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Henry Fuseli

Henry Fuseli

   Romantic
162 artworks found



The Nightmare Leaving Two Sleeping Women, 1810 (graphite und wc on paper)
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Scene of Witches from 'The Masque of Queens' by Benjamin Jonson (1572-1637) c...
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Titania Awakes, Surrounded by Attendant Fairies, clinging rapturously to Bott...
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Titania kissing Bottom in A Midsummer Night's Dream
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Allegory of Vanity, 1811 (pen, pencil und wc on paper)
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Titania, Bottom and the Fairies, Act 4, Scene 1 of A Midsummer Night's Dream,...
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Drawing for the frontispiece of 'The Botanic Garden', by Erasmus Darwin (1731...
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The Confederates Arriving at the Rutli (pen und wash on paper)
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The Witch and the Mandrake, 18th century (pencil und wc on paper)
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Drawing for the Frontispiece of Erasmus Darwin's The Botanic Garden
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Zethos, Antiope and Amphion, 1770 (pen, ink und wash on paper)
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Die Vision der Katharina von Aragon. 1781
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'Here I and Sorrow Sit', Act II Scene I of 'King John' by William Shakespeare...
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Death of Cardinal Beaufort, illustration from Shakespeare's 'Henry VI', 1772 ...
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Titania finds the magic ring on the shore, from 'Oberon' by Christoph Martin ...
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Man with Two Dead Women, c.1772 (pen und brown ink with grey wash on paper)
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Cassandra Raving, 18th century (pencil, chalk und wash on paper)
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Portrait of Anna Magdalene Schweizer, née Hess
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Young woman with elaborate coiffure standing with outstretched right arm (pen...
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Henry Fuseli

Henry Fuseli

   •   Romantic   •   Wikipedia: Henry Fuseli
162 artworks found

Henry Fuseli, born as Johann Heinrich Fuseli in Zurich in 1741, is one of the most remarkable painters of his time. Fuseli came from an educated milieu and received his first painting impulses from his father, who was himself a landscape and still life painter. Fuseli's sisters were also painters. After studying theology, Henry Fuseli first became a pastor, but then had to leave his home town Zurich because of critical writings. At that time the painting pastor had already studied the ancient writings of Homer, Shakespeare and Dante.

In 1764 Fuseli settled in London after a short stay in Berlin, where he had made a name for himself as a translator. The portrait painter Sir Joshua Reynolds helped him to concentrate on painting in the future. Between 1770 and 1778, Fuseli lived in Rome, studied Michelangelo's works intensively and became involved with the art of antiquity. Back in London, Fuseli was admitted to the Royal Academy: His reputation was already legendary at that time. With the oil painting "Thor's Fight with the Midgard Serpent" Fuseli was appointed a full member of the Academy. A few years later he also became a professor.

What distinguishes the painting of the Swiss-English artist? Fuselis art is considered suggestive, demonic, intensely sensual. The visionary, even horrible, is the theme of his painting. Fuseli translates this, as in "Titania and Bottom", into sensual colours and strong light-dark contrasts. At the same time the painter was a lover of theatre and literature. In an emotional way he illustrated Shakespeare's dramas, for example "Hamlet", in drastic black and white colouring. The painting "The three witches appear Macbeth and Banquo" is magnificent in its dark colours and tangible drama. © Meisterdrucke




Henry Fuseli
 
1781 | Oil on canvas

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Henry Fuseli
 
Undated | Oil on canvas

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Henry Fuseli
 
Undated |

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Henry Fuseli
 
1795 | Graphite on paper

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1795 | Graphite on paper

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Henry Fuseli
 
Undated |

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Henry Fuseli
 
Undated |

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Henry Fuseli
The Nightmare Leaving Two Sleepi...
1810 | graphite and watercolour on paper

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The Nightmare Leaving Two Sleepi...
1810 | graphite and watercolour on paper

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Henry Fuseli
 
Undated | Oil on canvas

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Henry Fuseli
 
Undated | Oil on canvas

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Henry Fuseli
 
1792 | Oil on canvas

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Henry Fuseli
Scene of Witches from 'The Masqu...
Undated | Oil on canvas

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Henry Fuseli
 
1790 |

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Henry Fuseli
Titania Awakes, Surrounded by At...
Undated | Oil on canvas

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Henry Fuseli
 
1785 | Oil on canvas

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Henry Fuseli
Titania's Awakening, c.1785-90
1790 |

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Titania's Awakening, c.1785-90
1790 |

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Henry Fuseli
Titania kissing Bottom in A Mids...
Undated | engraving

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Titania kissing Bottom in A Mids...
0 | engraving

