the legendary stories of King Arthur and in Shakespeare's novel heroes. The artist Hatherell lost himself in this magic. Often his models had to pose for hours in his courtyard until he captured the message of his work. Regardless of whether Juliet was waiting on the balcony or current events were to be clarified by an illustration. Hatherell did not allow himself to drift and consistently followed through on his aspirations for art. Contrary to the opinions of his contemporaries and those of his patrons, the artist did not place productivity and profit above aesthetics.

The spirit of the age and the state of technology stripped Hatherell's works of much of their original quality. The paper, the ink, and ultimately the print quality turned great art into an inferior consumer product. To the reading public, the subtle shading and expressive gestures of the figures in William's works remained hidden. Malicious tongues were of the opinion that bourgeois society would not recognize quality anyway. Crude illustrations, far from Hatherell's artistic sensibility, were quite sufficient for the consuming middle classes. Hatherell accepted the discrepancy between his work and the printed result. The artist continued his work undeterred, knowing that his viewers would never be able to see the real art that was in his work. Modern technology gives William's illustrations a new glow and allows him to receive the artistic honor that was once denied him. Perhaps Hatherell once thought, on a long afternoon in his yard, that no one would ever know the difference. Just a few generations later, however, the time has come and the beauty of the original paintings is authentically replicated.

William Hatherell

    1855   -   1928
Illustration

The illustrations in books and stories are the pictorial representation of the writer's imagination. They accompany the reader into a world of fantasy or underline the events of the world in their expressiveness. As early as the 18th century, the desire of bourgeois society arose to add illustrations to the world of books and magazines. This desire marked the beginning of the cultural-historical development of literary illustration. A form of art that became commonplace. An art form that was considered more of a craft than an art until the Arts and Craft movement in the mid-19th century. The Arts and Craft movement sought the natural beauty of things and the aesthetics of craft in an age of advancing industrialization. The painters William Morris and John Ruskin began to create a connection between art, society and production. The book moved to center stage and the era of artfully illustrated publishing editions began.

At the birth of William Hatherell, the English kingdom was led by Victoria. A regent who stood one for progress and made England the center of industrialization. In the arts, an antithesis was awakening. A longing for magical creatures and fantastic worlds developed, which could be realized in the legendary stories of King Arthur and in Shakespeare's novel heroes. The artist Hatherell lost himself in this magic. Often his models had to pose for hours in his courtyard until he captured the message of his work. Regardless of whether Juliet was waiting on the balcony or current events were to be clarified by an illustration. Hatherell did not allow himself to drift and consistently followed through on his aspirations for art. Contrary to the opinions of his contemporaries and those of his patrons, the artist did not place productivity and profit above aesthetics.

The spirit of the age and the state of technology stripped Hatherell's works of much of their original quality. The paper, the ink, and ultimately the print quality turned great art into an inferior consumer product. To the reading public, the subtle shading and expressive gestures of the figures in William's works remained hidden. Malicious tongues were of the opinion that bourgeois society would not recognize quality anyway. Crude illustrations, far from Hatherell's artistic sensibility, were quite sufficient for the consuming middle classes. Hatherell accepted the discrepancy between his work and the printed result. The artist continued his work undeterred, knowing that his viewers would never be able to see the real art that was in his work. Modern technology gives William's illustrations a new glow and allows him to receive the artistic honor that was once denied him. Perhaps Hatherell once thought, on a long afternoon in his yard, that no one would ever know the difference. Just a few generations later, however, the time has come and the beauty of the original paintings is authentically replicated.

Artworks by William Hatherell

Artworks by William Hatherell

312 artworks found
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312 artworks found

William Hatherell
The Passing of Arthur, illustrat...
Undated | colour lithograph

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William Hatherell
Chums, English and French Sailor...
Undated | engraving

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William Hatherell
Romeo in Friar Laurence"s Cell, ...
Undated | watercolour over pencil on board

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William Hatherell
Swallow, A Tale of the Great Trek
Undated | lithograph

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William Hatherell
Arthur as babe being handed to M...
Undated | colour lithograph

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William Hatherell
Sleepers, Wake!, an Early Mornin...
Undated | lithograph

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William Hatherell
Summer on the Thames, Five O'Clo...
Undated | lithograph

