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Feel the passion of James Abbott McNeill Whistler in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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James Abbott McNeill Whistler
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
James Abbott McNeill Whistler

James Abbott McNeill Whistler

July 11, 1834   -   July 17, 1903
American Art   •   Wikipedia: James Abbott McNeill Whistler

James Abbott McNeill Whistler was an American artist who worked primarily in the United Kingdom. His birthplace in Massachusetts is now a museum dedicated to him. His father was a talented train driver and the family moved to St. Petersburg in 1842, because of a good job offer. Whistler struggled as a child with irascible fits, bouts of illness, as well as periods of extreme fatigue - drawing helped him stay alert. He received private art lessons and attended the Russian Academy of Art at age eleven. In 1844 he met the Scottish painter Sir William Allan, who called him a "rare genius." His brother-in-law, surgeon and painter Sir Francis Seymour Haden, spurred him on to a career in painting and gave him his first set of watercolors. After his father's death, the family returned to the United States and Whistler applied to the United States Military Academy, where, however, he became known more for his sarcastic comments and dislike of authority. However, he did learn cartography there, which helped him land his first job: pattern draftsman for military and naval purposes.

In 1855 he traveled to Paris and studied there briefly, but he preferred to study on his own and copy works of art at the Louvre. There he also met the French painter Henri Henri Fantin-Latour, who in turn introduced him to Gustave Courbet, leader of the Realism movement, and his circle. Among them were Charles Baudelaire, whose theories greatly influenced Whistler, and Théophile Gautier, who inspired him to see music in art. Many of his works bear names such as "Arrangements," "Harmonies," and "Nocturnes." Among his most famous works is "Arrangement in Gray and Black No. 1," better known as "Whistler's Mother," which is on display at the Louvre Abu Dhabi. At the time, the work was negatively received for its lack of sentimentality. Whistler is generally considered averse to sentimentality and moral allusions in paintings, being an advocate of "art for art's sake." The artist also had a special interest in Asian art, studying ceramics, which is how he came up with his characteristic signature, reminiscent of a butterfly.

After the death of his mother in 1881, he took his mother's maiden name as a middle name. He became a member, and later president, of the Society of British Artists, even Queen Victoria expressed her admiration for the artist's illustrations. He made other important friendships with Monet, Rodin and Toulouse-Lautrec. Overall, he counts as an inspiration of several generations of artists in Europe and the U.S. and had lively exchanges with Impressionists, Realists and Symbolists.

James Abbott McNeill Whistler

July 11, 1834   -   July 17, 1903
American Art   •   Wikipedia: James Abbott McNeill Whistler James Abbott McNeill Whistler

James Abbott McNeill Whistler was an American artist who worked primarily in the United Kingdom. His birthplace in Massachusetts is now a museum dedicated to him. His father was a talented train driver and the family moved to St. Petersburg in 1842, because of a good job offer. Whistler struggled as a child with irascible fits, bouts of illness, as well as periods of extreme fatigue - drawing helped him stay alert. He received private art lessons and attended the Russian Academy of Art at age eleven. In 1844 he met the Scottish painter Sir William Allan, who called him a "rare genius." His brother-in-law, surgeon and painter Sir Francis Seymour Haden, spurred him on to a career in painting and gave him his first set of watercolors. After his father's death, the family returned to the United States and Whistler applied to the United States Military Academy, where, however, he became known more for his sarcastic comments and dislike of authority. However, he did learn cartography there, which helped him land his first job: pattern draftsman for military and naval purposes.

In 1855 he traveled to Paris and studied there briefly, but he preferred to study on his own and copy works of art at the Louvre. There he also met the French painter Henri Henri Fantin-Latour, who in turn introduced him to Gustave Courbet, leader of the Realism movement, and his circle. Among them were Charles Baudelaire, whose theories greatly influenced Whistler, and Théophile Gautier, who inspired him to see music in art. Many of his works bear names such as "Arrangements," "Harmonies," and "Nocturnes." Among his most famous works is "Arrangement in Gray and Black No. 1," better known as "Whistler's Mother," which is on display at the Louvre Abu Dhabi. At the time, the work was negatively received for its lack of sentimentality. Whistler is generally considered averse to sentimentality and moral allusions in paintings, being an advocate of "art for art's sake." The artist also had a special interest in Asian art, studying ceramics, which is how he came up with his characteristic signature, reminiscent of a butterfly.

After the death of his mother in 1881, he took his mother's maiden name as a middle name. He became a member, and later president, of the Society of British Artists, even Queen Victoria expressed her admiration for the artist's illustrations. He made other important friendships with Monet, Rodin and Toulouse-Lautrec. Overall, he counts as an inspiration of several generations of artists in Europe and the U.S. and had lively exchanges with Impressionists, Realists and Symbolists.

