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Feel the passion of William Davis Hassler in our art prints.

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Feel the passion of William Davis Hassler in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
William Davis Hassler
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

William Davis Hassler

In 1910, the world looked different. William Davis Hassler came to New York from a small Pennsylvanian town with his wife and son in 1905 and worked there as a professional photographer from 1909. Joseph P. Day, a land broker who had already sold large parts of Brooklyn and Queens, saw the future in the Bronx. "The man who sold the Bronx" commissioned Hassler to photograph the Bronx, undeveloped lots, but also the Bronx already built on. For New York electric companies, Hassler shot photos of electrical installations, close-ups of electrical parts such as a lamp socket, and images of electricity, for example, beautifully (electrically) lit streets and storefronts. One spectacular photo shows the Manhattan Bridge from above, photographed from Brooklyn Tower, with the old piers on the East River in the background.

But in many of the more than 5,000 photographs preserved at the New-York Historical Society, Hassler's family and his residential neighborhood of Inwood play the starring role. Inwood is the northernmost neighborhood in Manhattan, bounded by the Hudson River to the west and the Harlem River to the north and east. At the time, Inwood still had an almost rural, provincial feel. Hassler photographed parks, school classes, fire engines, old-fashioned steaming and still pulled by horses, the somehow "quintessentially American" police couple of the neighborhood, rows of houses, streets, also the many dirt roads, factories, boathouses on the Harlem River, excursion boats, community festivals. Many photos show his apartment, everyday life indoors and out, family celebrations, the family in the allotment, outings, and in a great many shots also his son, his cats Reddy and Peach: Peach in a basket in the middle of a still life of corn on the cob and tomatoes; William Gray, about eight years old, fast asleep, with teddy bear in his arms; William Gray and the cat Reddy having breakfast at the small children's table. The scenes seem like snapshots - but: each photo was carefully staged. For the children's cat breakfast, a candle burns decoratively next to a package of "Quakers Puffed Rice Cereal", a typical American ready-made morning porridge - the photo was probably a commissioned advertising shot. Capturing the startled, astonished look on the boy's face as the cat stands up to lick milk from the little table - that's just Hassler's great photographic art.

Because: spontaneously shooting photos with a cell phone? That didn't exist in 1915. William Davis Hassler used the Kodak No. 8 Cirkut outfit for professionals, which with a tripod could even shoot panoramic photos at 180 degrees. But the whole camera equipment weighed about 20 kilograms. And in analog photography, there were negatives that had to be developed first. Hassler used glass plates, the most common photographic medium before films made of rollable celluloid could provide good photo quality. The glass plates were coated with a light-sensitive emulsion - a film of black-and-white gelatin - and developed into a negative after the photograph was taken. Exposure times, and thus the pure shot, were much longer than today, which is why the tripod was needed. On the other hand, the glass plate process produces black and white photos with beautiful gray tones and areas of blur while maintaining high detail.

Why do Hassler's photographs touch us? Is it the look back into our past, into a long gone world in New York?

William Davis Hassler

Photography

In 1910, the world looked different. William Davis Hassler came to New York from a small Pennsylvanian town with his wife and son in 1905 and worked there as a professional photographer from 1909. Joseph P. Day, a land broker who had already sold large parts of Brooklyn and Queens, saw the future in the Bronx. "The man who sold the Bronx" commissioned Hassler to photograph the Bronx, undeveloped lots, but also the Bronx already built on. For New York electric companies, Hassler shot photos of electrical installations, close-ups of electrical parts such as a lamp socket, and images of electricity, for example, beautifully (electrically) lit streets and storefronts. One spectacular photo shows the Manhattan Bridge from above, photographed from Brooklyn Tower, with the old piers on the East River in the background.

But in many of the more than 5,000 photographs preserved at the New-York Historical Society, Hassler's family and his residential neighborhood of Inwood play the starring role. Inwood is the northernmost neighborhood in Manhattan, bounded by the Hudson River to the west and the Harlem River to the north and east. At the time, Inwood still had an almost rural, provincial feel. Hassler photographed parks, school classes, fire engines, old-fashioned steaming and still pulled by horses, the somehow "quintessentially American" police couple of the neighborhood, rows of houses, streets, also the many dirt roads, factories, boathouses on the Harlem River, excursion boats, community festivals. Many photos show his apartment, everyday life indoors and out, family celebrations, the family in the allotment, outings, and in a great many shots also his son, his cats Reddy and Peach: Peach in a basket in the middle of a still life of corn on the cob and tomatoes; William Gray, about eight years old, fast asleep, with teddy bear in his arms; William Gray and the cat Reddy having breakfast at the small children's table. The scenes seem like snapshots - but: each photo was carefully staged. For the children's cat breakfast, a candle burns decoratively next to a package of "Quakers Puffed Rice Cereal", a typical American ready-made morning porridge - the photo was probably a commissioned advertising shot. Capturing the startled, astonished look on the boy's face as the cat stands up to lick milk from the little table - that's just Hassler's great photographic art.

