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Luca Signorelli
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Museum Quality Art Prints
Individual Customization Options

Luca Signorelli

Italy · 1450–1523 · Renaissance, Schule von Siena · 283 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Luca Signorelli
1450–1523
Bornca. 1450 (Cortona)
Died1523 (Cortona)
NationalityItaly
EpochsRenaissance, Schule von Siena
Professionpainter, draftsperson, fresco painter
TeacherPiero della Francesca, Andrea del Verrocchio
StudentGirolamo Genga, Turpino Zaccagna
Notable worksTestament und Tod Mose (1482), Kreuzigung Christi mit der heiligen Magdalena und Heiligen (1484), Beweinung Christi (1502), Kreuzigung mit Maria Magdalena (1502), Polyptychon mit Heiligen (1507)
MuseumsClark Art Institute, Walters Art Museum, National Gallery of Ireland

Luca Signorelli

Luca Signorelli was a Renaissance painter who paid particular attention to the anatomy of the figures in his works. Since he was born in the Tuscan town of Cortona, he was given the nickname Luca da Cortona. His father was the painter Egidio di Ventura Signorelli. His first teacher was probably Piero della Francesca in the 1460s. The first documented works that can be attributed to Signorelli show strong influences of Piero's style. In the following years, Piero's influence on Signorelli's work diminished. The young painter became more interested in the Florentine school. The Pollaiulo brothers and their scientific naturalism had a dominant influence on his further work. There are many indications that Signorelli left Tuscany to continue his studies and work in Florence.

Signorelli also worked in Rome, Siena, Orvieto and Perugia. Most of his work consisted of frescoes. He was commissioned by Pope Julius II in 1508, together with a number of other artists such as Perugino, Pinturicchio and Il Sodoma, to decorate some of the large rooms in the Vatican Palace. However, the Pope soon changed his mind and dismissed them all to reassign the commission to Raphael. Most of the work they had done until then was removed. From about 1520 Signorelli painted less and less for health reasons, as he showed signs of paralysis. The quality of his last works deteriorated considerably. It is assumed that he had many works completed by his students. He spent the last years of his life in Cortona. There he was also politically active from 1479 as a member of the council and judge of the peace. He retained this position until the end of his life. Signorelli was a respected member of his home town. Little is known about his private life. According to the description of the art historian Giorgio Vaseri, who is said to be related to Signorelli, he was always friendly and a family man. He is said to have had little in common with a painter on the outside, but liked to dress like a nobleman.

Signorelli's fascination with anatomy suggests that he carried out many anatomical studies. Colours were not as important to him in his works as perspective, powerful poses and the play of light and shadow. In his works, he liked to show the nude figures during great exertions of strength, which made their muscles stand out and were especially emphasized. He liked to experiment with hypothetical and partly anatomically impossible poses and body shapes. Signorelli had many students, none of whom, however, achieved real, notable fame. Nevertheless, his work indirectly had a great influence on the Florentine art scene. Michelangelo, for example, is said to have based his figure design for the Sistine Chapel on Signorelli's famous frescoes "The End of the World" and "Last Judgement" from Orvieto Cathedral. Some of the poses and figures are said to have been taken over by Michelangelo in a similar form from Signorelli's frescoes.

Artworks by Luca Signorelli

283 artworks found
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Luca Signorelli
The Preaching of the Antichrist,...
Undated | Fresh

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Luca Signorelli
Preaching and the facts of the A...
1502 | fresco

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Luca Signorelli
 
Undated | tempera and oil on panel

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Luca Signorelli
The last judgment: the elected. ...
Undated | painting

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Luca Signorelli
Damned in hell, from Last Judgme...
Undated | fresco

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Luca Signorelli
The end of the world Detail repr...
Undated | painting

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Luca Signorelli
Two naked men squatting Drawing ...
15th century | drawing

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Luca Signorelli
Damned in hell, from Last Judgme...
Undated | fresco

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Luca Signorelli
Damned in hell, detail with self...
Undated | fresco

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Luca Signorelli
Portrait of Luca Signorelli and ...
1503 | tempera on terracotta

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Luca Signorelli
The Resurrection of the Flesh, d...
1501 | Fresh

