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Sofonisba Anguissola

Barred from studying the nude, Sofonisba Anguissola painted her own family - until the Spanish court summoned her.


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Sofonisba Anguissola

Barred from studying the nude, Sofonisba Anguissola painted her own family - until the Spanish court summoned her. more about the artist
Italy · 1532–1625 · Mannerism, Renaissance · 75 artworks found
Sofonisba Anguissola
1532–1625
Bornca. 1532 (Cremona)
Died1625 (Palermo)
NationalityItaly
EpochsMannerism, Renaissance
Genreportrait, history painting, genre painting, religious art
Professionpainter, designer
Family
Father: Amilcare Anguissola
Mother: Bianca Ponzoni Anguissola
Spouse: Orazio Lomellino
Sibling: Europa Anguissola, Lucia Anguissola, Minerva Anguissola, Anna Maria Anguissola, Elena Anguissola
TeacherBernardino Campi, Bernardino Gatti
Notable worksPorträt der Schwestern der Künstlerin beim Schachspiel (1555), Portrait Group with the Artist’s Father, Brother and Sister (1559), Selbstbildnis (1554), Self-portrait at the Spinnet (1555), Miniature Self Portrait (Anguissola, Boston) (1556)
MuseumsWalters Art Museum, Muzeum Narodowe w Warszawie, National Gallery of Ireland

Sofonisba Anguissola

Around the middle of the 16th century, Amilcare Anguissola, a nobleman from Cremona, did something unusual. He apprenticed two of his daughters to painters, choosing a path the Italian Renaissance did not envisage for daughters of the nobility. The elder, Sofonisba Anguissola, had been born in Cremona around 1532 and was about fourteen when she began her apprenticeship with Bernardino Campi, later continuing with Bernardino Gatti. Women were barred from studying the nude - and thus from the grand history paintings that could not be created without studies of the human body. So she painted what no one could forbid her to paint: herself and her own family.

The best known of these family pictures is “Game of Chess, 1555” at the National Museum in Poznań. Three of her sisters, Lucia, Europa and Minerva, sit at the board with a maid before a broad river landscape; the player on the left moves a piece and looks calmly out of the picture, the middle sister laughs, while the third raises her hand, her mouth half open. Giorgio Vasari saw the painting in her father's house and wrote that the figures lacked nothing but the power of speech. The edge of the chessboard bears the inscription: “Sofonisba Anguissola, virgin, daughter of Amilcare, painted from life her three sisters and a maid, 1555.”

At Meisterdrucke, 75 art prints carry on the name she so confidently inscribed within the picture itself. The Chess Game leads the order rankings by a wide margin, followed by the self-portraits; most of the originals are oil paintings. We share our customers' verdict, for in these pictures the painter is where her art was at home - among her own family.

One of them, “Self portrait at the Easel”, shows her in a dark dress with a white lace collar, holding her brush against a mahlstick; on the easel, a Madonna kissing her child is taking shape. A statement of intent, one might think - the noblewoman at work. Even Michelangelo in Rome was shown one of her drawings, a laughing child, and asked for a weeping one because it was more difficult. Her response was a drawing of her little brother Asdrubale, bitten by a crayfish. In 1562, the sheet was sent to the court in Florence together with a drawing by Michelangelo.

Shortly before her departure for Spain, she painted another family piece: “Portrait of the Artist's Family: Minerva, Amilcare, and Asdrubale, 1559”. The father sits between his children; Asdrubale, dressed in red, places his hand in his father's and looks up at him, Minerva holds a bouquet, and a white dog waits beside them.

In the winter of 1559 to 1560, the Spanish court summoned her. Since there was no official place for a female painter at court, the Italian was appointed as a lady-in-waiting; in reality, she painted and taught the young Queen Elisabeth of Valois to draw. Much of her work from the Madrid years burned with the Alcázar, Madrid's royal palace, in 1734, while surviving paintings were long attributed to the Spanish court painters Coello and Pantoja, until the Prado reassigned a portrait of the queen to her.

After her years at court, she married the Sicilian nobleman Fabrizio Moncada; King Philip II provided the dowry of 12,000 scudi; by 1579, she was a widow. On the sea voyage home, she met the captain and merchant mariner Orazio Lomellino and became his wife in Pisa. Decades in Genoa followed, and finally Palermo; her eyesight began to fail. She died in Palermo in 1625.

A year earlier, on 12 July 1624, the 25-year-old Anthonis van Dyck, the star of the next generation of painters, had visited her. He sketched the nearly blind woman and noted in his sketchbook that her memory and intellect remained keen and that her manner was exceedingly courteous. He gave her age as 96; counting from around 1532, she was just over ninety. The legend was already rounding up.

