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Joseph Pennell
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

Joseph Pennell

United States of America · 1857–1926 · American Art · 1368 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Joseph Pennell
1857–1926
Born1857 (Philadelphia)
Died1926 (New York City)
NationalityUnited States of America
EpochsAmerican Art
Professionlithographer, illustrator, painter, etcher, biographer, designer, photographer, draftsperson, writer, graphic artist, watercolorist, engraver
Family
Spouse: Elizabeth Robins Pennell
MembershipsAmerican Academy of Arts and Letters
Notable worksAn Afternoon Call (1889), West Front of St. Paul's from Ludgate Hill (1887), A Farm in the Broads (1895), Hoveton Church (1895), Venice (1883)
MuseumsArt Institute of Chicago, National Gallery of Art, Cleveland Museum of Art, Princeton University Art Museum, Los Angeles County Museum of Art (LACMA)

Joseph Pennell

The illustrator and graphic artist Joseph Penell was born in 1857 in the United States of America, and grew up in a Quaker family in Philadelphia. When he was ten years old, the family moved to Germantown, where he attended Friends Select School, "for six terrible years, the worst of my life," Joseph Penell later reported. A loner with few friends, Pennell spent much of his time painting and drawing, a quirk that was not welcomed at his school. After graduating from high school, Pennell first worked for the Philadelphia and Reading Coal and Iron Company. When he applied to the new Academy of the Fine Arts in Pennsylvania, he was rejected, and instead studied at night at the School of Industrial Arts. When he was expelled from school for his rebellious nature, his professor Charles M. Burns, who had quickly recognized Pennell's talent, helped him gain admission to the Pennsylvania Academy of the Fine Arts. Pennell's talents lay more in printmaking, but because of his abrasive personality, trouble arose constantly as he progressed through the Academy. Young Pennell had a special talent for not getting along with people, yet was an immediate success in the highly competitive field of illustration. He worked hard, had remarkable skills and a special talent for drawing, and created an enormous number of highly regarded works. He angered many, but also knew the great talents of his time.

Following his studies, he worked in New Orleans as a book illustrator. Arguably the best known author and illustrator of his time, Pennell often worked abroad. There he illustrated some of William Dean Howells' writings, and his prints of landscapes, interiors, and people gained a highly praised international reputation. He often used drawings as studies for his prints. He also produced panoramic images of major construction and engineering projects such as the Panama Canal and the locks at Niagara Falls. The American artist spent most of his creative years in Europe, producing etchings, pen and ink drawings, and lithographs of cathedrals, street scenes, and palaces for prestigious magazines and well-known publications. In the 1880s, Penell and his wife, who often worked with him, settled in England and became close friends with the American avant-garde painter James McNeill Whistler. Whistler was a highly skilled etcher who made prints of European roads and ports, and his work influenced Pennell's style.

During World War I, Pennell created a series of uplifting lithographs documenting the war effort in, Britain and the United States. In other projects, he depicted the Grand Canyon and the construction of the Panama Canal. An influential lecturer and critic, Pennell had written or illustrated countless magazines and books by the end of his career.

Artworks by Joseph Pennell

1368 artworks found
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Joseph Pennell
 
undatiert | etching on paper

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Joseph Pennell
English War Work: Furnaces at N...
1916 | lithograph

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Joseph Pennell
 
1910 | lithograph

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Joseph Pennell
 
Undated | etching

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Joseph Pennell
Wren's City, 1909.
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Joseph Pennell
English War Work: The Gantry (A...
1916 | lithograph

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Joseph Pennell
Coronation of King George V and ...
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Joseph Pennell
English War Work: The Urns, Cas...
1916 | lithograph

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Joseph Pennell
National Red Cross Headquarters,...
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Joseph Pennell
The Ants, 1917.
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Joseph Pennell
 
Undated | watercolor

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Joseph Pennell
English War Work: Shot
1916 | lithograph

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Joseph Pennell
The White and Black Hammers, 1917.
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Joseph Pennell
Eads Bridge, St. Louis, 1919.
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Joseph Pennell
Coal—Abomination of Work, Mahano...
1908 |

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Joseph Pennell
Yesterday and Today in Venice, 1883
1883 | Etching, laid paper

