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Feel the passion of Leon Bakst in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
Leon Bakst
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

Leon Bakst

Born Lev Samoylovich Rosenberg into a middle-class Jewish family in Russia, he later adopted a pseudonym derived from his grandmother's surname, Baxter. Leon Bakst was educated in St. Petersburg, where he attended the gymnasium and the Academy of Arts. He began his professional life as a copyist and illustrator of educational materials, but quickly switched to portrait painting and illustrated popular magazines. But these jobs didn't pay much and he took a job teaching art to the children of Grand Duke Vladimir. He studied in Paris with a number of well-known artists and with a Finnish landscape painter. One day he came into contact with Aleksandr Benua and his circle, an encounter that would shape Leon Bakst's taste and expand his artistic vision. Together with Benua and Sergey Diagilev, he founded the influential group World of Art and was largely responsible for the technical excellence of their influential magazine. The very first issue of World of Art stunned its readers, who had never seen anything like it in Russia. The magazine itself was a work of art. Its emblem was a lone eagle on a mountain. Leon Bakst designed it and said the emblem represented art itself. A dedicated professional who could absorb stylistic developments even in mid-career, Bakst was arguably the most accomplished painter and designer in the World of Art group. His early preferences were for realistic painters and old masters such as Rembrandt and Velazquez. The moving line and relaxed postures in his portraits also suggest the influence of his close friend Valentin Serov. Later he turned to portraiture and painted, among others, the artist Filipp Malyavin, the philosopher Vasily Rozanov, the poet Andrei Bely and the poetess Zinaida Gippius. Through Benois and his circle, Leon Bakst was attracted to the Oriental style. Motifs from ancient Greece and Egypt became signatures of his painting and theoretical work. The Benua circle also introduced him to symbolism and Art Nouveau. Bakst influenced and developed Art Nouveau by bringing in a curvy line as well as bright colors, oriental prints and flowing draperies.

The portrait of the dancer Isadora Duncan in brush and ink is typical of his drawing art in its sensual and flowing movement. Bakst also practiced mainly book design, interior decoration, held exhibitions and focused on theater. He made his theatrical debut with designs for stage productions at the theaters of St. Petersburg. Subsequently, he was commissioned to stage several works in theaters. Leon Bakst also collaborated in the staging of the Ballets Russes. Here he acted as artistic director and his stage designs quickly brought him international fame. Leon Bakst worked on more theater productions than any other artist and thus his name became permanently associated with the Ballets Russes. The designs for the ballet caused a great stir in the scene. Leon Bakst was particularly influenced by exotic and oriental fantasies. The sensual use of color led to new fashions in clothing and interiors, and soon fashionable ladies in oriental-inspired clothing were seen sitting on huge floor cushions in rooms with curtains. In addition, his designs for Greek ballets were an inspiration in their use of hot tones and geometric patterns. In addition, he also created beautiful dresses, such as his Victorian designs or the designs for different productions. Leon Bakst's designs emerged from the style and choreography of a particular ballet. He integrated vertical space with sensual movement on stage. His chic costumes encouraged smooth movement without constricting the body. The sets enclosed the action, but still left maximum space for dancing. Leon Bakst's exotic and sensual designs are sought after, but the success was in how they were presented on stage

Leon Bakst

Symbolism

Born Lev Samoylovich Rosenberg into a middle-class Jewish family in Russia, he later adopted a pseudonym derived from his grandmother's surname, Baxter. Leon Bakst was educated in St. Petersburg, where he attended the gymnasium and the Academy of Arts. He began his professional life as a copyist and illustrator of educational materials, but quickly switched to portrait painting and illustrated popular magazines. But these jobs didn't pay much and he took a job teaching art to the children of Grand Duke Vladimir. He studied in Paris with a number of well-known artists and with a Finnish landscape painter. One day he came into contact with Aleksandr Benua and his circle, an encounter that would shape Leon Bakst's taste and expand his artistic vision. Together with Benua and Sergey Diagilev, he founded the influential group World of Art and was largely responsible for the technical excellence of their influential magazine. The very first issue of World of Art stunned its readers, who had never seen anything like it in Russia. The magazine itself was a work of art. Its emblem was a lone eagle on a mountain. Leon Bakst designed it and said the emblem represented art itself. A dedicated professional who could absorb stylistic developments even in mid-career, Bakst was arguably the most accomplished painter and designer in the World of Art group. His early preferences were for realistic painters and old masters such as Rembrandt and Velazquez. The moving line and relaxed postures in his portraits also suggest the influence of his close friend Valentin Serov. Later he turned to portraiture and painted, among others, the artist Filipp Malyavin, the philosopher Vasily Rozanov, the poet Andrei Bely and the poetess Zinaida Gippius. Through Benois and his circle, Leon Bakst was attracted to the Oriental style. Motifs from ancient Greece and Egypt became signatures of his painting and theoretical work. The Benua circle also introduced him to symbolism and Art Nouveau. Bakst influenced and developed Art Nouveau by bringing in a curvy line as well as bright colors, oriental prints and flowing draperies.