Artworks by Sofonisba Anguissola

75 artworks found
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Sofonisba Anguissola
 
1555 | oil on canvas

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Sofonisba Anguissola
Self-Portrait, 1558.
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Sofonisba Anguissola
Self portrait at the Easel, 1556
1556 | oil on canvas

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Sofonisba Anguissola
 
1561 | oil on canvas

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Sofonisba Anguissola
Self-Portrait, 1554
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Sofonisba Anguissola
Portrait of the artist's mother,...
1557 | oil on canvas

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Sofonisba Anguissola
Portrait of the artist's family,...
1559 | oil on canvas

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Sofonisba Anguissola
Girl with a dwarf, thought to be...
1595 | oil on canvas

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Sofonisba Anguissola
Portrait of the artist's sister ...
1551 | oil on canvas

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Sofonisba Anguissola
Self portrait, 1554 (panel)
1554 | Oil on panel

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Sofonisba Anguissola
Madonna and Child, 1598
1598 | oil on canvas

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Sofonisba Anguissola
Portrait of Grand Duke of Tuscan...
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Sofonisba Anguissola
Massimiliano Stampa, Marquis of ...
1557 | oil on canvas

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Sofonisba Anguissola
The Chess Game (Portrait of the ...
1555 |

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Sofonisba Anguissola
""Portrait d'Elisabeth de France...
1565 |

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Sofonisba Anguissola
Self portrait, attired as maid-o...
1559 | Oil on panel

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Sofonisba Anguissola
Portrait of the Artist's Sister ...
Undated | oil on canvas

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Sofonisba Anguissola
Portrait of a Girl from a Noble ...
1625 | watercolour and body colour

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Sofonisba Anguissola
Portrait of Philip II 1527-1598,...
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Sofonisba Anguissola
Anne of Austria, Queen of Spain ...
1573 | oil on canvas

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Sofonisba Anguissola
Jeanne d'Autriche (Jeanne de Hab...
Undated |

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Sofonisba Anguissola
""Portrait de patricienne, membr...
1558 |

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Sofonisba Anguissola
Portrait of Elena
Undated | oil on canvas

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Sofonisba Anguissola
Portrait of the artist"s sister
1551 | oil on canvas

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Sofonisba Anguissola
Portrait of the artists sister i...
Undated | oil on canvas

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Sofonisba Anguissola
Alessandro Farnese (1546-92), la...
1561 | oil on canvas

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Sofonisba Anguissola
The Artists Father Amilcare Angu...
Undated |

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Sofonisba Anguissola
""Portrait de jeune femme"" (Por...
1560 |

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Sofonisba Anguissola
Anna of Austria, Queen consort o...
1573 | oil painting

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Sofonisba Anguissola
Saint Lucy
Undated | oil on canvas

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Sofonisba Anguissola
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Sofonisba Anguissola
German: Infantin Isabella Clara...
Undated |

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Sofonisba Anguissola
Infantin Isabella Clara Eugenia
1573 | painting

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Sofonisba Anguissola
""Autoportrait"" (Self-Portrait)...
1558 |

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Sofonisba Anguissola
Girl with a dwarf, thought to be...
Undated |

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Sofonisba Anguissola
Spanish: Retrato de Felipe II  ...
1565 |

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Sofonisba Anguissola
Female portrait, c1550-1620
1550 | oil painting

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Sofonisba Anguissola
A game of chess, involving the p...
1555 |

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Sofonisba Anguissola
Spanish: Isabel de Valois soste...
1563 |

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Sofonisba Anguissola
 
1554 | painting

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Sofonisba Anguissola
 
Undated | oil on canvas

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Sofonisba Anguissola
Portrait of a Boy at the Spanish...
1565 | oil on canvas

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Sofonisba Anguissola
Portrait of Anna of Austria 1549...
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Sofonisba Anguissola
Portrait of a man with his daugh...
1580 |

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Sofonisba Anguissola
Boy and Dog, `Bibius Vincit'
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Sofonisba Anguissola
Giuliano Cesarini (iuniore) (146...
1586 |

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Sofonisba Anguissola
Portrait of Philipp II.
1573 |

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Sofonisba Anguissola
""Portrait de femme de profil"" ...
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Sofonisba Anguissola
Double Portrait of a Boy and Gir...
1580 | oil on wood

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Sofonisba Anguissola
 
1558 | oil on canvas

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Sofonisba Anguissola
Giuliano Cesarini the Younger 14...
Undated |

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Sofonisba Anguissola
Portrait of a Woman (oil on canvas)
Undated | oil on canvas

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Sofonisba Anguissola
 
1573 | oil on canvas

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Sofonisba Anguissola
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Sofonisba Anguissola
Elisabeth de France (Isabelle de...
1599 |

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Sofonisba Anguissola
Portrait of the King of Spain Ph...
17th century | painting

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Sofonisba Anguissola
Two Sisters and a Brother of the...
1590 | oil on wood

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Sofonisba Anguissola
Portrait of Giulio Clovio (1498-...
1556 | oil on canvas