Artworks by James Abbott McNeill Whistler

Artworks by James Abbott McNeill Whistler

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James Abbott McNeill Whistler
Nocturne in Black and Gold, the ...
1875 | oil on panel

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James Abbott McNeill Whistler
Arrangement in Grey and Black No...
1871 | oil on canvas

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James Abbott McNeill Whistler
Blue and Silver: Trouville, c.1865
Undated | oil on canvas

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James Abbott McNeill Whistler
Nocturne in Grey and Gold: Chels...
1876 | oil on canvas

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James Abbott McNeill Whistler
 
1869 | oil on canvas

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James Abbott McNeill Whistler
Symphony in White, No. 1: The Wh...
1862 | oil on canvas

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James Abbott McNeill Whistler
 
1872 | oil painting

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James Abbott McNeill Whistler
Nocturne- Blue and Silver
1871 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1872 | painting

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Sunset: Venice, c1880 1903-1904
1903 | pastel

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A Foggy Night in London
Undated | oil on canvas

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Harmony in Blue and Silver: Beac...
1897 | oil painting

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James Abbott McNeill Whistler
 
1872 | oil on canvas

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James Abbott McNeill Whistler
Man smoking a pipe, c.1859
1859 | oil on canvas

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James Abbott McNeill Whistler
Portrait of Theodore Duret, 1883
1883 | oil on canvas

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James Abbott McNeill Whistler
Symphony in White, No. III, 1865...
Undated | oil on canvas

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James Abbott McNeill Whistler
 
Undated | oil on canvas

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James Abbott McNeill Whistler
Nocturne- Blue and Gold--Southam...
1872 | oil on canvas

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James Abbott McNeill Whistler
Green and Blue: The Dancer, c.1893
Undated | transparent and opaque watercolour, over traces of black chalk, on brown wove paper, laid down on card

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James Abbott McNeill Whistler
Sketch Of A Woman c1885, 1896
1885 | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Oviform Ginger Jar with Bell-sha...
Undated | ink/pencil

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James Abbott McNeill Whistler
Vase with slightly bulging body
Undated | Pencil, pen, dark brown ink and wash on cream wove paper

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James Abbott McNeill Whistler
Square canister with expanding neck
Undated | Ink and wash on cream wove paper

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James Abbott McNeill Whistler
Vase with slightly bulging body,...
Undated | pen/pencil/ink

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James Abbott McNeill Whistler
[76] Impressions from cancelled ...
Undated | Etchings and drypoints; bound, small folio, half calf, paper: van Gelder

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James Abbott McNeill Whistler
 
Undated | Drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
Arrangement in Grey and Black No...
1871 | oil on canvas

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black ink on ivory laid paper

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James Abbott McNeill Whistler
 
1865 | oil on canvas

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James Abbott McNeill Whistler
Nude Woman Standing, hand on hip
Undated | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
The Old Swan Brewery, Chelesa
Undated | etching on paper

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James Abbott McNeill Whistler
Harmony in Pink and Gray- Lady Meux
1881 | oil on canvas

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James Abbott McNeill Whistler
Little Nude, c1888
1888 | pastel

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1871 | oil on canvas

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James Abbott McNeill Whistler
Sketch of a Girl, Nude, c1878, 1904
1878 | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Dämmerung in Fleischfarbe und Gr...
1866 | painting

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James Abbott McNeill Whistler
 
Undated | color lithograph on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint with foul biting, with scraped and drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1875 | Oil on panel

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James Abbott McNeill Whistler
Figures in a Doorway, c.1897-99
Undated | watercolour on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1865 | oil on canvas

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Little Draped Figure, Leaning, 1...
Undated | lithograph

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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on laid paper

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James Abbott McNeill Whistler
The Little Nude Model Reading, 1...
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
 
Undated | lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Female Figure, Seated, 1870-1873.
Undated | chalk

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James Abbott McNeill Whistler
The Salute, c1854-1903, 1906-7
1906 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nursemaids: "Les Bonnes du Luxem...
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
The Little Nude Model Reading, 1...
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
[76] Impressions from cancelled ...
Undated | Etchings and drypoints; bound, small folio, half calf, paper: van Gelder

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James Abbott McNeill Whistler
The White Girl, 1862
1862 | oil painting

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nude Figure Reclining, c.1885-88...
Undated | etching on paper

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James Abbott McNeill Whistler
Firelight - Joseph Pennell, No. ...
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
Isle de la Cite, Paris
Undated | etching in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Fanny Leyland, 1873.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | chalk and pastel on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Unsafe Tenement. One of the ...
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1890 | Lithography

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Tillie: A Model, 1873.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Shore, Pourville, 19th century
Undated | oil on canvas

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Mother and Daughter, 1897.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid Japanese vellum

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Elinor Leyland, 1874, 1904
1874 | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Confidences in the Garden, 1894.
Undated | lithograph

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James Abbott McNeill Whistler
 
Undated | black and white chalk on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Arrangement in Grey and Black, N...
1872 |

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James Abbott McNeill Whistler
""La princesse du pays de la por...
Undated | painting

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James Abbott McNeill Whistler
Huizen in Amsterdam Square Hous...
Undated | paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Clothes Exchange, No.II, c. 1886...
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nursemaid and Child, 1859.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Group conversing, 1858 (pencil o...
1858 | Pencil on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The "Adam And Eve", Old Chelsea ...
Undated | etching

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James Abbott McNeill Whistler
The Little Forge, Liverpool, 1875.
Undated | drypoint

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James Abbott McNeill Whistler
Note in Blue and OpalJersey, 1881.
Undated | watercolour

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James Abbott McNeill Whistler
The Riva, No.II, 1880.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nocturne: Furnace, 1880.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
Annie Seated, 1858.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Upright Venice, 1879-1880.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Melon-Shop, Hounsditch, c. 18861...
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Model, Lying Down, c1864 1904.
1904 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Wheelwright, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Portrait Study: Miss Charlotte R...
Undated | lithograph

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Study, 1879.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
An Illustration to The Morning b...
Undated | wood engraving

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
 
1884 | oil on panel

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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+43 4257 29415 · office@meisterdrucke.com
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