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Joseph Pennell
Oil Refining, Whiting, Indiana, ...
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Joseph Pennell
The Walls of Pedron Miguel, plat...
1912 | charcoal on paper

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Joseph Pennell
English War Work: The Acolytes ...
1916 | lithograph

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Joseph Pennell
 
1894 |

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Joseph Pennell
Drawing Room at Cliveden, 1912.
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Joseph Pennell
English War Work: The Shops at ...
1916 | lithograph

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Joseph Pennell
 
Undated | Lithograph on green laid paper

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Joseph Pennell
The Gun Forge, 1916.
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Joseph Pennell
Five O'Clock, 1916.
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Joseph Pennell
English War Work: Steel Bars fo...
1916 | lithograph

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Joseph Pennell
Coal—The Great Incline, Breaker,...
1908 | Drypoint with etching on ivory laid paper

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Joseph Pennell
English War Work: Made in Germa...
1916 | lithograph

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Joseph Pennell
The Foundations, Building a Skys...
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Joseph Pennell
The Old Shipyard, 1916.
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Joseph Pennell
Hallway at Dr. Wister's, 1912.
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Joseph Pennell
The Cut Looking Towards Culebra,...
1912 | charcoal on paper

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Joseph Pennell
English War Work: Bringing in t...
1916 | lithograph

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Joseph Pennell
Building Kensington Great Cranes...
1910 | etching on paper

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Joseph Pennell
The Woolworth Building, 1915.
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Joseph Pennell
 
Undated | etching with drypoint

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Joseph Pennell
English War Work: Cutting and T...
1916 | lithograph

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Joseph Pennell
Unloading Ore, 1917.
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Joseph Pennell
Clifford's Inn Hall, 1907.
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Joseph Pennell
English War Work: The Old Shipyard
1916 | lithograph

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Joseph Pennell
The Big Bug, 1916.
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Joseph Pennell
 
1916 | lithograph

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Joseph Pennell
Building the Bismarck, Hamburg, ...
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Joseph Pennell
Toledo, from Castilian Days
1903 | Oiled charcoal with stumping, with touches of white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board

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Joseph Pennell
Bringing in the Gun, 1916.
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Joseph Pennell
The Dining Room, Stenton, 1912.
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Joseph Pennell
The Stock Exchange, New York (et...
1904 | etching

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Joseph Pennell
In the Jaws of Death, Rolling Ba...
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Joseph Pennell
 
1904 | etching on ivory laid paper

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Joseph Pennell
English War Work: Fitting Guns ...
1916 | lithograph

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Joseph Pennell
 
1904 | Etching and drypoint on cream laid paper

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Joseph Pennell
The Great Chimney, Sheffield, 1910
1910 |

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Joseph Pennell
English War Work: Taking the Bi...
1916 | lithograph

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Joseph Pennell
 
Undated | lithograph

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Joseph Pennell
English War Work: Planing Big S...
1916 | lithograph

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Joseph Pennell
 
Undated | etching

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Joseph Pennell
From Clark Street to Wall Street...
1924 | etching

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Joseph Pennell
 
Undated | etching with drypoint

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Joseph Pennell
Building Miraflores Lock, plate ...
1912 | charcoal on paper

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Joseph Pennell
 
1906 | etching on ivory laid paper

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Joseph Pennell
English War Work: The Coal Mines
1916 | lithograph

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Joseph Pennell
 
1881 | Monotype with pen in black ink on cream China paper laid down on cream wove paper

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Joseph Pennell
English War Work: The Balloon-Shed
1916 | lithograph

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Joseph Pennell
The Transept, Beauvais, 1907.
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Joseph Pennell
The White and Black Hammers (litho)
Undated | lithograph

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Joseph Pennell
 
1913 | Etching in brownish ink on ivory laid paper

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Joseph Pennell
English War Work: In the Land o...
1916 | lithograph

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Joseph Pennell
The Union League, 1912.
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Joseph Pennell
The City Bridge, St. Louis [bott...
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Joseph Pennell
English War Work: Gun-Testing
1916 | lithograph

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Joseph Pennell
The Coal Mine, 1916.
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Joseph Pennell
 
Undated | lithograph

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Joseph Pennell
In the Land of Brobdingnag, the ...
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Joseph Pennell
The Mystery of the Mist, 1910.
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Joseph Pennell
The English War Series: W. 453. ...
Undated | lithograph

