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Richard Westall
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Richard Westall

Richard Westall

    January 2, 1765   -   December 4, 1836
Illustration   •   Wikipedia: Richard Westall

We are in the painting era of classicism, which is partly accompanied by romanticism and the romantically transfigured view of the visual artists. The main features of this art epoch are strongly oriented towards the Italian Renaissance and Greek-Roman antiquity. In the 18th and 19th centuries, this artistic form of expression emerged during the Age of Enlightenment and is characterized by ideals such as reason and rationality, but also by emotional emphasis and sensuality. As a result of different currents, we find ourselves in an epoch that is endowed with different ideals.

Richard Westall was an English painter and illustrator. He was strongly oriented towards the current neoclassical style and created graceful fantasy compositions, which were in great demand at that time. Among other things he painted paintings for John Boydell's Shakespeare Gallery, he was respected for his portraits of historical and literary origin and he inspired the people of the time especially for his portraits of Lord Byron. The young watercolorist, who was known for his unusually rich color effects and engraving, spent his early childhood in Herford, England. Still in his childhood, the then artist moved to London after his mother died and his father went bankrupt. There Richard soon began training as a heraldic silver engraver, until in the late 18th century his main patron Richard Payne Knight described him as an outstanding artist and aroused great interest in him. Before the talented Englishman devoted himself to oil painting and watercolour techniques, he published etchings, aquatints (some printed in colour) and mezzotints from his own paintings or drawings. In the early days of this art he also made some lithographs. As a watercolorist and prolific book illustrator, both for fiction and poetry, he was the leader of a reform of figure painting in his era. At the same time Thomas Girtin also created a change in landscape painting. The brilliance of Westall's coloring was considered new and amazing in his time, although he used opaque pigments on a large scale. His contemporary Thomas Gray. Byron, who greatly admired his work, declared that "the brush has beaten poetry".

Westall was a smaller and slimmer painter and had a fragile health. In his later years he was Queen Victoria's master draughtsman and taught her the art of painting and drawing. His work as teacher to the Queen was his last professional activity before he retired and had to be supported by the Duchess of Kent together with a blind sister. This was therefore the end of his time as a painter and his artistic activities, which continue to inspire us to this day.

Richard Westall

    January 2, 1765   -   December 4, 1836
Illustration   •   Wikipedia: Richard Westall Richard Westall

We are in the painting era of classicism, which is partly accompanied by romanticism and the romantically transfigured view of the visual artists. The main features of this art epoch are strongly oriented towards the Italian Renaissance and Greek-Roman antiquity. In the 18th and 19th centuries, this artistic form of expression emerged during the Age of Enlightenment and is characterized by ideals such as reason and rationality, but also by emotional emphasis and sensuality. As a result of different currents, we find ourselves in an epoch that is endowed with different ideals.

Richard Westall was an English painter and illustrator. He was strongly oriented towards the current neoclassical style and created graceful fantasy compositions, which were in great demand at that time. Among other things he painted paintings for John Boydell's Shakespeare Gallery, he was respected for his portraits of historical and literary origin and he inspired the people of the time especially for his portraits of Lord Byron. The young watercolorist, who was known for his unusually rich color effects and engraving, spent his early childhood in Herford, England. Still in his childhood, the then artist moved to London after his mother died and his father went bankrupt. There Richard soon began training as a heraldic silver engraver, until in the late 18th century his main patron Richard Payne Knight described him as an outstanding artist and aroused great interest in him. Before the talented Englishman devoted himself to oil painting and watercolour techniques, he published etchings, aquatints (some printed in colour) and mezzotints from his own paintings or drawings. In the early days of this art he also made some lithographs. As a watercolorist and prolific book illustrator, both for fiction and poetry, he was the leader of a reform of figure painting in his era. At the same time Thomas Girtin also created a change in landscape painting. The brilliance of Westall's coloring was considered new and amazing in his time, although he used opaque pigments on a large scale. His contemporary Thomas Gray. Byron, who greatly admired his work, declared that "the brush has beaten poetry".

Westall was a smaller and slimmer painter and had a fragile health. In his later years he was Queen Victoria's master draughtsman and taught her the art of painting and drawing. His work as teacher to the Queen was his last professional activity before he retired and had to be supported by the Duchess of Kent together with a blind sister. This was therefore the end of his time as a painter and his artistic activities, which continue to inspire us to this day.

