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Humphry Repton

Weaving nature and architecture into poetic landscapes, he honors the spirit of place and invites viewers on a sensory journey through light, space, and time.


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Humphry Repton
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Museum Quality Art Prints
Individual Customization Options

Humphry Repton

United Kingdom of Great Britain and Northern Ireland · 1752–1818 · Landscape painting · 94 artworks found
Weaving nature and architecture into poetic landscapes, he honors the spirit of place and invites viewers on a sensory journey through light, space, and time. more about the artist
Humphry Repton
1752–1818
Born 1752 (Bury St Edmunds)
Died 1818 (Springfield)
Nationality United Kingdom of Great Britain and Northern Ireland
Epochs Landscape painting
Profession architect
Family
Father: John Repton
Mother: Martha Fitch
Spouse: Mary Clarke
Child: John Adey Repton, George Stanley Repton, Edward Repton
Notable works The cromlech, a druidical monument: At Plas Newyd in North Wales ; A seat of the Earl of Uxbridge (1780)
Museums Yale Center for British Art, National Gallery of Ireland, Nationalmuseum Schweden, Metropolitan Museum of Art
Humphry Repton

Humphry Repton

    April 21, 1752   -   March 24, 1818

Humphry Repton was one of the most important landscape architects of the 18th century. His father initially worked as a tax collector. When Repton was 10 years old, his father decided to set up a transport company in Norwich. The family moved from Bury St Edmunds to Norwich where Repton attended the local school. As his father had intended for him to take over the family business, he sent him to the Netherlands at the age of 12 to train his language skills. This should help him in his future business. The young Repton then lived in Rotterdam with a friendly and wealthy family. Here Repton probably made his first acquaintance with high society. He felt comfortable in these circles and began to take an interest in art, culture and above all luxury. After four years he returned to Norwich and found an apprenticeship with a textile merchant. The work enabled him to make several trips to Germany and the Netherlands, where he became familiar with and grew to love the garden art of the regions.

Repton married Mary Clarke at the age of 32. He received a starting capital from his father and started his own business as a textile trader. But Repton was not born to be a merchant and liked to spend more than he earned. After the death of his parents he received a moderate inheritance and sold his poorly running company. With the money he bought a small country estate. Repton tried rather unsuccessfully as a journalist, author and artist. He liked to live like a landed aristocrat, but actually he lacked the money for it. So he got more and more into financial difficulties. His neighbour at that time, the politician William Windham, finally got Repton a job as his private secretary when he was appointed Chief Secretary of Ireland. Repton often travelled with Windham and made a good impression on the high society. However, Windham's term of office was very short for health reasons, which also affected Repton's employment.

Repton had to move with his family to an even smaller house. He was now 36 years old and had a family of six to feed. One of his former school friends was the botanist James Edward Smith. He encouraged Repton to dedicate himself to botany and gardening. Repton, who in the meantime had spent several years in the country and had already been interested in gardens before, took this advice. Because after the great landscape architect Capability Brown died a few years ago, there was no successor. Repton combined his moderate knowledge of gardening with his drawing skills and became very successful. He made watercolours, using overlays to show his clients what he planned for the plots. In addition to his talent, his appearance and the contacts with the upper class that he had built up over the years also played a role.

Artworks by Humphry Repton

94 artworks found
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94 artworks found

Humphry Repton
The Pheasantry, engraved by Jose...
1808 | colour lithograph

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Humphry Repton
 
Undated | Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper

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Humphry Repton
 
1795 | Graphite and watercolor on medium, slightly textured, cream wove paper

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Humphry Repton
 
1793 | pen and ink and watercolour on paper

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Humphry Repton
Two young ladies in calico gowns...
Undated | colour lithograph

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Humphry Repton
Scene near the Temple, from the ...
Undated | watercolour on paper

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Humphry Repton
The Work House, illustration fro...
1816 | colour lithograph

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Humphry Repton
 
1793 | pen and ink and watercolour on paper

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Humphry Repton
 
1793 | pen and ink and watercolour on paper

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Humphry Repton
'A plain appears a hill, or a hi...
Undated | engraving

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Humphry Repton
Red Book for Sheringham Hall, c....
Undated | watercolour on paper

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Humphry Repton
 
Undated | Watercolor on medium, slightly textured, cream wove paper

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Humphry Repton
 
1793 | pen and ink and watercolour on paper

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Humphry Repton
Theory of scale using an obelisk...
Undated | lithograph