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Joseph Pennell
English War Work: The Shell Fac...
1916 | lithograph

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Joseph Pennell
 
Undated | lithograph

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Joseph Pennell
The Jungle: The Old Railway, pla...
1912 | charcoal on paper

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Joseph Pennell
 
1904 | etching on off-white laid paper

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Joseph Pennell
 
Undated |

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Joseph Pennell
 
1903 | etching on ivory laid paper

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Joseph Pennell
 
1903 | Oiled charcoal with stumping and erasing, heightened with touches of white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board

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Joseph Pennell
 
Undated | etching

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Joseph Pennell
Lower Broadway, 1904.
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Joseph Pennell
Gezicht op Egglestone Abbey, gez...
Undated | paper

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Joseph Pennell
Cranes at the Miraflores Lock, p...
1912 | charcoal on paper

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Joseph Pennell
The Guard Gate at Gatun, plate V...
1912 | charcoal on paper

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Joseph Pennell
The Grand Gallery of the Prado, ...
1903 | Oiled charcoal with stumping and erasing, heightened with touches of gouache and white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board

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Joseph Pennell
At the Bottom of the Gatun Lock,...
1912 | charcoal on paper

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Page 1 / 14

About the artist

Joseph Pennell
1857–1926
Born1857 (Philadelphia)
Died1926 (New York City)
NationalityUnited States of America
EpochsAmerican Art
Professionlithographer, illustrator, painter, etcher, biographer, designer, photographer, draftsperson, writer, graphic artist, watercolorist, engraver
Family
Spouse: Elizabeth Robins Pennell
MembershipsAmerican Academy of Arts and Letters
Notable worksAn Afternoon Call (1889), West Front of St. Paul's from Ludgate Hill (1887), A Farm in the Broads (1895), Hoveton Church (1895), Venice (1883)
MuseumsArt Institute of Chicago, National Gallery of Art, Cleveland Museum of Art, Princeton University Art Museum, Los Angeles County Museum of Art (LACMA)

The illustrator and graphic artist Joseph Penell was born in 1857 in the United States of America, and grew up in a Quaker family in Philadelphia. When he was ten years old, the family moved to Germantown, where he attended Friends Select School, "for six terrible years, the worst of my life," Joseph Penell later reported. A loner with few friends, Pennell spent much of his time painting and drawing, a quirk that was not welcomed at his school. After graduating from high school, Pennell first worked for the Philadelphia and Reading Coal and Iron Company. When he applied to the new Academy of the Fine Arts in Pennsylvania, he was rejected, and instead studied at night at the School of Industrial Arts. When he was expelled from school for his rebellious nature, his professor Charles M. Burns, who had quickly recognized Pennell's talent, helped him gain admission to the Pennsylvania Academy of the Fine Arts. Pennell's talents lay more in printmaking, but because of his abrasive personality, trouble arose constantly as he progressed through the Academy. Young Pennell had a special talent for not getting along with people, yet was an immediate success in the highly competitive field of illustration. He worked hard, had remarkable skills and a special talent for drawing, and created an enormous number of highly regarded works. He angered many, but also knew the great talents of his time.

Following his studies, he worked in New Orleans as a book illustrator. Arguably the best known author and illustrator of his time, Pennell often worked abroad. There he illustrated some of William Dean Howells' writings, and his prints of landscapes, interiors, and people gained a highly praised international reputation. He often used drawings as studies for his prints. He also produced panoramic images of major construction and engineering projects such as the Panama Canal and the locks at Niagara Falls. The American artist spent most of his creative years in Europe, producing etchings, pen and ink drawings, and lithographs of cathedrals, street scenes, and palaces for prestigious magazines and well-known publications. In the 1880s, Penell and his wife, who often worked with him, settled in England and became close friends with the American avant-garde painter James McNeill Whistler. Whistler was a highly skilled etcher who made prints of European roads and ports, and his work influenced Pennell's style.

During World War I, Pennell created a series of uplifting lithographs documenting the war effort in, Britain and the United States. In other projects, he depicted the Grand Canyon and the construction of the Panama Canal. An influential lecturer and critic, Pennell had written or illustrated countless magazines and books by the end of his career.



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · support@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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