The portrait of the dancer Isadora Duncan in brush and ink is typical of his drawing art in its sensual and flowing movement. Bakst also practiced mainly book design, interior decoration, held exhibitions and focused on theater. He made his theatrical debut with designs for stage productions at the theaters of St. Petersburg. Subsequently, he was commissioned to stage several works in theaters. Leon Bakst also collaborated in the staging of the Ballets Russes. Here he acted as artistic director and his stage designs quickly brought him international fame. Leon Bakst worked on more theater productions than any other artist and thus his name became permanently associated with the Ballets Russes. The designs for the ballet caused a great stir in the scene. Leon Bakst was particularly influenced by exotic and oriental fantasies. The sensual use of color led to new fashions in clothing and interiors, and soon fashionable ladies in oriental-inspired clothing were seen sitting on huge floor cushions in rooms with curtains. In addition, his designs for Greek ballets were an inspiration in their use of hot tones and geometric patterns. In addition, he also created beautiful dresses, such as his Victorian designs or the designs for different productions. Leon Bakst's designs emerged from the style and choreography of a particular ballet. He integrated vertical space with sensual movement on stage. His chic costumes encouraged smooth movement without constricting the body. The sets enclosed the action, but still left maximum space for dancing. Leon Bakst's exotic and sensual designs are sought after, but the success was in how they were presented on stage

Artworks by Leon Bakst

Artworks by Leon Bakst

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664 artworks found

Leon Bakst
The Sleeping Beauty Wolf, 1921
1921 | gouache

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Leon Bakst
Estrella, design for a costume f...
1919 | pencil/watercolour

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Leon Bakst
Nijinsky's Faun Costume in 'L'Ap...
1912 | colour lithograph

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Leon Bakst
Jewish Dance. Costume design for...
Undated |

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Leon Bakst
Décor for Debussys ballet LApres...
1912 | gouache

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Leon Bakst
Sketch for the ballet 'La Peri',...
1911 | pencil and gouache on paper

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Leon Bakst
The Faun Nijinsky, costume desig...
1912 | pencil/watercolour

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Leon Bakst
Odalisque. Costume design for th...
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Leon Bakst
Almee. Costume design for the ba...
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Leon Bakst
Maria Kuznetsova, costume design...
1922 | pencil and gouache on paper

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Leon Bakst
Léon Bakst's costume for Igor St...
Undated | drawing

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Leon Bakst
Costume design for one of the th...
1910 | pencil, gouache and gold paint on paper

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Leon Bakst
Sleeping Beauty, ballet costume ...
1913 | pencil/watercolour

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Leon Bakst
Costume design for Nijinsky in t...
1911 | Watercolor on paper

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Leon Bakst
Costume design for Nijinsky in t...
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Leon Bakst
Costume Designs for Pamina and M...
Undated | watercolour on paper

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Leon Bakst
Costume design for Prince Charmi...
1921 | colour lithograph

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Leon Bakst
Costume design for the ballet Ca...
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Leon Bakst
Costume design for the Blue Sult...
1910 | watercolour on paper

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Leon Bakst
Peasant woman. Costume design fo...
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Leon Bakst
Portrait of Anna Pavlova (1881-1...
1908 | charcoal on paper

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Leon Bakst
Costume design for a bacchante i...
1911 | Pencil and watercolour on paper

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Leon Bakst
Costume design for The Tsarevitc...
Undated | colour lithograph

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Leon Bakst
Englishman. Costume design for t...
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Leon Bakst
Costume design for Paganini in '...
Undated | watercolour on paper

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Leon Bakst
Costume design for Harlequin, fr...
1921 | colour lithograph

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Leon Bakst
Decor pour le ballet Daphnis et ...
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Leon Bakst
Costume design for a Dancing Girl
Undated | colour lithograph

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Leon Bakst
Iskander, costume design for the...
1913 | pencil/watercolour

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Leon Bakst
Costume design for the ballet Ca...
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Leon Bakst
Title page of Souvenir program f...
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Leon Bakst
Costume design for the ballet Sh...
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Leon Bakst
Costume design for the ballet 'L...
Undated | charcoal and gouache on paper