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Luca Signorelli
Coronation of the Virgin with An...
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Luca Signorelli
Coronation of Virgin with Angels...
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Luca Signorelli
Devils, from the Last Judgement ...
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Luca Signorelli
Male nudes (red & black chalk on...
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Luca Signorelli
The Resurrection of the Dead (Fr...
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Luca Signorelli
One of the Damned Riding on a De...
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Luca Signorelli
Benedict sends Maurus in France ...
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Luca Signorelli
Portrait of a young man (Guiduba...
1478 | tempera on panel

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Luca Signorelli
The Resurrected Christ appearing...
1514 | temper and oil on wood panel

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Luca Signorelli
The interior, Chapel Nova or Cha...
1504 |

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Luca Signorelli
Life of Saint Benoit: “” Saint B...
Undated | fresco

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Luca Signorelli
Damned in hell, from Last Judgme...
Undated | fresco

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Luca Signorelli
Benoit demasque the cunning of T...
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Luca Signorelli
Sacra Conversazione (tempera on ...
Undated | tempera on panel with gold leaf

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Luca Signorelli
The Triumph of Chastity: Love Di...
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Luca Signorelli
Sermon and Deeds of the Antichri...
1504 | fresco

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Luca Signorelli
Coriolanus persuaded by his Fami...
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Luca Signorelli
The Annunciation … (painting on ...
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Luca Signorelli
Damned in hell, from Last Judgme...
Undated | fresco

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Luca Signorelli
Santa Apollonia, c.1468-69 (temp...
1469 | tempera and gold on panel

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Luca Signorelli
Call to Hell, fdetail showing th...
1502 | fresco

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Luca Signorelli
The interior, Chapel Nova or St....
1502 | fresco

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Luca Signorelli
Damned to hell, detail with devi...
1502 | fresco

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Luca Signorelli
 
Undated | tempera, oil, and gilding on panel

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Luca Signorelli
Nativity, 1667 (tempera on panel)
1667 | tempera on panel

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Luca Signorelli
Lamentation of the Dead Christ b...
1504 | fresco

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Luca Signorelli
St. Clare, c.1515-20 (tempera on...
Undated | tempera on poplar wood

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Luca Signorelli
Damned in hell, from Last Judgme...
Undated | fresco

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Luca Signorelli
Circumcision. Among the characte...
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Luca Signorelli
Benedict welcomes Totila who cam...
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Luca Signorelli
 
Undated | fresco

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Luca Signorelli
The Poet Dante (1265-1321) detai...
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Luca Signorelli
Damned in hell, detail with self...
Undated | fresco

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Luca Signorelli
The Crucifixion, c.1507 (tempera...
Undated | tempera on wood

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Luca Signorelli
The Martyrdom of St. Sebastian, ...
Undated | Oil on panel

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Luca Signorelli
Madonna and Child with John the ...
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Luca Signorelli
Damned in hell, from Last Judgme...
Undated | fresco

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Luca Signorelli
Stories of Christ: flagellation ...
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Luca Signorelli
Damned in hell, from Last Judgme...
Undated | fresco

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Luca Signorelli
The Adoration of the Shepherds, ...
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Luca Signorelli
Christ being carried to his tomb...
Undated | tempera on poplar wood

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Luca Signorelli
The Calling of the Chosen to Hea...
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Luca Signorelli
The Trinity, Madonna and Child, ...
Undated | oil on panel

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Luca Signorelli
Couple crowned by an angel, deta...
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Luca Signorelli
Portrait of Niccolo Vitelli (141...
Undated | tempera on panel

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Luca Signorelli
St. Louis of Toulouse, c.1515-20...
Undated | tempera on poplar wood

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Luca Signorelli
Elect, from Last Judgment fresco...
Undated | fresco

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Luca Signorelli
 
Undated | fresco

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Luca Signorelli
Homer, c. 1500.
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Luca Signorelli
 
1485 | tempera on board

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Luca Signorelli
Life of Saint Benedict of Nursie...
Undated | fresco

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Luca Signorelli
Pala of St Onuphrius, Madonna an...
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Luca Signorelli
The Holy Family. Painting by Luc...
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Luca Signorelli
Apostles, detail of Saint Paul
Undated | fresco

