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Feel the passion of Lady Butler in our art prints.

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Lady Butler
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Museum Quality Art Prints
Individual Customization Options
Lady Butler

Lady Butler

    November 3, 1846   -   October 2, 1933
Nonclassified artists   •   Wikipedia: Lady Butler

The British painter Lady Butler was born as Elizabeth Southerden Thompson in Switzerland. However, she spent most of her childhood in Italy, where she probably began her artistic education at the age of 16. About four years later the family moved to London, where she studied at the Female School of Art. There she met the critic John Ruskin and the painter Sir John Everett Millais, among others. Ruskin was an admirer of her work. Butler had forced him to admit that women could also paint. After three years Lady Butler returned to Italy with her family and they settled in Florence. She was accepted at the Accademia de Belle Arti and worked under the guidance of the Italian artist Guiseppe Bellucci.

Butler painted mainly religious motifs at the beginning of her career. This changed in the 1970s when she moved to Paris. She got to know the works of the military artists of Jean Louis Ernest Meissonier and Jean Baptiste Edouard Detaille. Although she herself had no connection to the military at that time, her fascination with this subject began. She felt that this genre was underrepresented in her home country Great Britain. From then on she painted almost exclusively military scenes. But unlike other artists, Butler did not concentrate on the depiction of battle scenes or the heroics of individual officers. Her works were more about the simple soldiers, their courage but also their exhaustion and despair. Often the men could be seen either just before the beginning or at the end of a battle. Butler avoided direct battle scenes in her paintings for the most part, as well as the depiction of enemy soldiers. This hit the nerve of the time and was entirely in keeping with the taste of the burgeoning patriotism in the British Empire. The enthusiasm for her paintings was partly due to her talent and the new way she portrayed them. But the fact that she was a young and attractive woman also played an important role. For she did not at all correspond to the typical image of a military painter of that time.

Some of her most famous works "Missing" or "The Roll Call" were exhibited at the Royal Academy. However, she was not accepted as the first female associate member of the Royal Academy, apart from the two co-founders Mary Moser and Angelica Kauffmann. At the age of 31 she married the distinguished Lieutenant General Sir William Francis Butler and was given the name Lady Butler, Elizabeth Southerden. She accompanied her husband to Egypt and Palestine, where she continued to paint and write a book. The couple had six children. When her husband retired from military service, the family moved to Ireland. Lady Butler continued to paint military scenes until the end of her life, although, influenced by her husband, she began to doubt the ideology of the colonial empire.

Lady Butler

    November 3, 1846   -   October 2, 1933
Nonclassified artists   •   Wikipedia: Lady Butler Lady Butler

The British painter Lady Butler was born as Elizabeth Southerden Thompson in Switzerland. However, she spent most of her childhood in Italy, where she probably began her artistic education at the age of 16. About four years later the family moved to London, where she studied at the Female School of Art. There she met the critic John Ruskin and the painter Sir John Everett Millais, among others. Ruskin was an admirer of her work. Butler had forced him to admit that women could also paint. After three years Lady Butler returned to Italy with her family and they settled in Florence. She was accepted at the Accademia de Belle Arti and worked under the guidance of the Italian artist Guiseppe Bellucci.

Butler painted mainly religious motifs at the beginning of her career. This changed in the 1970s when she moved to Paris. She got to know the works of the military artists of Jean Louis Ernest Meissonier and Jean Baptiste Edouard Detaille. Although she herself had no connection to the military at that time, her fascination with this subject began. She felt that this genre was underrepresented in her home country Great Britain. From then on she painted almost exclusively military scenes. But unlike other artists, Butler did not concentrate on the depiction of battle scenes or the heroics of individual officers. Her works were more about the simple soldiers, their courage but also their exhaustion and despair. Often the men could be seen either just before the beginning or at the end of a battle. Butler avoided direct battle scenes in her paintings for the most part, as well as the depiction of enemy soldiers. This hit the nerve of the time and was entirely in keeping with the taste of the burgeoning patriotism in the British Empire. The enthusiasm for her paintings was partly due to her talent and the new way she portrayed them. But the fact that she was a young and attractive woman also played an important role. For she did not at all correspond to the typical image of a military painter of that time.