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Leon Bakst
Ephebe, costume design for a Bal...
1911 | gouache/pencil/watercolour

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Leon Bakst
Elysium, 1906.
1906 | watercolour/gouache

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Leon Bakst
The wolf, costume sketch for Tch...
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Leon Bakst
Odalisque, costume sketch for th...
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Leon Bakst
Potiphar, costume sketch for Ric...
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Leon Bakst
Costume sketch for a character i...
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Leon Bakst
Costume sketch for the Greek Dan...
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Leon Bakst
Potiphar's Wife, costume sketch ...
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Leon Bakst
Sketch of the setting for Rimski...
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Leon Bakst
Costume design for a dancer from...
1910 | pencil, gouache and gold paint on paper

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Leon Bakst
A pair of costume designs for fe...
Undated | pencil and gouache on paper

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Leon Bakst
Helen of Troy, costume sketch fo...
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Leon Bakst
The Princess, costume sketch for...
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Leon Bakst
Bayadere and peacock, costume sk...
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Leon Bakst
The Fiancee, costume sketch for ...
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Leon Bakst
Ballets russes : ""bayadere"" Co...
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Leon Bakst
Costume design for a male dancer...
Undated | pencil and gouache on paper

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Leon Bakst
Sketch for a set for the fourth ...
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Leon Bakst
Costume sketch for a Bacchante, ...
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Leon Bakst
Costume for "Sadko", opera direc...
Undated | pencil and watercolour

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Leon Bakst
Messenger, costume sketch for Eu...
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Leon Bakst
Costume for a 'negro', from Alad...
1916 | colour lithograph

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Leon Bakst
Chiarina, costume sketch for the...
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Leon Bakst
Costume sketch for a man from th...
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Leon Bakst
Comtesse, costume sketch for Tch...
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Leon Bakst
Costume of the chief-eunuch, for...
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Leon Bakst
Noble Waltz, costume sketch for ...
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Leon Bakst
Odalisque. Costume design for th...
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Leon Bakst
The Blue God, costume sketch for...
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Leon Bakst
Russian Ballet : drawing for the...
Undated | lithograph

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Leon Bakst
Costume design for the Ballet ""...
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Leon Bakst
Nymph, costume sketch for Claude...
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Leon Bakst
Costume design for "Ammoun", dep...
Undated | encil and gouache, silver and gold paint

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Leon Bakst
 
1922 | pencil, gouache and silver paint on paper

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Leon Bakst
Scenery Design for the Imperial ...
Undated | colour lithograph

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Leon Bakst
Costume design for Nijinsky (188...
1911 | Watercolor on paper

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Leon Bakst
Costume sketch for a Beotian wom...
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Leon Bakst
Richard Strauss ""La Légende de ...
Undated | print

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Leon Bakst
The nymph Echo, costume sketch f...
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Leon Bakst
Nymph, costume sketch for Claude...
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Leon Bakst
The afternoon of a fauna by Clau...
Undated | drawing

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Leon Bakst
The Green Monster, costume sketc...
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Leon Bakst
Portrait of Isadora Duncan (1877...
1908 | charcoal on paper

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Leon Bakst
The Peri, costume sketch for Pau...
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Leon Bakst
A costume design for "Salome": H...
Undated | pencil and gouache, heightened with gold

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Leon Bakst
""Narcisse"" Costume dessine par...
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Leon Bakst
Costume design for a woman, from...
1922 | colour lithograph

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Leon Bakst
Costume sketch for the " Marquis...
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Leon Bakst
Costume sketch for an Indian You...
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Leon Bakst
The Chinese Mandarin, costume de...
1921 | pencil, watercolour and gouache

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Leon Bakst
Costume design for Salome in 'Da...
1908 | watercolour and pencil heightened with white gouache

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Leon Bakst
""Danseuse"" Costume dessine par...
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Leon Bakst
Constanza, costume sketch for th...
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Leon Bakst
Set design for "Prelude to the A...
1912 | oil

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Leon Bakst
Scenery design for a Hindu Balle...
1911 | colour lithograph

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Leon Bakst
Set design for a Ballets Russes ...
1911 | pencil/watercolour

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Leon Bakst
A costume design for "Cleopatra"...
1910 | pencil, watercolour and gouache heightened with silver on paper

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Leon Bakst
Peasant woman. Costume design fo...
Undated |

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Leon Bakst
Costume design for the ballet Or...
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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

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Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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