| Born | 1833 (Birmingham) |
| Died | 1898 (London) |
| Nationality | United Kingdom of Great Britain and Northern Ireland |
| Epochs | Pre Raphaelites, Symbolism, Victorian Art |
| Genre | history painting, religious art, genre painting, mythological painting, portrait |
| Profession | painter, draftsperson, designer, illustrator, architectural drafter, watercolorist, pastellist |
| Family | Father: Edward Richard Jones Mother: Elizabeth Coley Spouse: Georgiana Burne-Jones Child: Philip Burne-Jones, Margaret Mackail, Christopher Burne-Jones Sibling: Edith Jones |
| Influenced by | Dante Gabriel Rossetti |
| Memberships | Royal Academy of Arts |
| Notable works | The Beguiling of Merlin (1872), King Cophetua and the Beggar Maid (1884), The Golden Stairs (1876), The Merciful Knight (1863), The Wheel of Fortune (1883) |
| Museums | Birmingham Museum and Art Gallery, Los Angeles County Museum of Art (LACMA), Staatsgalerie Stuttgart, Yale Center for British Art, Cleveland Museum of Art |
Edward Burne-Jones experienced his childhood in industrial Birmingham and began his artistic career while still at school. He decided to study theology. Here he met the later designer William Morris, both became friends and broke off their studies together. They devoted themselves to art and worked together as partners. In the circle of the Pre-Raphaelites Burne-Jones found his spiritual home and became one of the most important representatives of the artists' association.
But Edward Burne-Jones wanted more than just the reproduction of a motif, art should enter the life and the living space. He was not only an artist but also a craftsman and with this approach he is regarded as the founder of arts and crafts. In contrast to the grey environment of industry, he created a world of fairy tales, sagas and legends. Based on literary models, he created stained glass windows, ceramic plates, furniture and tapestries. Together with his companion Morris, he is considered the founder of modern design.
His Sleeping Beauty interpretation of the fairy tale Sleeping Beauty, as well as depictions of King Arthur and the Knights of the Round Table are detailed.
The figure of Venus reflected in the water in Mirror of Venus shows the penchant the designer developed for mythological themes.
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| Born | 1833 (Birmingham) |
| Died | 1898 (London) |
| Nationality | United Kingdom of Great Britain and Northern Ireland |
| Epochs | Pre Raphaelites, Symbolism, Victorian Art |
| Genre | history painting, religious art, genre painting, mythological painting, portrait |
| Profession | painter, draftsperson, designer, illustrator, architectural drafter, watercolorist, pastellist |
| Family | Father: Edward Richard Jones Mother: Elizabeth Coley Spouse: Georgiana Burne-Jones Child: Philip Burne-Jones, Margaret Mackail, Christopher Burne-Jones Sibling: Edith Jones |
| Influenced by | Dante Gabriel Rossetti |
| Memberships | Royal Academy of Arts |
| Notable works | The Beguiling of Merlin (1872), King Cophetua and the Beggar Maid (1884), The Golden Stairs (1876), The Merciful Knight (1863), The Wheel of Fortune (1883) |
| Museums | Birmingham Museum and Art Gallery, Los Angeles County Museum of Art (LACMA), Staatsgalerie Stuttgart, Yale Center for British Art, Cleveland Museum of Art |
Edward Burne-Jones experienced his childhood in industrial Birmingham and began his artistic career while still at school. He decided to study theology. Here he met the later designer William Morris, both became friends and broke off their studies together. They devoted themselves to art and worked together as partners. In the circle of the Pre-Raphaelites Burne-Jones found his spiritual home and became one of the most important representatives of the artists' association.
But Edward Burne-Jones wanted more than just the reproduction of a motif, art should enter the life and the living space. He was not only an artist but also a craftsman and with this approach he is regarded as the founder of arts and crafts. In contrast to the grey environment of industry, he created a world of fairy tales, sagas and legends. Based on literary models, he created stained glass windows, ceramic plates, furniture and tapestries. Together with his companion Morris, he is considered the founder of modern design.
His Sleeping Beauty interpretation of the fairy tale Sleeping Beauty, as well as depictions of King Arthur and the Knights of the Round Table are detailed.
The figure of Venus reflected in the water in Mirror of Venus shows the penchant the designer developed for mythological themes.