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Humphry Repton
 
1790 | pen and ink and watercolour on paper

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Humphry Repton
 
1793 | pen and ink and watercolour on paper

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Humphry Repton
The Pump Room, Bath (coloured aq...
Undated | coloured aquatint

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Humphry Repton
Red Book for Sheringham Hall, c....
Undated | watercolour on paper

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Humphry Repton
 
1790 | pen and ink and watercolour on paper

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Humphry Repton
Red Book for Sheringham Hall, c....
Undated | watercolour on paper

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Humphry Repton
 
1790 | pen and ink and watercolour on paper

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Humphry Repton
Pavilion and Greenhouse for a Go...
1802 | colour lithograph

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Humphry Repton
 
1790 | pen and ink and watercolour on paper

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Humphry Repton
View from the dome, Brighton Pav...
Undated | colour lithograph

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Humphry Repton
View, as proposed to be altered,...
1816 | aquatint

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Humphry Repton
 
1793 | pen and ink and watercolour on paper

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Humphry Repton
South front with west front in p...
Undated | watercolour on paper

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Humphry Repton
General View from the South and ...
1816 | colour lithograph

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Humphry Repton
Illustration from 'Fragments on ...
1816 | lithograph

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Humphry Repton
 
1793 | pen and ink and watercolour on paper

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Humphry Repton
 
1790 | pen and ink and watercolour on paper

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Humphry Repton
General View of Longleat from th...
1816 | colour lithograph

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Humphry Repton
'After' view of the grounds, fro...
Undated | ink on paper

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Humphry Repton
Forcing Garden in Winter, from F...
1816 | colour lithograph

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Humphry Repton
 
1790 | pen and ink and watercolour on paper

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Humphry Repton
General View of Sherringham Bowe...
1812 | watercolour on paper

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Humphry Repton
 
1790 | pen and ink and watercolour on paper

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Humphry Repton
 
1793 | pen and ink and watercolour on paper

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Humphry Repton
The Vinery, from 'Fragments on t...
1816 | colour lithograph

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Humphry Repton
Flower Garden, Valley-Field, fro...
1816 | colour lithograph

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Humphry Repton
Humphrey Repton surveying with a...
Undated | colour lithograph

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Humphry Repton
Sunshine after Rain, from 'Fragm...
1816 | colour lithograph

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Humphry Repton
Window at Barningham (After) fro...
1816 | colour lithograph

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Humphry Repton
 
1790 | pen and ink and watercolour on paper

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Humphry Repton
Lord Sidmouth's, Richmond Park, ...
1816 | coloured engraving

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Humphry Repton
Design for the North Front of a ...
Undated | watercolour over pencil on paper

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Humphry Repton
Panoramic 'after' view, from the...
Undated | watercolour on paper

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Humphry Repton
Lord Sidmouth's, in Richmond Par...
1816 | aquatint

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Humphry Repton
 
1793 | pen and ink and watercolour on paper

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Humphry Repton
Design for a Conduit, Proposed a...
1816 | colour lithograph

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Humphry Repton
View of Sarsden (wc over graphit...
Undated | watercolour over graphite on paper

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Humphry Repton
Design for the South Front of a ...
Undated | watercolour over pencil on paper

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Humphry Repton
Calling card of Humphrey Repton,...
Undated | engraving

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Humphry Repton
View from My Own Cottage in Esse...
1816 | colour lithograph

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Humphry Repton
Luxury of Gardens, from 'Fragmen...
1816 | aquatint

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Humphry Repton
View from My Own Cottage in Esse...
1816 | colour lithograph

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Humphry Repton
Brighton Pavilion: Proposed view...
Undated | colour lithograph

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Humphry Repton
The south front with east front ...
Undated | watercolour on paper

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Humphry Repton
Elevation and ground plans of pr...
Undated | watercolour on paper

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Humphry Repton
 
1790 | pen and ink and watercolour on paper

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Humphry Repton
Red Book for Sheringham Hall, c....
Undated | watercolour on paper

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Humphry Repton
The Work House, from 'Fragments ...
1816 | colour lithograph

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Humphry Repton
Lord Sidmouth's, in Richmond Par...
1816 | aquatint

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Humphry Repton
 
1790 | pen and ink and watercolour on paper

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Humphry Repton
Panoramic 'before' view, from th...
Undated | watercolour on paper

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Humphry Repton
Brighton Pavilion showing garden...
Undated | color lithograph

