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Frederic Remington
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

Frederic Remington

United States of America · 1861–1909 · Impressionism, Realism, Realism, Illustration, Hudson River School · 368 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Frederic Remington
1861–1909
Born October 4, 1861 (Canton)
Died December 26, 1909 (Ridgefield) at the age of 48
Nationality United States of America
Epochs Impressionism, Realism, Realism, Illustration, Hudson River School
Genre Landschaftsmalerei, Genremalerei
Profession Bildhauer, Maler, Illustrator, Schriftsteller
Memberships
American Academy of Arts and Letters
Notable works A Dash for the Timber (1889), The Advance-Guard, or The Military Sacrifice (The Ambush) (1890), The Rattlesnake, Cold Morning on the Range (1904), Fired On (1907)
Museums Museum of Fine Arts, Houston, Art Institute of Chicago, Americanart, Metropolitan Museum of Art, Brooklyn Museum
Frederic Remington

Frederic Remington

    October 4, 1861   -   December 26, 1909

The barren ground is whirled up to fine dust by the stomping hooves of the noble steed. The rider's upper body is bent forward; it is a scene full of dynamics and power. It is also a picture of the kind seen not only in America but also in the rest of the world when people talk about the so-called Wild West. Even if we know today that many of these seemingly typical depictions were too romanticised, the artists of the second half of the 19th century still shaped all of our images of the conquest of the West.

Artists like Frederic Remington. Today he is very well known for his illustrations of the Wild West and those who know his complete works will find few other motifs. Remington was an East Coast resident through and through, born and educated in New York and at Yale University in Connecticut. Remington had his first contact with the West of the country at the age of 19, when he wanted to buy a ranch in Montana. The project failed due to a lack of financial resources, but the vastness of the country, which he was able to experience there with his own eyes as well as skirmishes between the Native Americans and the US cavalry, was to have a lasting influence on his work from then on. In fact, Remington had more direct experience with his subject matter through his now more frequent travels than many of his artist colleagues, who also painted scenes from the Wild West.

Remington's work lives above all from the representation of what most viewers do not know from their own experience. His choice of motifs and his unmistakable talent for the right perspective, as well as his ability to depict things in a way that is both vivid and artistic, made him a correspondent for influential weekly magazines. His pictures were widely distributed. Even President Theodore Roosevelt, himself a friend of the landscapes of the West, took note of them and noticed that the cowboys and ranchers, the horses and herds of cattle come alive in Remington's pictures. Towards the end of his career, he increasingly devoted himself to sculpture, with similar motifs also being a priority in this art. Remington also created a remarkable series of paintings in which he made the darkness and the colours of the night his subject.

Artworks by Frederic Remington

368 artworks found
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368 artworks found

Frederic Remington
Apache Ambush (oil on canvas)
19th century | oil on canvas

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Frederic Remington
Trailing Texas Longhorns (oil on...
Undated | oil on canvas

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Frederic Remington
Aiding a Comrade (Past All Surge...
1890 | oil on canvas

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Frederic Remington
 
1904 | oil on canvas

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Frederic Remington
Scouts Climbing a Mountain, 1891
1891 | oil on canvas

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Frederic Remington
Fight for the Waterhole, 1903
1903 | oil on canvas

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Frederic Remington
On the Southern Plains, 1907.
Undated |

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Frederic Remington
The Outlier, 1909
1909 | oil on canvas

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Frederic Remington
Pitched It Sheer into the River ...
1889 |

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Frederic Remington
Galloping Horseman, c.1890
Undated | oil on canvas

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Frederic Remington
 
1902 |

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Frederic Remington
The Hussar (Private of the Hussa...
1893 | oil on canvas

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Frederic Remington
 
1891 | oil on canvas

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Frederic Remington
 
Undated |

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Frederic Remington
The Fire Eater Raised His Arms t...
19th century | oil on canvas

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Frederic Remington
The Lookout, 1887
1887 | oil on canvas

