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Feel the passion of John William Inchbold in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

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John William Inchbold
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

John William Inchbold

    August 29, 1830   -   January 23, 1888
Pre Raphaelites   •   Wikipedia: John William Inchbold

The school of English nature painting in the middle of the 19th century split into two directions: The Academy Painting with classical, academic motifs and the Pre-Raphaelite Painting with its claim to paint nature as it is. John William Inchbold, son of a newspaper publisher from Yorkshire, Great Britain was one of them.

Inchbold's work shows his early, detailed, almost loving preoccupation with nature. During his studies he met a group of painters around the Rosetti brothers. They later called themselves the Pre-Raphaelite Brotherhood. The influence of these young painters can be seen in the aims of this brotherhood, directly in the motif implementation of John William Inchbold's work. The group committed itself to the lifelike, detailed depiction of animated, i.e. living motifs. The academic and artificial representation of subjects was rejected by them. This commitment to naturalness is what the viewers of his first oil painting on display - The Moorland - encounter. The painting is constructed on several levels, the viewer does not know where to look at the first moment. Should the raven in the foreground appear first, or should it be the suggested expanse of the barren landscape up to the horizon? One really feels alive in this scenery. John Ruskin, the leading British art critic of his time, praised him effusively for his depiction of this moorland landscape. Also his companions, the painters Cecil Lawson, James Clarke Hook or Ernest Parton have left admiring words.

However, after he regularly found himself in financial difficulties from his fortieth birthday, he left London and moved to Switzerland. There he had spent regular stays with Ruskin in the mid-1850s. During the Swiss years, almost exclusively mountain motifs of Swiss summits were created. Entirely in keeping with the pre-Raphaelites' claim - "Paint what you see". These motifs finally consolidated his reputation as an outstanding landscape painter. The only change to Switzerland was a trip to Algeria. On his return he was fully loaded with new motifs, sketches and rough drafts for further paintings. However, these were not to be realized, because almost one and a half years after his return, John William Inchbold died of a sudden heart attack. His works can be found in all the famous museums of London: the Royal Academy of Arts, the Victoria and Albert Museum, the Tate Britain and the Leeds Art Gallery.

John William Inchbold

    August 29, 1830   -   January 23, 1888
Pre Raphaelites   •   Wikipedia: John William Inchbold

The school of English nature painting in the middle of the 19th century split into two directions: The Academy Painting with classical, academic motifs and the Pre-Raphaelite Painting with its claim to paint nature as it is. John William Inchbold, son of a newspaper publisher from Yorkshire, Great Britain was one of them.

Inchbold's work shows his early, detailed, almost loving preoccupation with nature. During his studies he met a group of painters around the Rosetti brothers. They later called themselves the Pre-Raphaelite Brotherhood. The influence of these young painters can be seen in the aims of this brotherhood, directly in the motif implementation of John William Inchbold's work. The group committed itself to the lifelike, detailed depiction of animated, i.e. living motifs. The academic and artificial representation of subjects was rejected by them. This commitment to naturalness is what the viewers of his first oil painting on display - The Moorland - encounter. The painting is constructed on several levels, the viewer does not know where to look at the first moment. Should the raven in the foreground appear first, or should it be the suggested expanse of the barren landscape up to the horizon? One really feels alive in this scenery. John Ruskin, the leading British art critic of his time, praised him effusively for his depiction of this moorland landscape. Also his companions, the painters Cecil Lawson, James Clarke Hook or Ernest Parton have left admiring words.

However, after he regularly found himself in financial difficulties from his fortieth birthday, he left London and moved to Switzerland. There he had spent regular stays with Ruskin in the mid-1850s. During the Swiss years, almost exclusively mountain motifs of Swiss summits were created. Entirely in keeping with the pre-Raphaelites' claim - "Paint what you see". These motifs finally consolidated his reputation as an outstanding landscape painter. The only change to Switzerland was a trip to Algeria. On his return he was fully loaded with new motifs, sketches and rough drafts for further paintings. However, these were not to be realized, because almost one and a half years after his return, John William Inchbold died of a sudden heart attack. His works can be found in all the famous museums of London: the Royal Academy of Arts, the Victoria and Albert Museum, the Tate Britain and the Leeds Art Gallery.

