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Feel the passion of Peter Nicolai Arbo in our art prints.

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Peter Nicolai Arbo
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Peter Nicolai Arbo

An icy dark winter storm roars over the land and with it in the sky an unmanageable gloomy mythological horsemen horde, anciently armed with bows and arrows or daggers, on their way pulling women up to them by the hair. When Peter Nicolai Arbo's "Åsgårdsreien" ("Odin's Wild Hunt") was shown in Copenhagen in 1872, the painting, like Arbo himself, did not exactly belong to the avant-garde, and art critics were not really enraptured. And yet the artwork became famous.

Norway as an independent state did not even exist when Peter Nicolai Arbo (1831 - 1892) lived. After centuries of belonging to Denmark, the Danish king had ceded the country to Sweden in 1814, a highly unpopular move in the Norwegian parts of the country. Arbo, who studied at the Düsseldorf Art Academy and lived in Paris for a long time, often depicted scenes from the so-called Nordic-Germanic mythology and hit the spirit of the times with his paintings. Like the pictures with Norwegian landscapes and "typically Norwegian" scenes (genre painting), the depiction and exaltation of the pagan, the northern European mythology played an important role in the 19th century in creating its own Norwegian national feeling - incidentally, as well as the development of its own language, because Norwegian as a language did not exist at that time and was created through the emphasis on vernacular dialects and addition of old Norwegian texts, including Old Norse sagas and fairy tales, only in the course of the 19th century. The idealization of the legendary past and the search for and formation of an identity-forming community - the nation - were typical of "Norwegian national romanticism," whose currents dominated cultural life in Norway around 1850. For the cultural elite, Peter Nicolai Arbo was thus more of a "late-comer" when, among other things, with the "Wild Hunt" of his "Åsgårdsreien," he staged the Old Norse saga treasure as a natural, heroic Norwegian life experience with great pathos. But this did not diminish his popularity, and today many of his paintings are part of the large collection of the "Nasjonalmuseet for kunst, arkitektur og design", the Norwegian National Museum in Oslo.

Art critics had also not foreseen that Peter Nicolai Arbo's work would once again play a prominent role more than a century later: "The Wild Hunt," the Nordic storm of gods that chases across the sky as a wild horde, became a popular theme in music with the rise of folk and especially metal in the 1980s. And here Peter Nicolai Arbo's "Åsgårdsreien" again played a prominent role: in 1988 the Swedish metal band Bathory made it the cover image of the album "Blood Fire Death", a key album for the development of Pagan and Black Metal and one of the earliest examples of the thematization not only of the "Wild Hunt" from the Northern European saga world. Peter Nicolai Arbo lived in the last years of his life in Christiana - a city that was not given its present name until well after Norway's independence (1905) in 1924: Oslo.

Peter Nicolai Arbo

Nonclassified artists

An icy dark winter storm roars over the land and with it in the sky an unmanageable gloomy mythological horsemen horde, anciently armed with bows and arrows or daggers, on their way pulling women up to them by the hair. When Peter Nicolai Arbo's "Åsgårdsreien" ("Odin's Wild Hunt") was shown in Copenhagen in 1872, the painting, like Arbo himself, did not exactly belong to the avant-garde, and art critics were not really enraptured. And yet the artwork became famous.

Norway as an independent state did not even exist when Peter Nicolai Arbo (1831 - 1892) lived. After centuries of belonging to Denmark, the Danish king had ceded the country to Sweden in 1814, a highly unpopular move in the Norwegian parts of the country. Arbo, who studied at the Düsseldorf Art Academy and lived in Paris for a long time, often depicted scenes from the so-called Nordic-Germanic mythology and hit the spirit of the times with his paintings. Like the pictures with Norwegian landscapes and "typically Norwegian" scenes (genre painting), the depiction and exaltation of the pagan, the northern European mythology played an important role in the 19th century in creating its own Norwegian national feeling - incidentally, as well as the development of its own language, because Norwegian as a language did not exist at that time and was created through the emphasis on vernacular dialects and addition of old Norwegian texts, including Old Norse sagas and fairy tales, only in the course of the 19th century. The idealization of the legendary past and the search for and formation of an identity-forming community - the nation - were typical of "Norwegian national romanticism," whose currents dominated cultural life in Norway around 1850. For the cultural elite, Peter Nicolai Arbo was thus more of a "late-comer" when, among other things, with the "Wild Hunt" of his "Åsgårdsreien," he staged the Old Norse saga treasure as a natural, heroic Norwegian life experience with great pathos. But this did not diminish his popularity, and today many of his paintings are part of the large collection of the "Nasjonalmuseet for kunst, arkitektur og design", the Norwegian National Museum in Oslo.

Art critics had also not foreseen that Peter Nicolai Arbo's work would once again play a prominent role more than a century later: "The Wild Hunt," the Nordic storm of gods that chases across the sky as a wild horde, became a popular theme in music with the rise of folk and especially metal in the 1980s. And here Peter Nicolai Arbo's "Åsgårdsreien" again played a prominent role: in 1988 the Swedish metal band Bathory made it the cover image of the album "Blood Fire Death", a key album for the development of Pagan and Black Metal and one of the earliest examples of the thematization not only of the "Wild Hunt" from the Northern European saga world. Peter Nicolai Arbo lived in the last years of his life in Christiana - a city that was not given its present name until well after Norway's independence (1905) in 1924: Oslo.

Artworks by Peter Nicolai Arbo

Artworks by Peter Nicolai Arbo

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26 artworks found

Peter Nicolai Arbo
The wild Hunt of Odin, 1872.
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Peter Nicolai Arbo
 
Undated | oil on canvas

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Peter Nicolai Arbo
Die wilde Jagd auf Odin, 1872.
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Peter Nicolai Arbo
 
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Peter Nicolai Arbo
 
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Peter Nicolai Arbo
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Peter Nicolai Arbo
 
Undated | watercolour on paper

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Peter Nicolai Arbo
The Holy Olav in a prayer before...
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Peter Nicolai Arbo
Saint Olav at the Battle of Stik...
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Peter Nicolai Arbo
Bataille de Stiklestad (29 juill...
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Peter Nicolai Arbo
 
1868 | oil on canvas

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Peter Nicolai Arbo
The fall of saint Olav in the Ba...
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Peter Nicolai Arbo
The fall of saint Olav in the Ba...
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Peter Nicolai Arbo
King Sverre escapes
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Peter Nicolai Arbo
 
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Peter Nicolai Arbo
Ice racing
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Peter Nicolai Arbo
Kong Sverres tog over Vossefjellene
1862 | painting

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Peter Nicolai Arbo
 
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Peter Nicolai Arbo
Old popler, section of Gulskov g...
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Peter Nicolai Arbo
Valkyrie, 1865
1865 | oil on canvas

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Peter Nicolai Arbo
 
1870 | oil on canvas

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Peter Nicolai Arbo
Water Station (oil on canvas)
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Peter Nicolai Arbo
 
Undated | oil on canvas

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Peter Nicolai Arbo
Haakon the good and farmers at t...
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Peter Nicolai Arbo
Les valkyries - The Walkueren (V...
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Peter Nicolai Arbo
 
1870 | oil on canvas

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Peter Nicolai Arbo
 
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        Austria
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