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Frederic Remington
Francisco Vasquez de Coronado (c...
1905 | oil on canvas

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Frederic Remington
The Mier Expedition- The Drawing...
1896 | oil on canvas

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Frederic Remington
Episode of the Buffalo Gun (The ...
1909 | oil on canvas

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Frederic Remington
 
1890 | oil on canvas

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Frederic Remington
The Cowboy (oil on canvas)
Undated | oil on canvas

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Frederic Remington
Ceremony of the Fastest Horse, c...
19th century | oil on canvas

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Frederic Remington
The Advance-Guard, or The Milita...
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Frederic Remington
The Last Stand (Twenty-Five to O...
1896 | oil on canvas

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Frederic Remington
The Cheyenne
Undated | bronze with brown patina

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Frederic Remington
The Flight (A Sage-Brush Pioneer...
1895 | oil on canvas

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Henry Wolf
 
Undated |

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Frederic Remington
The Grass Fire (Backfiring), 1908
1908 | oil on canvas

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Frederic Remington
 
1902 |

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Frederic Remington
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Frederic Remington
How Order No. 6 went through, or...
Undated | oil on canvas

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Frederic Remington
A Mexican Vaquero, 1890.
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Frederic Remington
 
1896 |

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Frederic Remington
 
1893 |

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Frederic Remington
 
1903 | oil on canvas

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Frederic Remington
 
1890 | oil on canvas

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Frederic Remington
The Herd Boy, c.1905 (oil on can...
1905 | oil on canvas

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Frederic Remington
Smoke Signals (oil on canvas)
Undated | oil on canvas

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Frederic Remington
 
1907 | oil on canvas

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Frederic Remington
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Frederic Remington
 
1895 |

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Frederic Remington
Change of Ownership (The Stamped...
1903 | oil on canvas

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Frederic Remington
Lewis and Clark at the mouth of ...
1906 | colour engraving

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Frederic Remington
The Scout, c. 1902
1902 | oil on canvas

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Frederic Remington
The Mier Expedition: The Drawin...
1896 |

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Frederic Remington
 
1889 | Watercolor on paper

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Frederic Remington
Historians of the Tribe, 1890-99
1890 | oil on canvas

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Frederic Remington
 
19th century | oil on canvas

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Frederic Remington
The Fire-Eater Slung His Victim ...
Undated | bronze/bronze

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Frederic Remington
The Mountain Man
Undated | bronze with greenish-brown patina

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Frederic Remington
 
1887 |

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Frederic Remington
 
1895 | bronze

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Frederic Remington
 
1903 | bronze

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Frederic Remington
 
1890 | oil on canvas

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Frederic Remington
 
1895 |

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Frederic Remington
Rushing Red Lodges Passed throug...
19th century |

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Frederic Remington
 
1903 |

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Frederic Remington
The Bronco Buster,
Undated | bronze with greenish brown patina

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Frederic Remington
 
Undated |

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Frederic Remington
 
1871 | Ink on paper

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Frederic Remington
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Frederic Remington
 
1901 |

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Frederic Remington
I will follow you, my husband, f...
1911 | lithograph

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Frederic Remington
Indians attacking a pioneer wago...
Undated | oil on canvas

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Frederic Remington
Thus the birch canoe was builded...
1911 | lithograph

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Frederic Remington
The Infantry Square, c.1893
1893 | oil on canvas

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Frederic Remington
The Outlaw (bronze with brownish...
Undated | bronze with brownish-green patina

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Frederic Remington
Mexican Gendarmes asking the Way...
1890 | pen and brush and black ink on paper laid on board

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Frederic Remington
The Smoke Signal, pub.c.1920
1920 | colour lithograph

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Frederic Remington
French-Canadian fur trapper doin...
Undated | colour lithograph

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Frederic Remington
The Going of the Medicine-Horse ...
1897 | oil on canvas