Some of her most famous works "Missing" or "The Roll Call" were exhibited at the Royal Academy. However, she was not accepted as the first female associate member of the Royal Academy, apart from the two co-founders Mary Moser and Angelica Kauffmann. At the age of 31 she married the distinguished Lieutenant General Sir William Francis Butler and was given the name Lady Butler, Elizabeth Southerden. She accompanied her husband to Egypt and Palestine, where she continued to paint and write a book. The couple had six children. When her husband retired from military service, the family moved to Ireland. Lady Butler continued to paint military scenes until the end of her life, although, influenced by her husband, she began to doubt the ideology of the colonial empire.

Artworks by Lady Butler

Artworks by Lady Butler

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97 artworks found

Lady Butler
Scotland For Ever! 1881
1881 | oil on canvas

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Lady Butler
Floreat Etona!, 1882
1882 | oil on canvas

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Lady Butler
Two architectural studies of mon...
1860 | pen and ink

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Lady Butler
Studies of soldiers inscribed "I...
1860 | pen and ink

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Lady Butler
Studies of eight soldiers inscri...
1860 | pen and ink

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Lady Butler
Study of landscape with trees an...
1860 | pen and ink

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Lady Butler
Studies of "a London cab driver"...
1860 | pen and ink

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Lady Butler
Three soldiers playing cards, tw...
1860 | pen and ink

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Lady Butler
Study of artists materials, butt...
1860 | pen and ink

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Lady Butler
Study of two horses in landscape...
1860 | pen and ink

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Lady Butler
Two studies of rocky island, stu...
1860 | pen and ink

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Lady Butler
Four battalion scenes inscribed ...
1860 | pen and ink

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Lady Butler
Eight studies of soldiers, inclu...
1860 | pen and ink

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Lady Butler
Studies of children, a sailor in...
1860 | pen and ink

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Lady Butler
Multi-figure reception scene "at...
1860 | pen and ink

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Lady Butler
Six studies of soldiers, one on ...
1860 | pencil and ink

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Lady Butler
Study of soldiers on horses insc...
1860 | pen and ink

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Lady Butler
Study of "the Guards", two studi...
1860 | pencil and ink

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Lady Butler
Study of a "Genoese Villa", a ma...
1860 | pen and ink

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Lady Butler
Four studies of male busts, two ...
1860 | pen and ink

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Lady Butler
Horses pulling a carriage throug...
1860 | pen and ink

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Lady Butler
The Retreat from Mons, 1927
1927 | oil on canvas

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Lady Butler
Study of "the Orange growers of ...
1860 | pen and ink

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Lady Butler
Water fountain in foliage, study...
1860 | pen and ink

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Lady Butler
Three figures in a rowing boat i...
1860 | pen and ink

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Lady Butler
Study for 'Dawn of Waterloo', 1893
1893 | Brush on paper

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Lady Butler
Three studies of countryside sce...
1860 | pen and ink

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Lady Butler
Twelve studies showing woman rid...
1860 | pen and ink

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Lady Butler
Soldier in full uniform, studies...
1860 | pencil and ink

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Lady Butler
Twelve pen studies inscribed "Vo...
1860 | pen and ink

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Lady Butler
Scotland for Ever!
Undated | engraving

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Lady Butler
A garden and laundry scene with ...
1860 | pen and ink

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Lady Butler
Eight studies of standing soldie...
1860 | pen and ink

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Lady Butler
Studies of men and women "On the...
1860 | pen and ink

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Lady Butler
Study for 'Dawn of Waterloo', 1893
1893 | Brush on paper

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Lady Butler
Study of a cafe scene with soldi...
1860 | pen and ink

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Lady Butler
Study of the Battle of Waterloo,...
1880 | pen and ink on paper

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Lady Butler
Study of men and women on horseb...
1860 | pen and ink

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Lady Butler
Three studies of soldiers on hor...
1860 | pen and ink

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Lady Butler
Two soldiers on horseback inscri...
1860 | pen and ink