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Humphry Repton
The Harwich Coach (wc on wove pa...
Undated | watercolour on wove paper

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Humphry Repton
Garden design, from 'Fragments o...
1816 |

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Humphry Repton
Corridor of a Conservatory, engr...
1808 | colour lithograph

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Humphry Repton
'Before' view of the grounds, fr...
Undated | ink on paper

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Humphry Repton
'The Work House', 1816
1816 | lithograph

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Humphry Repton
Interiors: The Old Cedar Parlour...
1816 | colour lithograph

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Humphry Repton
General View from the South and ...
1816 | colour lithograph

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Humphry Repton
Map from "Red Books", for "Mogen...
1792 | watercolour on paper

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Humphry Repton
 
1793 | pen and ink and watercolour on paper

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Humphry Repton
Design for a Cottage Ornée in th...
Undated | watercolour

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Humphry Repton
A Plan Explained, from 'Fragment...
1816 | colour lithograph

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Humphry Repton
Window at Barningham (Before) fr...
1816 | colour lithograph

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Humphry Repton
 
1790 | pen and ink and watercolour on paper

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Humphry Repton
 
1811 | watercolour and pencil on paper

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Humphry Repton
Detail of a View of Sherringham ...
1812 | watercolour on paper

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Humphry Repton
Fence near the House, from 'Frag...
1816 | lithograph

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Humphry Repton
 
1790 | watercolour on paper

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Humphry Repton
Beaudesert, Staffordshire, from ...
1816 | colour lithograph

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Humphry Repton
Luxury of Gardens, from 'Fragmen...
1816 | lithograph

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Humphry Repton
Sketches and Hints on Landscape ...
1794 |

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Page 1 / 1

About the artist

Humphry Repton
Humphry Repton
1752–1818
Born1752 (Bury St Edmunds)
Died1818 (Springfield)
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsLandscape painting
Professionarchitect
Family
Father: John Repton
Mother: Martha Fitch
Spouse: Mary Clarke
Child: John Adey Repton, George Stanley Repton, Edward Repton
Notable worksThe cromlech, a druidical monument: At Plas Newyd in North Wales ; A seat of the Earl of Uxbridge (1780)
MuseumsYale Center for British Art, National Gallery of Ireland, Nationalmuseum Schweden, Metropolitan Museum of Art

Humphry Repton was one of the most important landscape architects of the 18th century. His father initially worked as a tax collector. When Repton was 10 years old, his father decided to set up a transport company in Norwich. The family moved from Bury St Edmunds to Norwich where Repton attended the local school. As his father had intended for him to take over the family business, he sent him to the Netherlands at the age of 12 to train his language skills. This should help him in his future business. The young Repton then lived in Rotterdam with a friendly and wealthy family. Here Repton probably made his first acquaintance with high society. He felt comfortable in these circles and began to take an interest in art, culture and above all luxury. After four years he returned to Norwich and found an apprenticeship with a textile merchant. The work enabled him to make several trips to Germany and the Netherlands, where he became familiar with and grew to love the garden art of the regions.

Repton married Mary Clarke at the age of 32. He received a starting capital from his father and started his own business as a textile trader. But Repton was not born to be a merchant and liked to spend more than he earned. After the death of his parents he received a moderate inheritance and sold his poorly running company. With the money he bought a small country estate. Repton tried rather unsuccessfully as a journalist, author and artist. He liked to live like a landed aristocrat, but actually he lacked the money for it. So he got more and more into financial difficulties. His neighbour at that time, the politician William Windham, finally got Repton a job as his private secretary when he was appointed Chief Secretary of Ireland. Repton often travelled with Windham and made a good impression on the high society. However, Windham's term of office was very short for health reasons, which also affected Repton's employment.

Repton had to move with his family to an even smaller house. He was now 36 years old and had a family of six to feed. One of his former school friends was the botanist James Edward Smith. He encouraged Repton to dedicate himself to botany and gardening. Repton, who in the meantime had spent several years in the country and had already been interested in gardens before, took this advice. Because after the great landscape architect Capability Brown died a few years ago, there was no successor. Repton combined his moderate knowledge of gardening with his drawing skills and became very successful. He made watercolours, using overlays to show his clients what he planned for the plots. In addition to his talent, his appearance and the contacts with the upper class that he had built up over the years also played a role.



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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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Post.at DHL Express Quehenberger Cargoboard


               

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