Because: spontaneously shooting photos with a cell phone? That didn't exist in 1915. William Davis Hassler used the Kodak No. 8 Cirkut outfit for professionals, which with a tripod could even shoot panoramic photos at 180 degrees. But the whole camera equipment weighed about 20 kilograms. And in analog photography, there were negatives that had to be developed first. Hassler used glass plates, the most common photographic medium before films made of rollable celluloid could provide good photo quality. The glass plates were coated with a light-sensitive emulsion - a film of black-and-white gelatin - and developed into a negative after the photograph was taken. Exposure times, and thus the pure shot, were much longer than today, which is why the tripod was needed. On the other hand, the glass plate process produces black and white photos with beautiful gray tones and areas of blur while maintaining high detail.

Why do Hassler's photographs touch us? Is it the look back into our past, into a long gone world in New York?

Artworks by William Davis Hassler

Artworks by William Davis Hassler

336 artworks found
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336 artworks found

William Davis Hassler
Group portrait of English boxer ...
1911 | black and white photograph

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William Davis Hassler
Sherman Creek power station, W. ...
1916 | black and white photograph

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William Davis Hassler
English boxer William Thomas Wel...
1911 | black and white photograph

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William Davis Hassler
English boxer William Thomas Wel...
1911 | black and white photograph

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William Davis Hassler
Group of little girls posed on a...
1911 | black and white photograph

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William Davis Hassler
Audubon Ballroom, 165th Street a...
1910 | black and white photograph

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William Davis Hassler
Night view of the Fifth Avenue f...
1915 | black and white photograph

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William Davis Hassler
Bease group portrait: men, women...
1910 | black and white photograph

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William Davis Hassler
Four children pose on the porch ...
1910 | black and white photograph

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William Davis Hassler
Unidentified woman in 'modern' s...
1913 | black and white photograph

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William Davis Hassler
Group of children in cart, with ...
1910 | black and white photograph

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William Davis Hassler
Bathers at Brighton Beach, Brook...
1912 | black and white photograph

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William Davis Hassler
Erie Railroad locomotive, side v...
1911 | black and white photograph

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William Davis Hassler
Pair of kewpie dolls, c.1913
1913 | black and white photograph

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William Davis Hassler
Sixth floor workshop, Geyser Ele...
1914 | black and white photograph

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William Davis Hassler
Postal Telegraph sign, 1906 Broa...
1916 | black and white photograph

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William Davis Hassler
William Gray Hassler in straw ha...
1911 | black and white photograph

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William Davis Hassler
1807-1813 Park Avenue, 124-125th...
1915 | black and white photograph

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William Davis Hassler
Night view of the northeast corn...
1915 | black and white photograph

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William Davis Hassler
High-angle shot of children work...
1915 | black and white photograph

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William Davis Hassler
Unidentified informal group port...
1910 | black and white photograph

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William Davis Hassler
Seymour boy posed with tricycle ...
1912 | black and white photograph

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William Davis Hassler
Flowing the tops of wooden caske...
1916 | black and white photograph

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William Davis Hassler
ALC basketball team group portra...
1913 | black and white photograph

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William Davis Hassler
English boxer William Thomas Wel...
1911 | black and white photograph

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William Davis Hassler
Ethel Gray Magaw Hassler taking ...
1913 | black and white photograph

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William Davis Hassler
Illuminated sign for Chalmers Un...
1917 | black and white photograph

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William Davis Hassler
Elmhurst branch of the Queens Bo...
1910 | black and white photograph

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William Davis Hassler
English boxer William Thomas Wel...
1911 | black and white photograph

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William Davis Hassler
Beachgoers and bathers, Deal, Ne...
1916 | black and white photograph

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William Davis Hassler
Men working in the W. 129th Stre...
1911 | black and white photograph

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William Davis Hassler
Barefoot boy, possibly William G...
1910 | black and white photograph

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William Davis Hassler
Graduating class of girls from t...
1912 | black and white photograph

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William Davis Hassler
Jointing the ogee of a wooden ca...
1916 | black and white photograph

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William Davis Hassler
William Gray Hassler seated at a...
1912 | black and white photograph

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William Davis Hassler
High-angle interior view of the ...
1915 | black and white photograph

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William Davis Hassler
View of Hell Gate and the East R...
1914 | black and white photograph

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William Davis Hassler
Children listen to a woman in th...
1910 | black and white photograph

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William Davis Hassler
Horse-drawn hearse belonging to ...
1914 | black and white photograph

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William Davis Hassler
English boxer William Thomas Wel...
1910 | black and white photograph

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William Davis Hassler
The Ideal Theatre on Eighth Aven...
1917 | black and white photograph

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William Davis Hassler
United Electric Light und Power ...
1915 | black and white photograph

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William Davis Hassler
Unidentified sewer workers pose ...
1911 | black and white photograph

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William Davis Hassler
Times Square, from the 16th floo...
1917 | black and white photograph

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William Davis Hassler
Under the elevated railroad trac...
1914 | black and white photograph