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Lady Butler
Study of a ship blowing on water...
1860 | pen and ink

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Lady Butler
Three studies of cavalry battles
1860 | pen and ink

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Lady Butler
Study of a monastic "Procession"...
1860 | pen and ink

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Lady Butler
Possible study for 'Dawn of Wate...
1893 | Brush on paper

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Lady Butler
Studies of male figures with hor...
1860 | pen and ink

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Lady Butler
Study for 'Dawn of Waterloo', 1893
1893 | Brush on paper

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Lady Butler
Study of a Wounded Guardsman, Cr...
Undated | Oil on cardboard

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Lady Butler
Two soldiers firing downwards ov...
1878 | pencil

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Lady Butler
British Soldier, Camel Corps, Eg...
1885 | oil on panel

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Lady Butler
Four figures next to wooden cros...
1860 | pen and ink

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Lady Butler
The Colours: advance of the Scot...
1899 | oil on canvas

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Lady Butler
"English Peasant", "a Genoese Pe...
1860 | pen and ink

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Lady Butler
A 'Lament' in the Desert, 1925
1925 | oil on canvas

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Lady Butler
Rorke?s Drift, 1879
1878 | pencil

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Lady Butler
'Listed for the Connaught Ranger...
1878 | oil on canvas

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Lady Butler
 
1860 | pen and ink

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Lady Butler
Four studies of soldiers, women ...
1860 | pen and ink

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Lady Butler
Study of soldiers on horses pull...
1860 | pen and ink

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Lady Butler
"Searching carriages at the city...
1860 | pen and ink

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Lady Butler
Officer in full dress with top h...
1860 | pen and ink

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Lady Butler
Study for 'Dawn of Waterloo', 1893
1893 | Brush on paper

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Lady Butler
Ten studies of soldiers, horses,...
1860 | pen and ink

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Lady Butler
"A palm grove at San Remo", a ho...
1860 | pen and ink

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Lady Butler
Three studies of ships, boats an...
1860 | pen and ink

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Lady Butler
Scotland for Ever, illustration ...
Undated | colour lithograph

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Lady Butler
Seven studies of cavalry battles...
1860 | pen and ink

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Lady Butler
A Despatch-Bearer Egyptian Camel...
Undated | colour lithograph

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Lady Butler
Possible studies for 'Dawn of Wa...
1893 | penicl on paper

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Lady Butler
"Changing horses by night", "goi...
1860 | pen and ink

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Lady Butler
Study of twenty-one soldiers
1860 | pen and ink

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Lady Butler
Studies of women and men
1860 | pen and ink

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Lady Butler
The Remnants of an Army (photome...
Undated | photomechanical print

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Lady Butler
Am Morgen nach der Schlacht von ...
1923 | oil on canvas

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Lady Butler
Study of a table leg, architectu...
1860 | pencil

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Lady Butler
The English General's Syces
Undated | colour lithograph

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Lady Butler
Life at Shepheard's Hotel
Undated | colour lithograph

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Lady Butler
Three studies of horses gallopin...
1860 | pen and ink

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Lady Butler
Study of three high ranking sold...
1860 | pen and ink

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Lady Butler
The Reception of the Prince of W...
Undated | engraving

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Lady Butler
To the front: French cavalry lea...
1888 | oil on canvas

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Lady Butler
Studies of a horse and man
1860 | pencil

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Lady Butler
Study of soldiers and horses
1860 | pen and ink

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Lady Butler
Three studies of soldiers
1860 | pen and ink

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Lady Butler
Registering Fellaheen for milita...
Undated | colour lithograph

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Lady Butler
Studies of a horse drawn carriag...
1860 | pen and ink

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Lady Butler
?German Band on the Parade", stu...
1860 | pen and ink

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Lady Butler
"On the Parade, a windy Day", bo...
1860 | pen and ink

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Lady Butler
Four studies of soldiers on hors...
1860 | pen and ink

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Lady Butler
Quatre-Bras 1815, engraved by F....
1879 | engraving

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Lady Butler
?Jenkins? kneeling to fire, 1879
1878 | pencil

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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