Artworks by John William Inchbold

Artworks by John William Inchbold

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42 artworks found

John William Inchbold
A Study, in March, exhibited 1855
1855 | oil painting

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John William Inchbold
On the Lagoon, Venice (oil on ca...
Undated | oil on canvas

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John William Inchbold
Cornfield at sunset
1860 | oil on canvas

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John William Inchbold
The Lake of Lucerne, Mount Pilat...
1857 | watercolour on paper

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John William Inchbold
View of a Lake with Trees, 1857 ...
1857 | watercolour on paper

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John William Inchbold
In Early Spring: A Study in March
Undated | oil on canvas

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John William Inchbold
An Artist Painting by the Sea, 1...
1887 | watercolour and bodycolour on paper

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John William Inchbold
Springtime in Spain, near Gordel...
Undated |

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John William Inchbold
The Thames, Early Morning, Towar...
Undated | watercolour with graphite on paper

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John William Inchbold
View of a Lake with Trees, 1857
1857 | watercolour

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John William Inchbold
The Common, June, 1871 (oil on c...
1871 | oil on card

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John William Inchbold
 
1869 | oil on canvas

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John William Inchbold
Scarborough
Undated | watercolour on paper

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John William Inchbold
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John William Inchbold
Lake Leman with the Dents du Mid...
1863 | oil on canvas

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John William Inchbold
Swiss Valley Landscape, 1885 (wc...
1885 | watercolour and gouache on paper

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John William Inchbold
Gate of the Sea, Venice, 1873
1873 | watercolour on paper

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John William Inchbold
On the Road of Sepey, Switzerlan...
Undated | watercolour and gouache on paper

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John William Inchbold
 
Undated | Watercolor and graphite, with scraping on medium, moderately textured, cream wove paper

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John William Inchbold
Cornfield at sunset
Undated | oil on canvas

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John William Inchbold
The Castle at Chillon
Undated | watercolour on paper

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John William Inchbold
Scarborough (oil on canvas)
Undated | oil on canvas

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John William Inchbold
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John William Inchbold
Wooded Slope with four Figures (...
Undated | watercolour on paper

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John William Inchbold
Harvest Field, Stratford-upon-Av...
Undated | oil on canvas

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John William Inchbold
 
Undated | Watercolor, gouache, and graphite, with scraping on moderately thick, moderately textured, cream wove paper

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John William Inchbold
Vouvri, Switzerland (watercolour...
Undated |

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John William Inchbold
 
Undated | Watercolor and gouache on thick, slightly textured, cream wove paper with gilt edges

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John William Inchbold
In Richmond Park, c.1869 (wc wit...
Undated | watercolour with gouache on paper

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John William Inchbold
 
Undated | oil on canvas

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John William Inchbold
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John William Inchbold
The Lake of Geneva, c.1880-1882 ...
Undated | oil on canvas

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John William Inchbold
 
Undated |

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John William Inchbold
Wooded Slope with four Figures, ...
1833 | watercolour

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John William Inchbold
Cuillin Ridge, Skye from Sligech...
Undated | oil on canvas

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John William Inchbold
Above Montreux
Undated | colour lithograph

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John William Inchbold
Anstey's Cove, Devon, 1854
1854 | oil on canvas

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John William Inchbold
 
Undated | oil on canvas

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John William Inchbold
 
Undated | oil on panel

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John William Inchbold
 
Undated | oil on canvas

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John William Inchbold
 
Undated |

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John William Inchbold
Unbekanntes Bild
Undated | watercolour

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John William Inchbold
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John William Inchbold
 
Undated | oil on canvas

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John William Inchbold
Ariccia, Italy, 1860
1860 | Oil on panel

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John William Inchbold
 
1855 | oil painting

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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