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Frederic Remington

Frederic Remington

   Illustration
194 artworks found



Through bush, and brake, and forest, Ran the cunning Pau-Puk-Keewis, from The...
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An Amoor Cossack (Cossack of the Amoors) 1892-94 (wc and pen & ink on paper)
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And her lovers, the rejected,... Handsome men with paint and feathers, from T...
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Glared like Ishkoodah, the comet, Like the star with fiery tresses, from The ...
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Francisco Vasquez de Coronado (c.1510-54) Making his Way Across New Mexico, f...
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Through the shadows and the sunshine, Treading softly like a panther, from Th...
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Lewis and Clark at the mouth of the Columbia River, 1805, from 'Collier's Mag...
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Early Pioneers on the Blue Ridge, engraved by F. H. Wellington, from 'Century...
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Came the Black-Robe chief,... the Pale-face, With his guides and his companio...
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Then he sat down, still and speechless,... At the feet of Laughing Water, fro...
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A Call to Arms (Dragoons, Mount!) 1892-93 (wc, gouache, pen & ink, pencil & b...
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All the old men and the young men... Played till midnight, played till mornin...
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I will follow you, my husband, from The Song of Hiawatha by Henry Wadsworth L...
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Like a ghost that goes at sunrise, He beheld a maiden walking, from The Song ...
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From his pouch he drew his peace-pipe,... Gave it to his guest, the stranger,...
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Such as these the shapes they painted, On the birch-bark and the deer-skin, f...
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Sideways fell into the river, Plunged beneath the sluggish water, from The So...
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Cattle in a Kansas Corn Corral, illustration from 'Harper's Weekly', 1888, fr...
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Field Hospital at 'The Bloody Ford' of San Juan Creek, 1898
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Zebulon Pike Entering Santa Fe, illustration published in 'Collier's Weekly',...
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Jedediah Smith making his way across the desert from Green River to the Spani...
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Lewis and Clark at the mouth of the Columbia River, 1805, from 'Collier's Mag...
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All the tribes beheld the signal, Saw the distant smoke ascending, from The S...
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Then, upon one knee uprising, Hiawatha aimed an arrow, from The Song of Hiawa...
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Then began the greatest battle, That the sun had ever looked on, from The Son...
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Sat down in the farthest corner, Crouching low among the shadows, from The So...
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Frederic Remington

Frederic Remington

   •   Illustration   •   Wikipedia: Frederic Remington
194 artworks found

The barren ground is whirled up to fine dust by the stomping hooves of the noble steed. The rider's upper body is bent forward; it is a scene full of dynamics and power. It is also a picture of the kind seen not only in America but also in the rest of the world when people talk about the so-called Wild West. Even if we know today that many of these seemingly typical depictions were too romanticised, the artists of the second half of the 19th century still shaped all of our images of the conquest of the West.

Artists like Frederic Remington. Today he is very well known for his illustrations of the Wild West and those who know his complete works will find few other motifs. Remington was an East Coast resident through and through, born and educated in New York and at Yale University in Connecticut. Remington had his first contact with the West of the country at the age of 19, when he wanted to buy a ranch in Montana. The project failed due to a lack of financial resources, but the vastness of the country, which he was able to experience there with his own eyes as well as skirmishes between the Native Americans and the US cavalry, was to have a lasting influence on his work from then on. In fact, Remington had more direct experience with his subject matter through his now more frequent travels than many of his artist colleagues, who also painted scenes from the Wild West.

Remington's work lives above all from the representation of what most viewers do not know from their own experience. His choice of motifs and his unmistakable talent for the right perspective, as well as his ability to depict things in a way that is both vivid and artistic, made him a correspondent for influential weekly magazines. His pictures were widely distributed. Even President Theodore Roosevelt, himself a friend of the landscapes of the West, took note of them and noticed that the cowboys and ranchers, the horses and herds of cattle come alive in Remington's pictures. Towards the end of his career, he increasingly devoted himself to sculpture, with similar motifs also being a priority in this art. Remington also created a remarkable series of paintings in which he made the darkness and the colours of the night his subject. © Meisterdrucke




Frederic Remington
Through bush, and brake, and for...
1911 | lithograph

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Frederic Remington
 
Undated |

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Frederic Remington
 
1903 | Oil on canvas

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Frederic Remington
 
1906 | Oil on canvas

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Frederic Remington
 
1889 | watercolour, ink and gouache on paper

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Frederic Remington
 
1909 | colour lithograph

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Frederic Remington
 
1909 | Oil on canvas

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Frederic Remington
 
1891 | Oil on canvas

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Frederic Remington
An Amoor Cossack (Cossack of the...
Undated | watercolour and pen and ink on paper

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An Amoor Cossack (Cossack of the...
0 | watercolour and pen and ink on paper

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Frederic Remington
And her lovers, the rejected,......
1911 | lithograph

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Frederic Remington
Glared like Ishkoodah, the comet...
1911 | lithograph