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Henry Fuseli
 
Undated | Watercolor on paper

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Henry Fuseli
 
Undated | Oil on canvas

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Henry Fuseli
 
Undated | engraving

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Henry Fuseli
 
1783 | Oil on canvas

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Henry Fuseli
Allegory of Vanity, 1811 (pen, p...
1811 | pen, pencil and watercolour

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Allegory of Vanity, 1811 (pen, p...
1811 | pen, pencil and watercolour

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Henry Fuseli
 
1783 | Oil on canvas

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Henry Fuseli
Titania, Bottom and the Fairies,...
1803 | engraving

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Henry Fuseli
 
1785 | Oil on canvas

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Henry Fuseli
 
1781 | Oil on canvas

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1781 | Oil on canvas

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Henry Fuseli
 
1790 | Oil on canvas

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Henry Fuseli
 
1802 | Ink and pen on paper

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Henry Fuseli
The Negro Avenged, 1806/7
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Henry Fuseli
Drawing for the frontispiece of ...
Undated | graphite on paper

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Henry Fuseli
 
1778 | oil painting

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Henry Fuseli
The Confederates Arriving at the...
Undated | pen and wash on paper

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The Confederates Arriving at the...
0 | pen and wash on paper

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Henry Fuseli
 
Undated | engraving

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Henry Fuseli
Michelangelo Buonarroti
Undated | engraving

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Michelangelo Buonarroti
0 | engraving

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Henry Fuseli
 
Undated | pen and ink and watercolour on paper

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Henry Fuseli
The Witch and the Mandrake, 18th...
Undated | pencil and chalk on paper

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The Witch and the Mandrake, 18th...
0 | pencil and chalk on paper

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Henry Fuseli
 
18th century | Oil on canvas

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Henry Fuseli
 
1778 | Ink on paper

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Henry Fuseli
 
1805 | Ink on paper

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Henry Fuseli
 
241 | Watercolor on paper

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241 | Watercolor on paper

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Henry Fuseli
 
1789 | Graphite on paper

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Henry Fuseli
Drawing for the Frontispiece of ...
222 |

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Henry Fuseli
 
Undated |

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Henry Fuseli
 
1792 | Oil on canvas

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Henry Fuseli
 
Undated | pen and wash on paper

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Henry Fuseli
Zethos, Antiope and Amphion, 177...
1770 | pen, ink and wash on paper

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Zethos, Antiope and Amphion, 177...
1770 | pen, ink and wash on paper

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Henry Fuseli
Die Vision der Katharina von Ara...
Undated | oil on canvas

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Die Vision der Katharina von Ara...
0 | oil on canvas

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Henry Fuseli
 
Undated | Oil on canvas

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Henry Fuseli
'Here I and Sorrow Sit', Act II ...
1783 | Oil on canvas

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Henry Fuseli
Death of Cardinal Beaufort, illu...
1772 | pen, ink and wash on paper

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Death of Cardinal Beaufort, illu...
1772 | pen, ink and wash on paper

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Henry Fuseli
Titania finds the magic ring on ...
Undated | Oil on canvas

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Henry Fuseli
 
Undated | engraving

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Henry Fuseli
 
Undated | watercolour over pencil on paper

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Henry Fuseli
 
1772 | pen, ink and sepia wash over traces of pencil on paper

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1772 | pen, ink and sepia wash over traces of pencil on paper

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Henry Fuseli
 
Undated | engraving

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Henry Fuseli
 
18th century | pen and ink wash on paper

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Henry Fuseli
Man with Two Dead Women, c.1772 ...
Undated | pen and brown ink with grey wash on paper

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Man with Two Dead Women, c.1772 ...
0 | pen and brown ink with grey wash on paper

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Henry Fuseli
 
Undated | engraving

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Henry Fuseli
Cassandra Raving, 18th century (...
Undated | pencil, chalk and wash on paper

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Cassandra Raving, 18th century (...
0 | pencil, chalk and wash on paper

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Henry Fuseli
 
Undated | pencil, watercolour and ink on paper

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Henry Fuseli
Portrait of Anna Magdalene Schwe...
1779 | Unknown

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Portrait of Anna Magdalene Schwe...
1779 | Unknown

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Henry Fuseli
Young woman with elaborate coiff...
Undated |

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Henry Fuseli
Study of a woman (pencil, pen & ...
Undated |

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Henry Fuseli
 
Undated | black chalk on paper

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0 | black chalk on paper

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Henry Fuseli
 
Undated | Oil on canvas

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Henry Fuseli
 
1804 | Graphite on paper

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Henry Fuseli
 
1793 | Graphite on paper

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Henry Fuseli
 
1811 | Watercolor on paper

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Page 1 / 2




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