James Abbott McNeill Whistler | Page 26

James Abbott McNeill Whistler | Page 26

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James Abbott McNeill Whistler
Near Mayence, 1858 (pencil on wh...
1858 | pencil on white paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Winged Hat
Undated | Transfer lithograph in black with scraping, on ivory wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
From Billingsgate, 1878.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Velvet Dress
Undated | drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint on moderately thick, moderately textured, cream laid paper

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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in brownish black on ivory laid paper

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James Abbott McNeill Whistler
The Mast.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Limehouse, 1859, 1904
1859 | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Battersea Reach, c.1863
1863 | oil on canvas

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on tan China paper, laid down on ivory wove paper (chine collé)

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Rialto, 1880.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Two Doorways from "The Second Ve...
Undated | etching with plate tone

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James Abbott McNeill Whistler
Sketch for The Balcony
Undated | oil on panel

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black ink with scraping, on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching; ink on paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream wove proofing paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching, drypoint and roulette with foul biting in warm black, with selective wiping of plate tone, on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Arrangement in Black, No. 3: Sir...
Undated |

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James Abbott McNeill Whistler
Crouching Figure. Study for ...
Undated | Black and white chalk on on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Blacksmith, 18951896.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Rotherhithe, 1860.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithotint in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Staircase panel, 1876.
Undated | oil painting

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Greenwich Park, 1859.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1859 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Cremorne Gardens, No. 2, c.1870-80
1870 | oil on canvas

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Two Ships, 1875.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Old Westminster Bridge, from the...
Undated | etching

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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Old Woman and Child in Oval from...
Undated | etching

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James Abbott McNeill Whistler
 
1879 | etching

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James Abbott McNeill Whistler
Whistler, 1859 1904.
1904 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithotint, in black ink, with scraping, on cream wove proofing paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Wine Glass, 1858.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1896 | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
La Belle Dame endormie
Undated | Transfer lithograph in black on ivory wove proofing paper

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James Abbott McNeill Whistler
Square House, Amsterdam, 1889.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black with chine collé on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Cancelled copper plate

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Purple and Rose- The Lange Leize...
1864 | oil on canvas

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James Abbott McNeill Whistler
Beach Scene With Two Figures, 18...
1885 | watercolour on paper

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James Abbott McNeill Whistler
 
Undated | Etching and dry point on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Lindsay Row, Chelsea, 1888.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on Asian laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Temple Bar, c. 1877.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A Yellow Note, c.187174 (chalk u...
Undated | chalk and pastel on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Long Gallery, Louvre, 1894.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Old Putney Bridge, 1879 1904.
1904 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Self portrait, 1871-73
1871 | black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Entrance Gate, 1887.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Little Market Place, Tours, 1888.
Undated | etching

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James Abbott McNeill Whistler
Fulham.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Chelsea (Memorial) 1887 (etching...
1887 | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Fair, 18951896.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on golden-yellow Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Pink Note: Shelling Peas, 188384
Undated | watercolour on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
 
Undated | Drypoint in black on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Bridge, 18791880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Sunday, Lyme Regis, 1895 (litho ...
1895 | lithograph on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Bibi Lalouette, 1859.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Victoria Club, 18791887.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Anchorage, 1882-1884.
Undated | watercolour

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph from four stones, in black (keystone), orange-red, rose-red, and gray-green inks, on ivory wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Draped Figure, Standing, 1891.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A man reclining on a bed
Undated | Pencil on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph, in black ink, with scraping, on cream wove Japanese vellum

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James Abbott McNeill Whistler
La Vieille aux Loques from "Twel...
Undated | etching

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James Abbott McNeill Whistler
Astruc, A Literary Man, 1859.
Undated | drypoint

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Long Venice, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in dark brown on laid paper

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James Abbott McNeill Whistler
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Page 26 / 47



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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