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Frederic Remington
 
1896 | bronze

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Frederic Remington
An Army Mail Ambulance, from Har...
1890 | colour lithograph

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Frederic Remington
Disbanding Gomez Army, 1899
1899 | oil on canvas

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Frederic Remington
 
1886 | gouache on paper

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Frederic Remington
Toro, Toro!, an Old-Time Califor...
Undated | Wood engraving on newsprint

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Frederic Remington
 
1887 |

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Frederic Remington
Apache Scouts lead army patrol o...
Undated | lithograph

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Frederic Remington
 
1893 |

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Frederic Remington
The Dry Leaves Had Lasted Longer...
1899 | oil on canvas

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Frederic Remington
Jedediah Smith making his way ac...
1906 | oil on canvas

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Frederic Remington
I can blow you strong, my brothe...
1911 | lithograph

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Frederic Remington
The Emigrants, c.1904
1904 | oil on canvas

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Frederic Remington
What an Unbranded Cow Has Cost, ...
1895 | oil on canvas

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Frederic Remington
 
1893 | oil on canvas

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Frederic Remington
 
1909 | color lithograph

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Frederic Remington
 
1889 | oil on canvas

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Frederic Remington
The Mier Expedition: The Drawing...
1869 | oil on canvas

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Frederic Remington
 
1895 | bronze

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Frederic Remington
U.S. Soldier, Spanish-American W...
1899 | oil on canvas

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Frederic Remington
The Defeat of Crazy Horse (The D...
1901 | oil on canvas

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Page 1 / 4

About the artist

Frederic Remington
Frederic Remington
1861–1909
BornOctober 4, 1861 (Canton)
DiedDecember 26, 1909 (Ridgefield) at the age of 48
NationalityUnited States of America
EpochsImpressionism, Realism, Realism, Illustration, Hudson River School
GenreLandschaftsmalerei, Genremalerei
ProfessionBildhauer, Maler, Illustrator, Schriftsteller
Memberships
American Academy of Arts and Letters
Notable worksA Dash for the Timber (1889), The Advance-Guard, or The Military Sacrifice (The Ambush) (1890), The Rattlesnake, Cold Morning on the Range (1904), Fired On (1907)
MuseumsMuseum of Fine Arts, Houston, Art Institute of Chicago, Americanart, Metropolitan Museum of Art, Brooklyn Museum

The barren ground is whirled up to fine dust by the stomping hooves of the noble steed. The rider's upper body is bent forward; it is a scene full of dynamics and power. It is also a picture of the kind seen not only in America but also in the rest of the world when people talk about the so-called Wild West. Even if we know today that many of these seemingly typical depictions were too romanticised, the artists of the second half of the 19th century still shaped all of our images of the conquest of the West.

Artists like Frederic Remington. Today he is very well known for his illustrations of the Wild West and those who know his complete works will find few other motifs. Remington was an East Coast resident through and through, born and educated in New York and at Yale University in Connecticut. Remington had his first contact with the West of the country at the age of 19, when he wanted to buy a ranch in Montana. The project failed due to a lack of financial resources, but the vastness of the country, which he was able to experience there with his own eyes as well as skirmishes between the Native Americans and the US cavalry, was to have a lasting influence on his work from then on. In fact, Remington had more direct experience with his subject matter through his now more frequent travels than many of his artist colleagues, who also painted scenes from the Wild West.

Remington's work lives above all from the representation of what most viewers do not know from their own experience. His choice of motifs and his unmistakable talent for the right perspective, as well as his ability to depict things in a way that is both vivid and artistic, made him a correspondent for influential weekly magazines. His pictures were widely distributed. Even President Theodore Roosevelt, himself a friend of the landscapes of the West, took note of them and noticed that the cowboys and ranchers, the horses and herds of cattle come alive in Remington's pictures. Towards the end of his career, he increasingly devoted himself to sculpture, with similar motifs also being a priority in this art. Remington also created a remarkable series of paintings in which he made the darkness and the colours of the night his subject.



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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