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Luca Signorelli
Blessed in Paradise, from Last J...
Undated | fresco

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Luca Signorelli
Italy, Umbria Region, Orvieto, C...
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Luca Signorelli
Detail of the Last Judgement, fr...
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Luca Signorelli
Saint Benedict of Nursia welcomi...
Undated | fresco

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Luca Signorelli
Self-Portrait with Niccolò di An...
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Luca Signorelli
The Holy Family with St. John th...
Undated | oil on panel

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Luca Signorelli
Detail of Prophets and the End o...
1504 | fresco

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Luca Signorelli
Damned in hell, detail with self...
Undated | fresco

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Luca Signorelli
Hell, from the Last Judgement (...
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Luca Signorelli
 
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Luca Signorelli
Apostles, detail of Virgin
Undated | fresco

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Luca Signorelli
St. John the Divine (red chalk o...
Undated | red chalk on paper

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Luca Signorelli
Damned in hell, from Last Judgme...
Undated | fresco

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Luca Signorelli
Saint Roch, ca 1515-1520.
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About the artist

Luca Signorelli
1450–1523
Bornca. 1450 (Cortona)
Died1523 (Cortona)
NationalityItaly
EpochsRenaissance, Schule von Siena
Professionpainter, draftsperson, fresco painter
TeacherPiero della Francesca, Andrea del Verrocchio
StudentGirolamo Genga, Turpino Zaccagna
Notable worksTestament und Tod Mose (1482), Kreuzigung Christi mit der heiligen Magdalena und Heiligen (1484), Beweinung Christi (1502), Kreuzigung mit Maria Magdalena (1502), Polyptychon mit Heiligen (1507)
MuseumsClark Art Institute, Walters Art Museum, National Gallery of Ireland

Luca Signorelli was a Renaissance painter who paid particular attention to the anatomy of the figures in his works. Since he was born in the Tuscan town of Cortona, he was given the nickname Luca da Cortona. His father was the painter Egidio di Ventura Signorelli. His first teacher was probably Piero della Francesca in the 1460s. The first documented works that can be attributed to Signorelli show strong influences of Piero's style. In the following years, Piero's influence on Signorelli's work diminished. The young painter became more interested in the Florentine school. The Pollaiulo brothers and their scientific naturalism had a dominant influence on his further work. There are many indications that Signorelli left Tuscany to continue his studies and work in Florence.

Signorelli also worked in Rome, Siena, Orvieto and Perugia. Most of his work consisted of frescoes. He was commissioned by Pope Julius II in 1508, together with a number of other artists such as Perugino, Pinturicchio and Il Sodoma, to decorate some of the large rooms in the Vatican Palace. However, the Pope soon changed his mind and dismissed them all to reassign the commission to Raphael. Most of the work they had done until then was removed. From about 1520 Signorelli painted less and less for health reasons, as he showed signs of paralysis. The quality of his last works deteriorated considerably. It is assumed that he had many works completed by his students. He spent the last years of his life in Cortona. There he was also politically active from 1479 as a member of the council and judge of the peace. He retained this position until the end of his life. Signorelli was a respected member of his home town. Little is known about his private life. According to the description of the art historian Giorgio Vaseri, who is said to be related to Signorelli, he was always friendly and a family man. He is said to have had little in common with a painter on the outside, but liked to dress like a nobleman.

Signorelli's fascination with anatomy suggests that he carried out many anatomical studies. Colours were not as important to him in his works as perspective, powerful poses and the play of light and shadow. In his works, he liked to show the nude figures during great exertions of strength, which made their muscles stand out and were especially emphasized. He liked to experiment with hypothetical and partly anatomically impossible poses and body shapes. Signorelli had many students, none of whom, however, achieved real, notable fame. Nevertheless, his work indirectly had a great influence on the Florentine art scene. Michelangelo, for example, is said to have based his figure design for the Sistine Chapel on Signorelli's famous frescoes "The End of the World" and "Last Judgement" from Orvieto Cathedral. Some of the poses and figures are said to have been taken over by Michelangelo in a similar form from Signorelli's frescoes.



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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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