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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
The Battle of Omdurman, the Rush...
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William Hatherell
The Diamond Jubilee Procession, ...
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William Hatherell
At Drury Lane Pantomime, a Visio...
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William Hatherell
Paul and Silas in prison, from T...
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William Hatherell
The Opening of Parliament, the K...
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William Hatherell
Celebrating the Entry into Bloem...
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William Hatherell
The Queen's Visit to London, Her...
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William Hatherell
Abraham offering Isaac, from The...
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William Hatherell
Saul and David, from The Bible S...
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William Hatherell
Queen Victoria's Funeral, Royal ...
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William Hatherell
The little maid servant of Naama...
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William Hatherell
The Herald of the Dawn, the Firs...
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William Hatherell
The Plague at Bombay, Fishermen ...
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William Hatherell
The Queen's Garden Party at Buck...
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William Hatherell
Caught Flirting, a Tale of the T...
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William Hatherell
The trial cruise of th RMS Tanta...
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William Hatherell
The Queen in Dublin, the Lord Ma...
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William Hatherell
The Evacuation of Crete, British...
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William Hatherell
The Visit of the Prince of Wales...
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William Hatherell
In Memory of Gordon, the Service...
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William Hatherell
Wolfenberg
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William Hatherell
Looking at the Wreaths in the Cl...
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William Hatherell
King Arthur is proffered sword E...
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William Hatherell
The Assault on the Dargai Hill o...
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William Hatherell
The English in Egypt, taking Tic...
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William Hatherell
The Return of Queen Guenevere an...
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William Hatherell
The Queen's Garden Party at Buck...
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William Hatherell
Queen Wilhelmina's Accession, th...
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William Hatherell
With the Channel Squadron, Torpe...
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William Hatherell
The Rescue of Queen Guenevere by...
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William Hatherell
A Reception by the Sultan at Yil...
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William Hatherell
The Investiture on Board the Vic...
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William Hatherell
The Royal Visit to Ireland, the ...
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William Hatherell
The Funeral of Sir John Everett ...
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William Hatherell
'Mafeking: The Wolf That Never S...
1901 |

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William Hatherell
The greatest Englishman (William...
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William Hatherell
The Royal Tour, the Banquet on B...
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William Hatherell
Farewell to Crete, Greek Volunte...
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William Hatherell
Peace is Proclaimed: The scene o...
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William Hatherell
The Handy Man Afloat and Ashore,...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
Then came Jesus and stood in the...
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William Hatherell
'The heroine of Fifty Years Ago:...
1904 | lithograph

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William Hatherell
Armenia after the Massacres, the...
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William Hatherell
The Blessing at the Conclusion o...
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William Hatherell
The Queen and The Women's Tribute
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William Hatherell
Her Majesty embarking at Holyhea...
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William Hatherell
The Thanksgiving for Peace, the ...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
The Queen and the Imperial Yeoma...
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William Hatherell
Lady Salisbury's Reception at th...
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William Hatherell
On the Braemar Castle, a Highlan...
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William Hatherell
The Russian Royal Family at Zars...
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William Hatherell
The Royal Luncheon in the Guildh...
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William Hatherell
The Boating Season, an Awkward S...
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William Hatherell
The Princess of Wales opening th...
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William Hatherell
The Knighting of Galahad, illust...
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William Hatherell
The Visit of the German Emperor,...
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William Hatherell
The Prince of Wales in Edinburgh...
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William Hatherell
In the Doctor's Absence, a Cripp...
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William Hatherell
Galahad comes to Court, illustra...
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William Hatherell
Sir Walter Scott being introduce...
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William Hatherell
The Queen's Eightieth Birthday, ...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
The Cruise of the King and Queen...
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William Hatherell
The New King of Italy, His Majes...
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William Hatherell
The Reception at the India Offic...
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William Hatherell
John looking upon Jesus as he wa...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
The Queen's Garden Party at Buck...
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William Hatherell
The King's Visit to Germany, His...
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William Hatherell
With the Allies in China, a Depu...
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William Hatherell
The Procession passing the Law C...
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William Hatherell
Shakespeare sees a party of appr...
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William Hatherell
The Queen at Netley, Her Majesty...
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William Hatherell
Shakespeare watches a bear on it...
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William Hatherell
Armenia after the Massacres, sto...
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William Hatherell
At the Children's Charity Fete a...
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William Hatherell
Through the Swamp, the Relief Fo...
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William Hatherell
 
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William Hatherell
A Popular Sport in Berlin, a Dog...
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William Hatherell
Shakespeare listens to the balla...
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William Hatherell
 
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William Hatherell
In Aid of the Soldiers and Sailo...
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William Hatherell
With Admiral Seymour's Relief Co...
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William Hatherell
Crossing the Line, the Duke of C...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
Peter and John healing the lame ...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
The Royal Tour, the Duke of Corn...
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William Hatherell
The Queen's visit to Sheffield, ...
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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