Artworks by Richard Westall

Artworks by Richard Westall

119 artworks found
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119 artworks found

Richard Westall
Satan Exulting,
Undated | pencil and watercolour

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Richard Westall
The Infant Bacchus, 1811.
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Robert Mitchell Meadows
Herder met zijn hond en schapen ...
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Richard Westall
Glenmire Bridge, near Cork, engr...
1832 | engraving

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Richard Westall
Toulouse, 10th April 1814, from ...
1819 | coloured engraving

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Richard Westall
Vitoria, 21st June 1813, from 'T...
1819 | coloured engraving

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Richard Westall
Pyrenees, 28th July 1813, from '...
1819 | coloured engraving

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Richard Westall
Talavera, 28th July 1809, from '...
1819 | coloured engraving

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Richard Westall
Venice, a street, Act III, Scene...
Undated | lithograph

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Richard Westall
Nelson wounded at Tenerife in 17...
Undated | engraving

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Richard Westall
Cavalry charge against French in...
1819 | aquatint

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Richard Westall
The Battle of Copenhagen in 1801...
Undated | engraving

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Richard Westall
 
Undated | Graphite with brush and brown ink on ivory wove paper

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Richard Westall
A room in Portia's house, Act II...
Undated | lithograph

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Richard Westall
The Battle of Trafalgar in 1805,...
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Richard Westall
H R H Princess Victoria
Undated | engraving

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William Ward
Nederlaag van Maria, koningin va...
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Richard Westall
Rosebud, or the Judgement of Par...
1791 | watercolour and bodycolour over graphite on paper

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Richard Westall
The Death of Nelson (1758-1805) ...
Undated | engraving

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Richard Westall
The Battle of the Nile in 1798, ...
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Richard Westall
 
Undated | Graphite on medium, smooth, cream wove paper

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Richard Westall
The Earle of Essex's First Inter...
Undated | ink and watercolour on paper (wove)

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Richard Westall
St. Sebastians, 31st August 1813...
1819 | coloured engraving

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Richard Westall
Roderick Dhu and a Clansman, 181...
1810 | engraving

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William Ward
Kardinaal Francisco Jiménez de C...
Undated | paper

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Richard Westall
Portrait of George Gordon Byron ...
1813 | oil on canvas

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Francesco Bartolozzi
Jeanne d'Arc ontvangt de gewijde...
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Richard Westall
Queen Judith reciting to Alfred ...
1801 | handbags Aquatiner handfarbe

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William Ward
Audiëntie bij een kardinaal The...
Undated | paper

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Richard Westall
Ellen Douglas showing the ring, ...
Undated | engraving

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Richard Westall
Flora unveiled by Zephyrs, 1807
1807 | oil on wood

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Richard Westall
Salamanca, 21st July 1812, from ...
1819 | coloured engraving

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Richard Westall
HMS Captain boarding the San Nic...
Undated | engraving

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Richard Westall
William Hodges RA, engraved by F...
1792 | engraving

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Richard Westall
Study [for The Entombment of Chr...
Undated | pencil

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Richard Westall
 
Undated | Graphite on medium, smooth, beige wove paper

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Richard Westall
Queen Elizabeth I receiving the ...
Undated | colour aquatint

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Richard Westall
The Royal Institution, London
Undated | engraving

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Richard Westall
Henry III Replying to the Archbi...
Undated | oil on canvas laid down on panel

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Richard Westall
The Poet's Dream
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Richard Westall
Portrait of the artist's wife as...
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Richard Westall
 
Undated | Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper

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Richard Westall
King Henry V 1387-14220, before ...
18th century | engraving

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Richard Westall
The San Nicholas and San Josef c...
Undated | engraving

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Richard Westall
Nelson's conflict with a Spanish...
Undated | engraving

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Richard Westall
Nelson in conflict with a Spanis...
Undated | oil on canvas

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Richard Westall
Lieutenant Nelson volunteering t...
Undated | engraving

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Richard Westall
Landscape with Women, Sheep and ...
1811 |

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Richard Westall
Madrid, from 'The Victories of t...
1819 | coloured engraving