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William Davis Hassler
Group portrait of unidentified l...
1910 | black and white photograph

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William Davis Hassler
Unidentified woman demonstrating...
1913 | black and white photograph

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William Davis Hassler
High-angle view of Harlem River ...
1914 | black and white photograph

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William Davis Hassler
William Gray Hassler asleep with...
1913 | black and white photograph

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William Davis Hassler
Evangelistic Society children's ...
1914 | black and white photograph

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William Davis Hassler
Window display of ribbons, Gimbe...
1915 | black and white photograph

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William Davis Hassler
Campus of the City College of Ne...
1914 | black and white photograph

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William Davis Hassler
Two men loading wheat sheaves on...
1913 | black and white photograph

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William Davis Hassler
William Gray Hassler and Reddy t...
1912 | black and white photograph

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William Davis Hassler
K.E. Barry squatter's shack, loc...
1911 | black and white photograph

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William Davis Hassler
Knapp's Picture Framing, Staffor...
1914 | black and white photograph

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William Davis Hassler
William Gray Hassler in straw ha...
1911 | black and white photograph

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William Davis Hassler
Illuminated sign for advertising...
1917 | black and white photograph

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William Davis Hassler
Interior of unidentified police ...
1913 | black and white photograph

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William Davis Hassler
William Gray Hassler posing with...
1912 | black and white photograph

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William Davis Hassler
Little girls at the the Roman Ca...
1914 | black and white photograph

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William Davis Hassler
Children reading in the reading ...
1910 | black and white photograph

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William Davis Hassler
Fitting on the ornament of a woo...
1916 | black and white photograph

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William Davis Hassler
High-angle view of Ebbets Field,...
1914 | black and white photograph

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William Davis Hassler
Interior warehouse on dock, port...
1912 | black and white photograph

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William Davis Hassler
Unidentified woman demonstrating...
1913 | black and white photograph

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William Davis Hassler
The grave of Washington Irving, ...
1914 | black and white photograph

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William Davis Hassler
Illuminated signs in Times Squar...
1917 | black and white photograph

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William Davis Hassler
Two young men on unidentified cl...
1915 | black and white photograph

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William Davis Hassler
Times Square, crowded with cars,...
1917 | black and white photograph

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William Davis Hassler
Unidentified branch of the Queen...
1910 | black and white photograph

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William Davis Hassler
Children seated, listening in th...
1910 | black and white photograph

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William Davis Hassler
Group portrait of unidentified l...
1910 | black and white photograph

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William Davis Hassler
R.M.S. Carpathia loading at Pier...
1912 | black and white photograph

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William Davis Hassler
Canterbury Lunch sign at 202 (or...
1916 | black and white photograph

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William Davis Hassler
Erie Railroad locomotive, head-o...
1911 | black and white photograph

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William Davis Hassler
Washington Bridge, Harlem River,...
1912 | black and white photograph

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William Davis Hassler
Informal group portrait of unide...
1915 | black and white photograph

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William Davis Hassler
Group portrait of children in fr...
1910 | black and white photograph

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William Davis Hassler
William Gray Hassler in straw ha...
1911 | black and white photograph

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William Davis Hassler
Close-up portrait of English box...
1911 | black and white photograph

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William Davis Hassler
Churchill's Cabaret, Broadway at...
1917 | black and white photograph

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William Davis Hassler
Fifth floor workshop, Geyser Ele...
1914 | black and white photograph

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William Davis Hassler
The Henry W. Merriam House, Newt...
1911 | black and white photograph

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William Davis Hassler
Interior of the residence of Mr....
1917 | black and white photograph

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William Davis Hassler
Statue of William Tecumseh Sherm...
1913 | black and white photograph

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William Davis Hassler
Two patients being examined in t...
1914 | black and white photograph

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William Davis Hassler
Tryon Hall, Billings Estate, Inw...
1914 | black and white photograph

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William Davis Hassler
Unidentified girl poses in woods...
1915 | black and white photograph

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William Davis Hassler
Direct load coal elevators, Inte...
1911 | black and white photograph

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William Davis Hassler
The caretaker of Washington Irvi...
1913 | black and white photograph

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William Davis Hassler
The Washington Bridge, High Brid...
1914 | black and white photograph

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William Davis Hassler
Graduating class of girls from t...
1912 | black and white photograph

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William Davis Hassler
High-angle misty night view of l...
1913 | black and white photograph

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William Davis Hassler
Large group of children assemble...
1910 | black and white photograph

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William Davis Hassler
Edging lumber intended for use i...
1916 | black and white photograph

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William Davis Hassler
Quinn family group portrait, c.1...
1911 | black and white photograph

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William Davis Hassler
Worker feeding lumber into a pla...
1916 | black and white photograph

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William Davis Hassler
High-angle view of the intersect...
1916 | black and white photograph

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William Davis Hassler
Coaling steamship with portable ...
1912 | black and white photograph

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Post.at DHL Express Quehenberger Cargoboard


               

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