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Frederic Remington
 
1906 | colour lithograph

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Frederic Remington
 
Undated | Oil on canvas

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Frederic Remington
 
Undated | Oil on canvas

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Frederic Remington
 
1890 | Oil on canvas

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Frederic Remington
Francisco Vasquez de Coronado (c...
1905 | Oil on canvas

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Frederic Remington
Through the shadows and the suns...
1911 | lithograph

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Frederic Remington
 
1889 | bronze with brown patina

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Frederic Remington
 
1893 |

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Frederic Remington
 
Undated | Oil on canvas

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Frederic Remington
 
1899 | Oil on canvas

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Frederic Remington
 
1907 | Oil on canvas

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Frederic Remington
 
19th century | Oil on canvas

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Frederic Remington
 
1896 | Oil on canvas

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Frederic Remington
Lewis and Clark at the mouth of ...
1906 | engraving

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Frederic Remington
Early Pioneers on the Blue Ridge...
1901 | engraving

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Frederic Remington
 
1920 | colour lithograph

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Frederic Remington
 
Undated | Oil on canvas

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Frederic Remington
 
1889 |

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Frederic Remington
Came the Black-Robe chief,... th...
1911 | lithograph

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Frederic Remington
Then he sat down, still and spee...
1911 | lithograph

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Frederic Remington
 
1895 | Oil on canvas

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Frederic Remington
A Call to Arms (Dragoons, Mount!...
Undated | watercolour, gouache, pen and ink, pencil and bodycolour on paper

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A Call to Arms (Dragoons, Mount!...
0 | watercolour, gouache, pen and ink, pencil and bodycolour on paper

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Frederic Remington
 
1887 | Oil on canvas

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Frederic Remington
 
1899 | Oil on canvas

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Frederic Remington
 
1899 | Oil on canvas

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Frederic Remington
 
1903 | Oil on canvas

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Frederic Remington
 
1871 | Ink on paper

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1871 | Ink on paper

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Frederic Remington
 
1908 | oil on canvas

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Frederic Remington
 
1908 | oil on canvas

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Frederic Remington
 
Undated | wood engraving on newsprint

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Frederic Remington
All the old men and the young me...
1911 | lithograph

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Frederic Remington
 
Undated |

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Frederic Remington
I will follow you, my husband, f...
1911 | lithograph

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Frederic Remington
Like a ghost that goes at sunris...
1911 | lithograph

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Frederic Remington
 
Undated | Oil on canvas

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Frederic Remington
From his pouch he drew his peace...
1911 | lithograph

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Frederic Remington
 
1908 | Oil on canvas

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Frederic Remington
Such as these the shapes they pa...
1911 | lithograph

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Frederic Remington
 
1888 |

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Frederic Remington
Sideways fell into the river, Pl...
1911 | lithograph

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Frederic Remington
 
1905 | colour lithograph

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Frederic Remington
 
1908 | oil on composition board

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Frederic Remington
 
1898 | Oil on canvas

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Frederic Remington
Friends or Foes?
1902 |

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Frederic Remington
Unbekanntes Bild
Undated |

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Frederic Remington
 
Undated |

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Frederic Remington
 
Undated | watercolour on paper

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Frederic Remington
 
1891 | Oil on canvas

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Frederic Remington
 
1908 | colour lithograph

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Frederic Remington
La Vérendrye from Colliers Weekl...
1905 | colour lithograph

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La Vérendrye from Colliers Weekl...
1905 | colour lithograph

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Frederic Remington
 
Undated | Oil on canvas

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Frederic Remington
 
1889 | Watercolor on paper

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1889 | Watercolor on paper

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Frederic Remington
 
1908 | Oil on canvas

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Frederic Remington
 
1871 | Ink on paper

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Frederic Remington
Cattle in a Kansas Corn Corral, ...
1926 | engraving

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Frederic Remington
Field Hospital at 'The Bloody Fo...
1898 | Watercolor on paper

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Field Hospital at 'The Bloody Fo...
1898 | Watercolor on paper

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Frederic Remington
Grimes's Battery going up El Poz...
Undated | colour lithograph

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Grimes's Battery going up El Poz...
0 | colour lithograph

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Frederic Remington
Zebulon Pike Entering Santa Fe, ...
1906 | print

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Frederic Remington
 
1893 | watercolour on paper

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Frederic Remington
Jedediah Smith making his way ac...
1906 | Oil on canvas

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Frederic Remington
 
Undated | pen and ink on paper

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0 | pen and ink on paper

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Frederic Remington
Lewis and Clark at the mouth of ...
1906 | colour engraving

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Frederic Remington
All the tribes beheld the signal...
1911 | lithograph

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Frederic Remington
 
1889 | Oil on canvas

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Frederic Remington
Then, upon one knee uprising, Hi...
1911 | lithograph

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Frederic Remington
Then began the greatest battle, ...
1911 | lithograph

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Frederic Remington
Sat down in the farthest corner,...
1911 | lithograph

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Page 1 / 2




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