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Richard Westall
 
Undated | Graphite with red pencil on medium, smooth, cream wove paper

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Richard Westall
 
Undated | Graphite on medium, smooth, cream wove paper

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Richard Westall
The Dreams of the Youthful Shake...
Undated | engraving

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Richard Westall
David Garrick as King Lear, c. 1...
Undated | oil painting

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Richard Westall
 
1811 | oil on canvas

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Richard Westall
Frederick Howard, 5th Earl of Ca...
18th century | engraving

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Richard Westall
Badajoz, 6th April 1812, from 'T...
1819 | coloured engraving

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Richard Westall
Family Group in a Garden, c.1790...
Undated | oil on copper

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Richard Westall
Oporto, from 'The Victories of t...
1819 | coloured engraving

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Richard Westall
 
Undated | pen and gray ink with gray wash and watercolor over graphite on wove paper

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Richard Westall
Busaco, 27th September 1810, fro...
1819 | coloured engraving

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Richard Westall
 
Undated | Watercolor and gouache on moderately thick, slightly textured, cream wove paper

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Richard Westall
Nelson and the bear, c.1806 (oil...
Undated | oil on oak panel

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Richard Westall
 
Undated | Pencil, pen, red and brown ink, and watercolour

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Richard Westall
 
Undated | Graphite on medium, smooth, cream wove paper

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Richard Westall
Her Majesty the Queen at the Age...
1892 | engraving

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Richard Westall
Portrait of Johann Ludwig Burckh...
Undated | lithograph

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Richard Westall
Portrait of a girl wearing a red...
Undated | oil on canvas

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Richard Westall
Landscape With Women, Sheep and ...
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Luigi Schiavonetti
Koningin Elizabeth ontvangt het ...
Undated | paper

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Richard Westall
 
Undated | Watercolor with pen and black ink on moderately thick, slightly textured cream wove paper

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Richard Westall
Rear Admiral Nelson's conflict i...
Undated | engraving

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Richard Westall
Prince Alfred before Pope Leo th...
Undated | engraving

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Richard Westall
Cricket at Moulsey Hurst
Undated | engraving

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Richard Westall
Queen Judith reciting to Alfred,...
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Richard Westall
Girl Feeding Pigs, 1800.
Undated | watercolour

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Richard Westall
The Vision of the Descendants of...
Undated | ink and watercolour

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Richard Westall
King Henry V, before Harfleur
Undated | engraving

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Richard Westall
Cardinal Wolsey at Leicester Abbey
Undated | engraving

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Richard Westall
 
1819 | aquatint

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William Nutter
 
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Richard Westall
Nelson's encounter with a Bear, ...
Undated | engraving

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Richard Westall
Vimiera, 1st August 1808, from '...
1819 | coloured engraving

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Richard Westall
 
Undated |

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Richard Westall
Satan Alarmd, c.1790s (watercolo...
1790 | watercolour, pen and ink, and gouache, over pencil on laid paper

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Richard Westall
The Goddess Roma Appearing to Ju...
Undated | watercolour and oil on paper laid down on canvas

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Richard Westall
Nelson boarding a captured ship,...
Undated | oil on canvas

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Richard Westall
 
Undated | oil on canvas

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Richard Westall
 
Undated | Watercolor and graphite on medium, slightly textured, cream laid paper

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Richard Westall
Lord Viscount Nelson
Undated | engraving

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William Ward
Audiëntie bij een kardinaal The...
Undated | paper

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Richard Westall
Charles Gough on Helvellyn
Undated | engraving

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Richard Westall
Nelson's birthplace, illustratio...
Undated | engraving

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Richard Westall
Prince Alfred before Pope Leo th...
Undated | engraving

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Richard Westall
Vertumnus and Pomona, c.1807 (oi...
Undated | oil on panel

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Richard Westall
Horatio Nelson (1758-1805) recei...
Undated | oil on canvas

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Richard Westall
 
Undated | Watercolor and graphite on medium, smooth, cream wove paper

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Richard Westall
 
Undated | Graphite on medium, smooth, cream wove paper

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Richard Westall
The Seven Bishops Going To Trial
Undated | Watercolor with gouache and black, brown, and gray ink on moderately thick, slightly textured, cream card

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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