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Sofonisba Anguissola
Portrait of a child (panel)
Undated | oil on wood

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Sofonisba Anguissola
 
Undated |

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Sofonisba Anguissola
 
1556 | oil on canvas

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Sofonisba Anguissola
Portrait of Alexandre Farnese (A...
1560 | oil on canvas

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Sofonisba Anguissola
 
1580 | oil on canvas

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Sofonisba Anguissola
 
Undated | oil on canvas

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Sofonisba Anguissola
Portret mężczyzny z córką
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About the artist

Sofonisba Anguissola
1532–1625
Bornca. 1532 (Cremona)
Died1625 (Palermo)
NationalityItaly
EpochsMannerism, Renaissance
Genreportrait, history painting, genre painting, religious art
Professionpainter, designer
Family
Father: Amilcare Anguissola
Mother: Bianca Ponzoni Anguissola
Spouse: Orazio Lomellino
Sibling: Europa Anguissola, Lucia Anguissola, Minerva Anguissola, Anna Maria Anguissola, Elena Anguissola
TeacherBernardino Campi, Bernardino Gatti
Notable worksPorträt der Schwestern der Künstlerin beim Schachspiel (1555), Portrait Group with the Artist’s Father, Brother and Sister (1559), Selbstbildnis (1554), Self-portrait at the Spinnet (1555), Miniature Self Portrait (Anguissola, Boston) (1556)
MuseumsWalters Art Museum, Muzeum Narodowe w Warszawie, National Gallery of Ireland

Around the middle of the 16th century, Amilcare Anguissola, a nobleman from Cremona, did something unusual. He apprenticed two of his daughters to painters, choosing a path the Italian Renaissance did not envisage for daughters of the nobility. The elder, Sofonisba Anguissola, had been born in Cremona around 1532 and was about fourteen when she began her apprenticeship with Bernardino Campi, later continuing with Bernardino Gatti. Women were barred from studying the nude - and thus from the grand history paintings that could not be created without studies of the human body. So she painted what no one could forbid her to paint: herself and her own family.

The best known of these family pictures is “Game of Chess, 1555” at the National Museum in Poznań. Three of her sisters, Lucia, Europa and Minerva, sit at the board with a maid before a broad river landscape; the player on the left moves a piece and looks calmly out of the picture, the middle sister laughs, while the third raises her hand, her mouth half open. Giorgio Vasari saw the painting in her father's house and wrote that the figures lacked nothing but the power of speech. The edge of the chessboard bears the inscription: “Sofonisba Anguissola, virgin, daughter of Amilcare, painted from life her three sisters and a maid, 1555.”

At Meisterdrucke, 75 art prints carry on the name she so confidently inscribed within the picture itself. The Chess Game leads the order rankings by a wide margin, followed by the self-portraits; most of the originals are oil paintings. We share our customers' verdict, for in these pictures the painter is where her art was at home - among her own family.

One of them, “Self portrait at the Easel”, shows her in a dark dress with a white lace collar, holding her brush against a mahlstick; on the easel, a Madonna kissing her child is taking shape. A statement of intent, one might think - the noblewoman at work. Even Michelangelo in Rome was shown one of her drawings, a laughing child, and asked for a weeping one because it was more difficult. Her response was a drawing of her little brother Asdrubale, bitten by a crayfish. In 1562, the sheet was sent to the court in Florence together with a drawing by Michelangelo.

Shortly before her departure for Spain, she painted another family piece: “Portrait of the Artist's Family: Minerva, Amilcare, and Asdrubale, 1559”. The father sits between his children; Asdrubale, dressed in red, places his hand in his father's and looks up at him, Minerva holds a bouquet, and a white dog waits beside them.

In the winter of 1559 to 1560, the Spanish court summoned her. Since there was no official place for a female painter at court, the Italian was appointed as a lady-in-waiting; in reality, she painted and taught the young Queen Elisabeth of Valois to draw. Much of her work from the Madrid years burned with the Alcázar, Madrid's royal palace, in 1734, while surviving paintings were long attributed to the Spanish court painters Coello and Pantoja, until the Prado reassigned a portrait of the queen to her.

After her years at court, she married the Sicilian nobleman Fabrizio Moncada; King Philip II provided the dowry of 12,000 scudi; by 1579, she was a widow. On the sea voyage home, she met the captain and merchant mariner Orazio Lomellino and became his wife in Pisa. Decades in Genoa followed, and finally Palermo; her eyesight began to fail. She died in Palermo in 1625.

A year earlier, on 12 July 1624, the 25-year-old Anthonis van Dyck, the star of the next generation of painters, had visited her. He sketched the nearly blind woman and noted in his sketchbook that her memory and intellect remained keen and that her manner was exceedingly courteous. He gave her age as 96; counting from around 1532, she was just over ninety. The legend was already rounding up.



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+43 4257 29415
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        support@meisterdrucke.com
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