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Tsukioka Yoshitoshi

Tsukioka Yoshitoshi

   Asian art
62 artworks found



One Hundred Aspects of the Moon #7, Inaba Mountain Moon - The young Toyotomi ...
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Triptych of "Fujiwara No Yasumasa Playing the Flute by Moonlight", 1883
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Evening Glow at Saijozan' from Eight Views from Fine Tales of Warriors (Bidan...
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Lingering Snow at Tsurugaoka' from Eight Views from Fine Tales of Warriors (B...
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Hideyoshi blowing a Conch shell, from '100 Phases of the moon',
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Levé de lune sur le Mont Nanping contemplé par Cao Cao
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Evening Glow at Saijozan' from Eight Views from Fine Tales of Warriors (Bidan...
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Boats Returning to the Ryukyu Islands' from Eight Views from Tales of Fine Wa...
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Murasaki Shikibu at Ishiyamadera Temple, based on the print..., ca. 1892.
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Tsukioka Yoshitoshi

Tsukioka Yoshitoshi

   •   Asian art   •   Wikipedia: Tsukioka Yoshitoshi
62 artworks found

The life and work of Tsukioka Yoshitoshi was deeply marked by a collision of two cultures that could not have been more different. Born into the world of feudal Japan, Yoshitoshi grew up in the civil wars of the crumbling Japanese Shogun Empire. A world shaped by warlords, violence and the code of honour of the samurai, the warrior caste of Japan. The Japanese culture was characterized by a self-chosen isolation from its environment for centuries. In 1853, Western culture broke into this encapsulated world in the form of US-American gunboats, which forced an economic opening. The Western culture of the 19th century came as a shock to the technically and militarily hopelessly defeated Japanese. Yoshitoshi initially showed great interest in Western culture. However, the culture shock ultimately led the artist to return to traditional Japanese art and forms of expression.

Yoshitoshi grew up in the culture of the samurai and became an apprentice at the age of 11 with Utagawa Kunivoshi, a master of traditional Japanese woodblock printmaking. With the economic and technical opening to the West, this Japanese art form came under pressure from the new mass production of images in the form of lithography and photography. Yoshitoshi's woodblock prints were popular in Japan towards the end of the 19th century and he also succeeded in publishing them in newspapers and magazines based on Western models. But his art form slowly disappeared from the cultural context. With the emergence of modern Japan, Yoshitoshi and his art disappeared from public memory and was only rediscovered in the 1970s. Today Yoshitoshi is considered the last representative of Japanese woodblock printmaking.

Yoshitoshi's popularity in Japan during the Meiji period is on the one hand a protest against the tendencies of westernization in Imperial Japan, and on the other hand it is in his repertoire. Especially his early work was characterized by extreme depictions of death and violence. They thus corresponded to the life experience of most Japanese in the civil wars of this epoch. Extensive violence and lawlessness were on the agenda. The clash of civilizations left behind a feeling of uprootedness and chaos. All this can be found in Yoshitoshi's cuts. © Meisterdrucke




Tsukioka Yoshitoshi
 
1885 | colour woodblock print

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Tsukioka Yoshitoshi
 
1890 | colour woodblock print

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Tsukioka Yoshitoshi
One Hundred Aspects of the Moon ...
1885 | Unknown

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Tsukioka Yoshitoshi
Triptych of "Fujiwara No Yasumas...
1883 |

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Tsukioka Yoshitoshi
 
1882 | Woodcut on paper

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Tsukioka Yoshitoshi
 
1880 | hand-coloured wood block

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Tsukioka Yoshitoshi
Evening Glow at Saijozan' from E...
1868 | colour woodblock print

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Evening Glow at Saijozan' from E...
1868 | colour woodblock print

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Tsukioka Yoshitoshi
 
1877 | colour woodblock print

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Tsukioka Yoshitoshi
 
1886 | coloured woodblock print

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Tsukioka Yoshitoshi
 
1883 | woodblock colour print

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Tsukioka Yoshitoshi
 
1880 | colour woodblock printed triptych

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Tsukioka Yoshitoshi
 
1885 | colour woodblock printed diptych

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Tsukioka Yoshitoshi
 
1885 | coloured woodblock print

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Tsukioka Yoshitoshi
Lingering Snow at Tsurugaoka' fr...
1868 | colour woodblock print

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Lingering Snow at Tsurugaoka' fr...
1868 | colour woodblock print

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Tsukioka Yoshitoshi
Hideyoshi blowing a Conch shell,...
Undated | colour lithograph

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Tsukioka Yoshitoshi
Minamoto no Tametomo with a Bown
1878 |

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Tsukioka Yoshitoshi
Gosho Gorozo Battling a Shadown
Undated |

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Tsukioka Yoshitoshi
Hangaku Gozen, c.1885 (colour wo...
1885 | colour woodcut

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Hangaku Gozen, c.1885 (colour wo...
1885 | colour woodcut

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Tsukioka Yoshitoshi
 
1860 | ink and colours on silk

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Tsukioka Yoshitoshi
 
1876 | colour woodblock print

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Tsukioka Yoshitoshi
 
1891 | woodblock colour print

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Tsukioka Yoshitoshi
 
Undated |

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Tsukioka Yoshitoshi
 
1880 |

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Tsukioka Yoshitoshi
Levé de lune sur le Mont Nanping...
1885 | painting

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Tsukioka Yoshitoshi
 
1886 | woodblock print; ink and color on paper

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Tsukioka Yoshitoshi
 
1886 | woodblock print on paper

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Tsukioka Yoshitoshi
 
1882 | ink, colour, lacquer, silver and gold on silk

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Tsukioka Yoshitoshi
 
1882 | ink, colour, lacquer, silver and gold on silk

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Tsukioka Yoshitoshi
 
1876 | colour woodblock print

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Tsukioka Yoshitoshi
 
1868 | colour woodblock print

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Tsukioka Yoshitoshi
 
1868 | colour woodblock print

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Tsukioka Yoshitoshi
Evening Glow at Saijozan' from E...
1868 | colour woodblock print

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Evening Glow at Saijozan' from E...
1868 | colour woodblock print

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Tsukioka Yoshitoshi
 
1885 | colour woodblock print

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Tsukioka Yoshitoshi
Boats Returning to the Ryukyu Is...
1868 | colour woodblock print

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Boats Returning to the Ryukyu Is...
1868 | colour woodblock print

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Tsukioka Yoshitoshi
Horibe Yahei Minamoto Kanemarun
Undated |

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Tsukioka Yoshitoshi
 
1877 | colour woodblock print

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Tsukioka Yoshitoshi
Fukami Jikyu in moonlight,1887 (...
1887 | colour woodcut

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Fukami Jikyu in moonlight,1887 (...
1887 | colour woodcut

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Tsukioka Yoshitoshi
 
1868 | colour woodblock print

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Tsukioka Yoshitoshi
 
Undated | colour woodblock print

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Tsukioka Yoshitoshi
 
1867 | coloured woodblock print

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Tsukioka Yoshitoshi
 
Undated | Wood block print

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Tsukioka Yoshitoshi
 
1865 |

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Tsukioka Yoshitoshi
Murasaki Shikibu at Ishiyamadera...
Undated |

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